| Photos (See all 16 | slideshow) | Videos (see all 6) |
| Cristian Valencia | ... | Cristian | |
| Clara Moraleda | ... | July | |
| Chus Pereiro | ... | Debora | |
| Sergi Martin | ... | Jose | |
| Xavi Doz | ... | Santiago | |
| Jose Masegosa | ... | Carlos | |
| rest of cast listed alphabetically: | |||
| Rafael Amaya | ... | (voice) | |
| Silvia Arnau | ... | Policewoman #5 | |
| Carlos Blanco | ... | Policeman #2 | |
| Ferran Casterà Mosquera | ... | Policeman #1 | |
| Sammy Gad | ... | David | |
| Carlos Gaya | ... | Policeman #6 | |
| Rebecca Gil | ... | Policewoman #3 | |
| Luis Lorenzo | ... | Policeman #9 | |
| Hector Perez | ... | Policeman #8 | |
| Efrem Pinto | ... | Policeman #4 | |
| Vanesa Ruiz | ... | Policewoman #7 | |
| Anne Sanz | ... | Melinda | |
Directed by | |||
| Fernando Barreda Luna | |||
Writing credits(in alphabetical order) | ||
| Fernando Barreda Luna | ||
Produced by | |||
| Alberto Ancíbar | .... | executive producer | |
| Antonio Barreda Lira | .... | executive producer | |
| Laia Coll | .... | production supervisor | |
| Luis Cordal | .... | associate producer | |
| Oscar Hernández Zúñiga | .... | executive producer | |
| Nicolas Magallanes Cavazos | .... | executive producer | |
| Octavi Martínez | .... | consulting producer | |
| David Sanz | .... | producer | |
| Jessica Villegas Lattuada | .... | executive producer | |
| Jessica Villegas Lattuada | .... | producer | |
Cinematography by | |||
| Ferran Casterà Mosquera | (director of photography) | ||
Film Editing by | |||
| Fernando Barreda Luna | |||
Production Design by | |||
| Andrea Ancibar | |||
Art Direction by | |||
| Andrea Ancibar | |||
Costume Design by | |||
| Abraham Romagosa | |||
Makeup Department | |||
| Marta Prats | .... | hair stylist | |
| Marta Prats | .... | makeup artist | |
| Montse Vargas | .... | assistant hair stylist | |
| Montse Vargas | .... | assistant makeup artist | |
Production Management | |||
| David Vilella | .... | production chief | |
Second Unit Director or Assistant Director | |||
| Carlos Blanco | .... | second assistant director | |
| Christian C. Feijoo | .... | first assistant director | |
Art Department | |||
| Julio Ancíbar | .... | set dresser | |
| Rebecca Gil | .... | assistant art director | |
| Viktor Guzyk | .... | carpenter | |
| Silvia Arnau Monfil | .... | property master | |
Sound Department | |||
| Ricard Armentano | .... | foley artist | |
| Blai Barba | .... | boom operator | |
| Julien Chetle | .... | additional audio technician | |
| Óscar Grau | .... | sound recordist | |
| Silvia Masdeu | .... | post audio coordinator | |
| Jordi Monrós | .... | sound mixer | |
| Jaume Puig | .... | dolby consultant | |
| Martí Rovira | .... | foley technician | |
| Figtree Studios | .... | dolby digital sound mix | |
| Sebastian Theihsen | .... | foley technician | |
Visual Effects by | |||
| Hector Acosta | .... | camera tracker | |
| Hector Acosta | .... | cgi artist | |
| Pablo Pueyo | .... | digital compositor | |
| Luis Tinoco | .... | visual effects supervisor | |
Camera and Electrical Department | |||
| Esteban García Torres | .... | first assistant camera | |
| Roger Massip | .... | gaffer | |
Editorial Department | |||
| David Gallart | .... | consulting editor | |
| Tony López | .... | assistant editor | |
| Pepín | .... | digital intermediate colorist | |
Music Department | |||
| Octavio Flores | .... | composer: additional music | |
| Jorge Jaime Pikis | .... | composer: additional music | |
| Sergi Pérez Berk | .... | composer: additional music | |
Other crew | |||
| Bob Buchholz | .... | english language director | |
| Sonia Friedman | .... | public relations coordinator | |
| Annie Jeeves | .... | publicist (uncredited) | |
Thanks | |||
| Oscar Hernández Zúñiga | .... | special thanks | |
| Baijetm Jordi | .... | special thanks | |
| Josh Kesselman | .... | special thanks | |
| Carlota Martinez | .... | special thanks | |
| Martha Orozco | .... | special thanks | |
| Ozcar Ramírez | .... | special thanks | |
| Carla Raygoza | .... | special thanks (as Carla Raigoza Molina) | |
| Enrique Renteria | .... | special thanks | |
| Alberto Reséndiz | .... | special thanks | |
| Maria Ines Roque Rodriguez | .... | special thanks | |
| Angel Sala Corbi | .... | special thanks | |
| Victor Sanchez | .... | special thanks | |
| Oscar German Santarriaga | .... | special thanks | |
| Danny Sherman | .... | special thanks | |
| Andrea Stavenhagen Vargas | .... | special thanks | |
| Marina Stavenhagen | .... | special thanks | |
| Carlos Taibo | .... | special thanks | |
| Hugo Villa | .... | special thanks | |
| René Villarreal | .... | special thanks | |
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| Paranormal Activity 2 | Home Movie | Paranormal Activity | The Last Exorcism | High Tension |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb Spain section |
After arriving at their family's mansion home in the wilderness, a guy and his friends decide to investigate the local legend of a ghostly woman in the area only to come upon something far more sinister than any legend.
This here managed to be quite a troubling effort, more so for the potential on display rather than the actual results. The fact that this one starts off with a rather creepy ghostly mystery is pretty nice, with a simple-enough folk-tale that could've been started in any small town in the world has a nice way to go about getting it's start, and with the creepy house and woodland setting where this takes place, it has a creepy, chilling vibe that's found in most of these ghostly haunting films. As well, some of the scenes are quite creepy, with the death of the dog, the attack on the sister in the gazebo and finally the house stalking provide this with some generally enjoyable scenes that can generate some nice shocks. However, there's several things that undermine this, not the least of which is the found-footage angle this employs, which means that a lot of the scenes captured never really should have because trying to hold a video camera up to capture them during such moments is quite ludicrous, unless it happens to them you can't see anything so a lot of time is spent running from something we can't see and thus nothing happens, and then the final reel is so insanely stupid it knocks a lot off the film right off the bat. It's also so short that hardly anything happens as well, a product of the camera style and as well really hurts this one, a shame with the potential offered.
Rated R: Violence, Language and violence-against-animals.