| Rani Mukerji | ... | Meera Gaity | |
| Vidya Balan | ... | Sabrina Lall | |
| Myra Karn | ... | Jessica Lall (as Myra) | |
| Neil Bhoopalam | ... | Vikram Jai Singh | |
| Rajesh Sharma | ... | N. K | |
| Satyadeep Misra | ... | Gaurav Capoor | |
| Yogendra Tikku | ... | Sanjit Lall (as Yogendra Tiku) | |
| rest of cast listed alphabetically: | |||
| Mohammed Zeeshan Ayyub | ... | Manish P. Bharadwaj | |
| Vintee Bansal | ... | Fighting Couple | |
| Pallavi Batra | ... | Newsreader | |
| Ranjit Batra | ... | Mr. Gaity, Meera's father | |
| Mahesh Bhatt | ... | Himself | |
| Sushil Dahiya | ... | R D Sir | |
| Avijit Dutt | ... | BM Pandit | |
| Maanvi Gagroo | ... | Aditi | |
| Ashish Goyal | ... | Fighitng Couple (Male) | |
| Rajkumar Gupta | |||
| Suman Gupta | ... | Young Woman Watching TV | |
| Armin-Paul Hampel | ... | Mallika Sehgal's husband | |
| Hanish Kalia | ... | Stud on the esclator | |
| Ravi Katara | ... | Young Man Watching TV | |
| Amar Kaushik | ... | Stud in the car | |
| Jasbir Malik | ... | Shyam Tolani | |
| Vidushi Mehra | |||
| Shammi Narang | ... | Justice Jain | |
| Bubbles Sabharwal | ... | Mallika Sehgal | |
| Ritesh Shah | ... | Guest at a party | |
| Shireesh Sharma | ... | Pramod Bhardwaj | |
| Geeta Sudan | ... | June Lall | |
Directed by | |||
| Raj Kumar Gupta | |||
Writing credits(in alphabetical order) | ||
| Amitabh Bhattacharya | lyrics | |
| Raj Kumar Gupta | story screenplay and dialogue | |
Produced by | |||
| Aditi Anand | .... | supervising producer | |
| Vikas Bahl | .... | creative producer | |
| Rakesh Bhagwani | .... | line producer | |
| Manish Hariprasad | .... | associate producer | |
| Siddharth Roy Kapur | .... | co-producer | |
| Shakir Ali Khan | .... | line producer | |
| Deven Khote | .... | co-producer | |
| Zarina Mehta | .... | co-producer | |
| Rucha Pathak | .... | associate producer | |
| Ajay Rai | .... | executive producer | |
| Ronnie Screwvala | .... | producer | |
| Shubh Shivdasani | .... | line producer | |
| Shamsher Walia | .... | line producer: Prime Focus | |
Original Music by | |||
| Amit Trivedi | |||
Cinematography by | |||
| Anay Goswami | (director of photography) | ||
Film Editing by | |||
| Aarti Bajaj | |||
Casting by | |||
| Gautam Kishanchandani | |||
Production Design by | |||
| Sukant Panigrahy | |||
Costume Design by | |||
| Bibi Zeeba Miraie | |||
Production Management | |||
| Manoj Jadhav | .... | production manager | |
| Madhav Roy Kapur | .... | production manager | |
| Satish Mane | .... | production manager | |
Art Department | |||
| Vintee Bansal | .... | assistant art director | |
| Dheerendra Dwivedi | .... | storyboard artist | |
| Mayur Sharma | .... | assistant art director | |
Sound Department | |||
| Sushant Amin | .... | sound editor | |
| Sayed Aslam | .... | foley artist | |
| Sanjay Maurya | .... | sound designer | |
| Sanjay Maurya | .... | sound | |
| Allwin Rego | .... | sound designer (as Allwyn Rego) | |
| Allwin Rego | .... | sound (as Allwyn Rego) | |
| Abhijeet V. Sapre | .... | foley engineer | |
| Imran Shaikh | .... | sound editor | |
Special Effects by | |||
| Suchint Mandloi | .... | cleanup | |
| Shyam Shrivastav | .... | cleanup | |
Visual Effects by | |||
| Francine Almeida | .... | matte painter | |
| Kapil Anurag | .... | matchmove artist | |
| Arunraj | .... | paint/prep artist | |
| Aditya Badekar | .... | project coordinator | |
| Uday Bhaskar Bandaru | .... | visual effects artist | |
| Praveen Bareria | .... | visual effects | |
| Mahesh Baria | .... | visual effects supervisor: Prime Focus Ltd | |
| Archana Gogikar | .... | visual effects artist | |
| Hardik Govindya | .... | motion graphic artist | |
| Rohinton Irani | .... | tracking lead | |
| Ashwin Joshi | .... | digital compositor | |
| Anurag Kapil | .... | matchmove artist | |
| Prakash Parmar | .... | prep artist | |
| Vivek Pundir | .... | line producer: vfx | |
| Sheshu Madhav Ramagiri | .... | compositor | |
| Rajeev Kumar Rastogi | .... | Line Producer (as Rajeev Kumar) | |
| Shyam Shrivastava | .... | cleanup artist | |
| Suryaji Suryavanshi | .... | digital compositor | |
| Merzin Tavaria | .... | visual effects creative director | |
Camera and Electrical Department | |||
| Piyush Acharya | .... | jimmy jib operator | |
| Anees Ahmed Ansari | .... | focus puller | |
| Arjun Singh Bhurji | .... | key grip | |
| Anil Chandel | .... | chief assistant camera | |
| Karm Chawla | .... | camera intern | |
| Anuj Dhawan | .... | assistant camera | |
| Kapil Dubey | .... | best boy grip | |
| Sunil Khandpur | .... | steadicam operator | |
| Jigmet Wangchuk | .... | assistant cinematographer (as Jigmit Wangchuk) | |
Animation Department | |||
| Santosh Choudhary | .... | online compositor | |
Casting Department | |||
| Anmol Ahuja | .... | casting associate | |
| Abhishek Banerjee | .... | casting associate | |
Costume and Wardrobe Department | |||
| Sabyasachi Mukherji | .... | costumes | |
| Taaneeyaa Oak | .... | assistant costume designer | |
Editorial Department | |||
| Rohan Desai | .... | digital intermediate supervisor | |
| Ranendu Ranjan | .... | first assistant editor (as Rinku Singh) | |
Music Department | |||
| Amitabh Bhattacharya | .... | playback singer | |
| Biswajit Chakraborty | .... | playback singer | |
| Vishal Dadlani | .... | playback singer | |
| Raja Hasan | .... | playback singer | |
| Felix Hug | .... | musician: piano | |
| Sriram Iyer | .... | playback singer | |
| Sonu Kakkar | .... | playback singer | |
| Raman Mahadevan | .... | playback singer | |
| Ashish Manchanda | .... | music recording engineer | |
| Ashish Manchanda | .... | musician: drums | |
| Anushka Manchandani | .... | playback singer (as Anushka Manchanda) | |
| Shilpa Rao | .... | playback singer | |
| Shadab Rayeen | .... | score mixing | |
| Puneet Samtani | .... | recording engineer | |
| Aditi Singh Sharma | .... | playback singer | |
| Amit Trivedi | .... | musical director | |
Transportation Department | |||
| Surinder Ji | .... | driver | |
| Ravi Kumar | .... | driver | |
| Arafat Mandel | .... | driver | |
| Amit Sharma | .... | driver | |
| Nirmal Singh | .... | driver | |
Other crew | |||
| Ashley Lobo | .... | choreographer | |
| Prakash Nathan | .... | marketing: distribution & syndication | |
| Navmeet Singh | .... | location manager (as Navmeet Arora) | |
Thanks | |||
| Ritesh Shah | .... | special thanks | |
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| Il Divo | Shaitan | Salvatore Giuliano | Gandhi | Fury |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Biography section | IMDb India section |
Raj Kumar Gupta's No One Killed Jessica is based on the true story of the murder of model Jessica Lal. The movie does not work as a docudrama but more as a dramatic thriller which is effectively fictionalised in large portions to tell a story. The story may be based on a real-life event, but it never depends on it. It does not chronicle in any way the entire case with all its real-life elements. The story is real, but many cinematic ingredients are added to make it more alluring. Rarely do pictures of this sort get made in India, sadly, while in foreign countries, this has already become a well-known movie formula. No One Killed Jessica centres around two characters: Sabrina Lal, the quiet sister of the late Jessica, and Meera Gaity, a foul-mouthed hot-blooded journalist. Both women seek justice which does not seem to be coming because the murderer is none other than the son of an influential politician.
It's a funny paradox that many times people use to laugh at the fact that politicians and other powerful figures are presented as corrupt and hypocrites in Indian movies, calling it stereotypical. And here the law is dumber than ever, and the funny thing is that it's actually the truth. A woman was brutally murdered and it takes many years until justice actually prevails. This aspect of the film is very well portrayed, and well, the courtroom scenes are just fascinating. No One Killed Jessica is a fast-paced feature which tries to work more on the emotional level. It does not excruciate the audience by following the never-ending case in minute detail, and perhaps that's where it scores the most. The movie may be a bit unsettling but at the same time it is inspiring to see how a majority of ordinary citizens take the power to their hands by just uniting and fighting against injustice together.
While watching Rani Mukherjee's strong-minded and assertive journalist Meera, her lawyer Saamiya Siddiqui from Veer-Zaara often comes to the mind, although the characters are different. She evidently enjoys playing her part, but at the same time suffers from it. I don't know if she was the prefect choice for it, frankly. Her line delivery is not that of a news presenter, and she is endlessly given an opportunity to curse, swear and insult her colleagues. Now that's not a strong character make, and at times it looks like the otherwise graceful lady is terribly miscast. Having said that and barring the fact that something is missing in this performance, Rani is still pretty good. Some of her fans may be surprised because her role is not that lengthy, and maybe that's why the director tries to make it so bold, but the actress does occasionally manage to rise above these poor attempts by honestly portraying Meera's feisty nature, her tough outside, and her soft inside.
And without the slightest of doubt, it is Vidya Balan who owns the film with her sincere and heartfelt act. Balan looks impossibly authentic in the role and skillfully captures the essence of Sabrina. Although the film does not always portray her character in a positive light, Balan wins it over by creating a simple and understated portrait of anguish, despair and courage. The film's music is so-so, with some songs, like that energetic "Dilli" song, being really fun and enjoyable and others just dragging the narrative to no end. All said and done, No One Killed Jessica is definitely not without its flaws but is still an interesting and entertaining picture. It does not always ring true, and some aspects of it are overdone, the character of Meera being the prime example. The ending in particular turns into an emotional ride which leans more on drama rather than on an actual and deep message, but in the end, it just grows on you and ultimately leaves a mark.