| Videos (see all 3) |
| John Fantasia | ... | Scott Weaver | |
| Steve Vieira | ... | Aaron Weaver | |
| Anna Ross | ... | Rebecca Weaver | |
| Lise Moule | ... | Emily Weaver | |
| Vincent Thomas | ... | John Portmeyer | |
| Stéfano Gallo | ... | Phil Corddry | |
| Rick Cordeiro | ... | Ben Craven | |
| Kassandra Santos | ... | Karyn Marshall | |
| Neil Green | ... | Peter Smith | |
| Milan Cobanov | ... | Sniper | |
| Greg Sommer | ... | Gunner #1 | |
| Charlie Kundallini | ... | Gunner #2 | |
| Shane Patterson | ... | Ripper / Gutter | |
| Melyssa Anishnabie | ... | Parking lot woman | |
| Spencer Venne | ... | Various (voice) | |
| rest of cast listed alphabetically: | |||
| Justin McConnell | ... | Man being killed on the side of the road (uncredited) | |
Directed by | |||
| Justin McConnell | |||
Writing credits(in alphabetical order) | ||
| Kevin Hutchinson | co-story | |
| Justin McConnell | screenplay & story | |
Produced by | |||
| Kevin Hutchinson | .... | producer | |
| Justin McConnell | .... | producer | |
Original Music by | |||
| Rob Kleiner | |||
Cinematography by | |||
| Pasha Patriki | |||
Film Editing by | |||
| Justin McConnell | |||
Art Direction by | |||
| Kevin Hutchinson | |||
Makeup Department | |||
| Carlos Henriques | .... | special makeup effects artist | |
| Kevin Hutchinson | .... | special makeup effects artist | |
| Emily Skoggard | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| David Dollard | .... | assistant director | |
Special Effects by | |||
| Geoff Hill | .... | special effects supervisor | |
| Richard Hypolite | .... | weapon supervisor | |
Visual Effects by | |||
| Nick Flook | .... | visual effects supervisor | |
Stunts | |||
| Vincent Thomas | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Frederic Ansaldo | .... | steadicam operator | |
| Frank Dobilas | .... | key grip | |
| Greg Sommer | .... | epk videographer | |
| Jackson Yeung | .... | assistant camera | |
Casting Department | |||
| Lynda Balaniuk | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Monique Knisley | .... | wardrobe | |
Editorial Department | |||
| Mila Patriki | .... | colorist | |
Transportation Department | |||
| Tom Gregg | .... | picture car coordinator | |
| Charlie Kundallini | .... | driver | |
Other crew | |||
| Krista Johnston | .... | clearances | |
| Ryan Bruce Levey | .... | publicist: canada | |
Thanks | |||
| Tom Gregg | .... | special thanks | |
| Rob Herholz | .... | special thanks | |
| Ryan Bruce Levey | .... | special thanks | |
| Adam Mason | .... | special thanks | |
| Bryan McConnell | .... | very special thanks | |
| Margaret-Jean McConnell | .... | very special thanks | |
| Recent Posts (updated daily) | User |
|---|---|
| AS FAR AS EOTW FILMS GO... | jpjohnson_2000 |
| HEY NETFLIX..... | caseycky |
| Would have been great... | rhiok |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Canada section |
Probably going to polarize critics and viewers, since I'm not sure that I have seen a flick with this kind of pacing and structure before. I'll admit now that I've known about this for a while, since I caught the director's last film (a documentary called WORKING CLASS ROCK STAR) a few years ago and check in from time to time.. was curious what he'd do with a narrative.
While the film is far from perfect, it's a good time and enjoyable. The camera-work and score are top notch, the lead is very good, and the rest of the cast does a serviceable job considering the budget. Most of all, I really liked the different take on the end of the world... I'm not so sure I fully understand what "it" was, but I definitely get what "it" does, so by the end it's clear what has happened. By the end, it all makes sense.
I've read a bunch of reviews online, and they seem split. Some really like it, some outright hate it... I'd have to say judge for yourself. It's a good movie if you're open-minded and don't go in expecting THE ROAD or something like that (considering this was made for a fraction of that flick's catering budget). I really liked the atmosphere most of all... some really great tense moments brought up because of it.
Check it out - you probably won't be disappointed.