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The Sinister Man (1961)

 -  Crime | Drama | Mystery  -  1961 (UK)
5.9
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Ratings: 5.9/10 from 14 users  
Reviews: 3 user

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Cast

Credited cast:
Patrick Allen ...
Dr. Nelson Pollard
Gerald Anderson ...
Maj. Paul Amery
Edward Atienza ...
Clerk
John Bentley ...
Supt. Wills
Wilfrid Brambell ...
Lock keeper
Yvonne Buckingham ...
Miss Russell
Michael Deacon ...
Angus
Jacqueline Ellis ...
Elsa Marlowe
Keith Faulkner ...
Lock keeper's assistant
William Gaunt ...
Mitch Hallam
John Glyn-Jones ...
Dr. Maurice Tarn
Peter Hager ...
Warden
John Horsley ...
Pathologist
...
Capt. Feng
Arnold Lee ...
Soyok
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1961 (UK)  »

Also Known As:

Edgar Wallace: El Hombre Siniestro  »

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Trivia

One of a series of second feature films based on Edgar Wallace novels, released between 1960 and 1965 in British cinemas. The films were later sold to American TV and screened there as The Edgar Wallace Mystery Theatre (1960). See more »

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User Reviews

 
More like 'The Wooden Man'
30 August 2014 | by (United Kingdom) – See all my reviews

Another Edgar Wallace adaptation from Merton Park, 'The Sinister Man' benefits from fast-paced direction by Clive Donner (with some very effective compositions and one nice 'jump' moment) and pleasant location work along the Thames in the early '60's.

Unfortunately this is one of the sillier entries in the series. First, there is the implausible 'MacGuffin' of a plot centered around international intrigue involving a fictional Asian country (think of China/Tibet and you have the idea). Then there is a very lacklustre cast who seem to want to be anywhere rather than making the film. John Bentley does little to convey any detective powers and Patrick Allen as a supposedly American academic makes no attempt at any accent whatever. There are plenty of the red herrings typical of a Wallace mystery but they just become tiresome rather than absorbing. I could not tell you who was 'the sinister man' because nobody was in the least sinister.

The whole thing comes to a 'climax' with one of those embarrassing fight/action sequences in which the action is feeble, where neither actor really knows how to stage a fight convincingly, and in any case is doubled for their falls by stunt men who do not resemble them in the least.

The final scene gave me a strange feeling of déja vu, until I remembered the Columbo episode 'A Case of Immunity'. If we assume Wallace originated this plot device in the 1920's, then the Columbo writers must - at the very least - have 'borrowed' it 50 years later.


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