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PressPausePlay (2011)

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The digital revolution of the last decade has unleashed creativity and talent of people in an unprecedented way, unleashing unlimited creative opportunities. But does democratized culture ... See full summary »
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2 wins & 1 nomination. See more awards »

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Cast

Credited cast:
Ólafur Arnalds ...
Himself
Scott Belsky ...
Himself
...
Herself
Mike Cosola ...
Himself
André de Ridder ...
Himself
Bill Drummond ...
Himself
...
Herself
David Girhammar ...
Himself
Seth Godin ...
Himself
Zach Hancock ...
Himself
Keith Harris ...
Himself
Norman Hollyn ...
Himself
Hot Chip ...
Themselves
...
Herself
Andrew Keen ...
Himself
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Storyline

The digital revolution of the last decade has unleashed creativity and talent of people in an unprecedented way, unleashing unlimited creative opportunities. But does democratized culture mean better art, film, music and literature or is true talent instead flooded and drowned in the vast digital ocean of mass culture? Is it cultural democracy or mediocrity? This is the question addressed by PressPausePlay, a documentary film containing interviews with some of the world's most influential creators of the digital era. Written by Anonymous

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Taglines:

A Film about Hope, Fear and Digital Culture

Genres:

Documentary | Music

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March 2011 (USA)  »

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Soundtracks

Limelight
Artist: Apparat
Label: P-Vine Japan
Album: Walls
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User Reviews

 
Boring and empty
29 December 2013 | by See all my reviews

Dominating theme of the documentary seems to be "how we all are going to make it again while here are so many of us now?" while viewers are not given a single tangible example of how digitalization has actually changed the actual artistic work-flow and how it would purportedly simplify a creative process given that the objective is still to make something new, fresh and meaningful. Does it really matter then that if the process takes couple of minutes or 6 months then?

After 30 minutes watching I couldn't help but ask myself why all those people tell us things that everyone must have heard and read million times already and why the makers of the documentary suppose that I or someone else would automatically accept their authority and expertise in things that they are talking about.

Even worse, commentators fail to support their opinions with hard facts or wider academic perspective that would help to explain why so many arguably would like to make art themselves now more than previously. While hipsters don't try to disguise their infatuation for their nice new toys, no one explains convincingly why so many now can afford to buy those things, let alone make their art full-time.

While the documentary tells us that "craft is gone" and anyone could make music now, the only thing that epitomizes the assertion is annoying repetitive schmaltz playing in the background.


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