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Credited cast:
John Arnatt ...
Supt. Ross
Reginald Barratt ...
Pop Medium
Anthony Bate ...
Ray Underwood
David Browning
David Butler
Insp. Jackson
Maria Corvin ...
Nicole Romain
Maurice Denham ...
Theo Gaunt
Eric Dodson ...
Ricky Folgate
Pamela Greer ...
Ray Grover
Morgan Latimer
Harry Littlewood
Billy Milton ...


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Release Date:

1963 (UK)  »

Company Credits

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Technical Specs


Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?


One of a series of second feature films based on Edgar Wallace novels, released between 1960 and 1965 in British cinemas. The films were later sold to American TV and screened there as The Edgar Wallace Mystery Theatre (1960). See more »


Edited into The Edgar Wallace Mystery Theatre: The Set Up (1963) See more »

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User Reviews

A Really Good B Feature
23 March 2013 | by (London, United Kingdom) – See all my reviews

The Set-Up is an excellent B feature with a good story, persuasive acting and sharp, clear photography. The narrative moves forward constantly, yields several surprises and does not depend on silly coincidences or characters behaving in ways that defy belief. When the final plot twist is revealed, everything we have seen makes sense.

Arthur Payne, recently out of prison, meets a stranger, Theo Gaunt, on a train and explains his situation. A few days later another stranger makes a curious proposition. Arthur should participate in a fake robbery and remove some imitation jewelry from the stranger's own safe. They agree and money passes hands. When the fake robbery takes place, a woman walks into the room. She is later found dead.

Brian Peck gives a sympathetic performance as the ex prisoner caught in a nasty trap. Maurice Denham is pretty well perfect as Theo Gaunt, a business man who sets up a devious scheme and gets more that he bargained for. Best of all is Anthony Bate as a very smooth villain, with a performance so good that it is surprising he was not asked to play similar parts in larger productions.

The Set-Up is almost forgotten today and was quickly dismissed when new, but it deserves to be seen again.

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