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Jordyn Ashley Olson
In Greeley County, Colorado, the former Sheriff Ben Sloane is an efficient tracker that lives in an isolated cabin in the middle of the woods. After rescuing a young woman that has been abducted, Ben meets Sheriff Darryl Carter tells to him that his estranged son Nick is the prime suspect of killing his co-worker Raymond "Ray" Correlli. Ben heads to Chicago to meet the unfriendly Detective Susan Kincaid that does not help him. Soon Ben learns that Nick is married with Maggie and has a baby son; he worked in the Stetski Brothers Constructor and studied architecture at college. Ben also meets Nick's friend Danny Smalls that tells to him that his job was indicated by his professor Hoffman. Ben goes to the crime scene and finds that Nick did not kill Ray and the crime scene was modified and he suspects that the construction company is hiding something. Will Ben be capable to find tracks to prove the innocence of his son? Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Today I enjoyed watching Concrete Canyons again and was pleased by the slower place and gentle feeling the whole thing has. I've seen this a few times and though it is not a nail biter it's a pretty good way to spend a few relaxing hours.
The score by Stu Goldberg added to that atmosphere with music that is understated with good melodies and pulls all the right strings. He creates pleasant musical support that stays in the background where it belongs and adds just enough tension when in the right places without overshadowing the on-screen action.
Like another review above stated, the similarities between Ben Sloane and Jesse Stone were there, the last names even rhyme, and there are other similarities. They are both good looking large men, with gentle understated strength who show a conscience and quietly and unassumingly do what they need to do, and they both have considerable appeal.
Polly Shannon is attractive in a Irish elf-like way and is a good foil for Scott Patterson; her character is sceptical and questioning, but not unwilling to learn and change her views once she researches his background and learns of his many successes. All in all, not bad character development for a low budget movie.
Another reviewer was more harsh about the clichés but it was easy for me to overlook them and just enjoy the film for what if offered, hopefully more people will feel the same way. It was good that they resisted the obligatory fall/spring romance cliché' between Sloane and Kincaid that most would have added just for sex appeal. They instead, concentrated on the theme of a family in a crisis trying to find help, hope and redemption and I felt it was the right thing to do.
I would gladly watch any sequels that they might make and be happy to see what happens with the characters.
3 of 3 people found this review helpful.
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