| James Baldwin | ... | (archive footage) | |
| William F. Buckley | ... | (archive footage) | |
| Truman Capote | ... | (archive footage) | |
| Pau Casals | ... | (archive footage) | |
| Candy Darling | ... | (archive footage) | |
| Serge Gainsbourg | ... | (archive footage) | |
| Ivo Juhani | ... | Himself | |
| Fran Lebowitz | ... | as Fran Lebowitz (also archive footage) | |
| Oscar Levant | ... | (archive footage) | |
| Thelonious Monk | ... | (archive footage) | |
| Toni Morrison | ... | (archive footage) | |
| Conan O'Brien | ... | (archive footage) | |
| Eugene O'Neill | ... | (archive footage) | |
| Jack Paar | ... | (archive footage) | |
| Dorothy Parker | ... | (archive footage) | |
| S.J. Perelman | ... | (archive footage) | |
| Pablo Picasso | ... | (archive footage) | |
| Cole Porter | ... | (archive footage) | |
| Lisa Robinson | ... | (archive footage) | |
| Charlie Rose | ... | (archive footage) | |
| King Carl Gustav of Sweden | ... | (archive footage) | |
| James Thurber | ... | (archive footage) | |
| Alex Trebek | ... | (archive footage) | |
| Gore Vidal | ... | (archive footage) | |
| Andy Warhol | ... | (archive footage) | |
| Theodore Bouloukos | ... | Himself (uncredited) | |
| Sean Dillon | ... | Jeopardy! Contestant (uncredited) |
Directed by | |||
| Martin Scorsese | |||
Produced by | |||
| Margaret Bodde | .... | producer | |
| Jenny Carchman | .... | supervising producer | |
| Graydon Carter | .... | producer | |
| Erin Edeiken | .... | associate producer | |
| Chris Garrett | .... | associate producer | |
| Ted Griffin | .... | executive producer | |
| John Hayes | .... | executive producer | |
| Fran Lebowitz | .... | producer | |
| Martin Scorsese | .... | producer | |
| Emma Tillinger Koskoff | .... | producer: Sikelia Productions | |
Cinematography by | |||
| Ellen Kuras | (director of photography) | ||
Film Editing by | |||
| Damián Rodríguez | (as Damian Rodriguez) | ||
| David Tedeschi | |||
Makeup Department | |||
| B. Cohen | .... | makeup | |
| Meghan Taylor | .... | additional makeup | |
Production Management | |||
| Alan Lowe | .... | post-production supervisor | |
| Christopher Surgent | .... | production consultant (as Chris Surgent) | |
| Kim Surowicz | .... | production supervisor | |
Sound Department | |||
| Felix Andrew | .... | sound mixer | |
| Chris Fielder | .... | assistant sound editor | |
| Tom Fleischman | .... | sound re-recording mixer | |
| Gregg Harris | .... | boom operator | |
| Bret Johnson | .... | sound re-recording assistant | |
| Danny Michael | .... | sound | |
| Peter Miller | .... | sound | |
| Mark Roy | .... | sound | |
| Philip Stockton | .... | sound editor | |
| Paul Banks Tirone | .... | sound re-recording assistant | |
| Samuel Miille | .... | assistant sound editor (uncredited) | |
Camera and Electrical Department | |||
| Sebastián Almeida | .... | assistant camera | |
| Matt Blades | .... | grip | |
| Michael Buck | .... | grip | |
| Patrick Capone | .... | camera operator | |
| Archangelo Ciotti | .... | grip | |
| Andrea Cronin-Souza | .... | electrician | |
| Paul Daley | .... | gaffer | |
| Jeremiah Dalton | .... | grip | |
| Jack Donnelly | .... | camera operator | |
| John W. Duvall | .... | grip | |
| Kevin Flynn | .... | grip | |
| Richard Gioia | .... | assistant camera | |
| Carlos Omar Guerra | .... | camera operator | |
| Alonso Homs | .... | digital imaging technician | |
| Linda Kallerus | .... | assistant camera (as Linda Slater) | |
| Daniel Keck | .... | assistant camera | |
| Patrick McGrath | .... | grip | |
| John C. Nadeau | .... | gaffer | |
| Chris Norr | .... | camera operator | |
| Keith Putnam | .... | digital imaging technician | |
| David Regan | .... | assistant camera (as Dave Regan) | |
| Frank Rinato | .... | assistant camera | |
| Lisa Rinzler | .... | additional photography | |
| Tristan G. Sheridan | .... | gaffer | |
| Timothy Smith | .... | grip | |
| David S. Tuttman | .... | camera operator | |
Editorial Department | |||
| Molle DeBartolo | .... | digital intermediate project manager | |
| Jack Lewars | .... | digital intermediate colorist | |
| Jonathan Liebert | .... | digital cinema mastering | |
| Alan Lowe | .... | assistant editor | |
| Benjamin Murray | .... | on-line editor | |
Music Department | |||
| Joe Rudge | .... | music clearance supervisor | |
Other crew | |||
| Gregory Antonopoulos | .... | production assistant | |
| Mike Cahill | .... | production assistant | |
| Zrinka Devic | .... | production assistant | |
| Marlon Dunbar | .... | accountant | |
| David Foxley | .... | assistant: Graydon Carter | |
| Lisa Frechette | .... | assistant: Martin Scorsese | |
| Richard Giannotti | .... | production assistant | |
| Barbara Gregson | .... | additional clearances | |
| Allen J. Grubman | .... | legal | |
| Barbara Hasselman | .... | accountant | |
| Chiemi Karasawa | .... | script supervisor | |
| Suk Yi Mar | .... | location manager | |
| Christine Murphy | .... | accountant | |
| Allison Niedermeier | .... | production associate | |
| Dan O'Halloran | .... | post-tape operator | |
| Matthew Petock | .... | production assistant | |
| Charles O. Prince | .... | legal | |
| Brett Rader | .... | intern | |
| Anthony Rotunno | .... | assistant: Graydon Carter | |
| Ann Marie Roubal | .... | accountant | |
| Annie Salsich | .... | intern | |
| Lawrence Shire | .... | legal | |
| Edward Sorel | .... | mural at the waverly inn | |
| Erik Sorensen | .... | production assistant | |
| Robert A. Strent | .... | legal | |
| Adriano Valentini | .... | production assistant | |
Thanks | |||
| Marc Balet | .... | very special thanks | |
| Ralph Brescia | .... | special thanks | |
| Steve Castellano | .... | special thanks | |
| Red Charyszyn | .... | special thanks | |
| Grover Crisp | .... | special thanks | |
| Alisa DeRosa | .... | special thanks | |
| Chris Donnelly | .... | special thanks | |
| Mark Dowley | .... | special thanks | |
| Ari Emanuel | .... | special thanks | |
| Don Fleming | .... | special thanks | |
| Blair Foster | .... | special thanks | |
| Charlotte Gainsbourg | .... | special thanks | |
| Eddie Gorodetsky | .... | special thanks | |
| Maarten Kooij | .... | special thanks | |
| Catherine Laignel | .... | special thanks | |
| Louis Licari | .... | special thanks | |
| Sara Marks | .... | special thanks | |
| Fabienne Martin | .... | special thanks | |
| Mark McElhatten | .... | special thanks | |
| Helen Morris Scorsese | .... | very special thanks | |
| Toni Morrison | .... | very special thanks | |
| Esther Newberg | .... | special thanks | |
| Tiffany Nishimoto | .... | special thanks | |
| Jimmy Paul | .... | special thanks | |
| Lisa Robinson | .... | very special thanks | |
| Karen Thorsen | .... | special thanks | |
| Steve Turner | .... | special thanks | |
| Matt Ullian | .... | special thanks | |
| Emil Varda | .... | special thanks | |
| Rick Yorn | .... | very special thanks | |
| Deane Zimmerman | .... | special thanks | |
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| A Jihad for Love | Ethel | Pass it On | An Inconvenient Truth | Collectors |
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| Full cast and crew | Company credits | External reviews |
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I watched this movie because I saw Martin Scorsese directed it. I've seen just about every piece of film he's captured. I never read any of Fran Liebowitz's books or her essays. The movie is called public speaking as though Liebowitz were a good example of it, but she seems to be demonstrating the opposite. I'm not sure how you can be so smug and still be a good public speaker. Generally, you have to speak differently in public than you do in private. After all, its a different audience. Liebowitz seems to be talking the same way someone would if they were in a date situation. The whole movie you kind of feel like you are being held hostage by this unbearable woman who feels (incorrectly) as though you are clinging on to her every word.
This may be a problem with many of the humorists located in New York. I'm proud to say I'm not from New York although I know many people from there. It seems to me their main problem is that they live under the assumption that they know absolutely everything, while knowing nothing. This would be a great convention to live your life by if you were a sociopath. Since no one of consequence would be the only people present, when speaking in public.