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Oslo, 31. august (2011)

Not Rated | | Drama | 31 August 2011 (Norway)
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One day in the life of Anders, a young recovering drug addict, who takes a brief leave from his treatment center to interview for a job and catch up with old friends in Oslo.

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19 wins & 16 nominations. See more awards »

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Cast

Credited cast:
...
...
Malin
Aksel Thanke ...
Terapeut (as Aksel M. Thanke)
Hans Olav Brenner ...
...
Rebekka
...
David
Tone Beate Mostraum ...
Tove (as Tone B. Mostraum)
Kjærsti Odden Skjeldal ...
Mirjam
Petter Width Kristiansen ...
Petter
Emil Lund ...
Calle
Johanne Kjellevik Ledang ...
Johanne
...
Renate
Andreas Braaten ...
Karsten
Anders Borchgrevink ...
Øystein
Rest of cast listed alphabetically:
Bettina Fleischer ...
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Storyline

Anders is a recovering drug addict in an Oslo rehab clinic. On 30 August, he is given a day's leave to attend a job interview in the city center. After visiting his friend Thomas, he proceeds to his appointment. In the interview, he admits to being a drug addict and storms out. He then wanders the streets of Oslo for the rest of the day and night, meeting, and sometimes confronting, people from his past. The film ends the next day, 31 August. Focusing on the decisions Anders has made with his time off. Written by ikissmymom

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Genres:

Drama

Certificate:

Not Rated | See all certifications »

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Release Date:

31 August 2011 (Norway)  »

Also Known As:

Oslo, 31 de Agosto  »

Box Office

Opening Weekend:

$9,564 (USA) (25 May 2012)

Gross:

$100,713 (USA) (14 September 2012)
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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Anders Danielsen Lie's real-life wife is named Iselin. See more »

Quotes

Thomas: Proust is Proust.
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Connections

Version of The Fire Within (1963) See more »

Soundtracks

Vinnie
Written by D. Grotterud
Performed by Kung Fu Girls
© 1993 Sony Music Norway
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User Reviews

 
Minimal, stylistic, tragic and utterly engrossing.
25 November 2011 | by (United Kingdom) – See all my reviews

The sober rationality of the young Norwegian intellectual classes provides a perfectly blank canvas on which to paint the conversely complex neuroses of the anti-hero, Anders. Anders is an intelligent and gifted opinionist and writer, but his addiction has left him riddled with insecurity. The film focuses on the most pivotal moment of this young man's life as he's tragically stuck between recovery and regression: that moment is both sprinkled with glimmers of hope and drenched in melancholia. Anders' contradiction is the eternal paradox of the addict, and perhaps Trier is presenting it as an allegory of the modern human condition.

Anders Danielsen Lie gives an incredible performance as the enigmatic hero and the acting throughout is consistently authentic, convincing and engrossing. The soft-focus cinematography (Jakob Ihre) works well with a particularly engaging sound design which, along with very conscious direction, editing and general production design, makes for technically masterful cinema with an aesthetic that is both selectively minimal and enjoyably rich.

Oslo is a tragedy. Its simple, melancholic tone and metropolitan landscapes make the film undeniably reminiscent of the French New Wave

  • think Hiroshima Mon Amour in present day Oslo. The film is minimal
and stylized, presenting social realism in an artistic form without losing any of its dramatic potency to surrealism. Utterly convincing and captivating: an instant indie classic.


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