IMDb > Hara-Kiri: Death of a Samurai (2011)
Ichimei
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Hara-Kiri: Death of a Samurai (2011) More at IMDbPro »Ichimei (original title)

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Hara-Kiri: Death of a Samurai -- An tale of revenge, honor and disgrace, centering on a poverty-stricken samurai who discovers the fate of his ronin son-in-law, setting in motion a tense showdown of vengeance against the house of a feudal lord.
Hara-Kiri: Death of a Samurai -- Ichimei

Overview

User Rating:
7.3/10   4,294 votes »
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Director:
Writers:
Kikumi Yamagishi (screenplay) and
Yasuhiko Takiguchi (novel)
Contact:
View company contact information for Hara-Kiri: Death of a Samurai on IMDbPro.
Release Date:
20 July 2012 (USA) See more »
Genre:
Plot:
An tale of revenge, honor and disgrace, centering on a poverty-stricken samurai who discovers the fate of his ronin son-in-law, setting in motion a tense showdown of vengeance against the house of a feudal lord. | Add synopsis »
Plot Keywords:
Awards:
5 nominations See more »
User Reviews:
Good to make a remake with a different Screenplay, Howrever... See more (18 total) »

Cast

  (in credits order)

Kôji Yakusho ... Kageyu
Munetaka Aoki ... Hikokuro Omodaka

Naoto Takenaka ... Tajiri
Hikari Mitsushima ... Miho

Eita ... Motome Chijiiwa

Ebizô Ichikawa ... Hanshirô Tsugumo
Hirofumi Arai ... Hayatonosho Matsuzaki
Kazuki Namioka ... Umanosuke Kawabe
Takashi Sasano ... Sousuke
Ayumu Saitô
Goro Daimon ... Priest
Takehiro Hira ... Naotaka Ii
Baijaku Nakamura ... Jinnai Chijiiwa
Yoshihisa Amano ... Sasaki
Ippei Takahashi

Directed by
Takashi Miike 
 
Writing credits
Kikumi Yamagishi (screenplay)

Yasuhiko Takiguchi  novel "Ibun rônin-ki"

Produced by
Toshiaki Nakazawa .... producer
Jeremy Thomas .... producer
 
Original Music by
Ryûichi Sakamoto 
 
Cinematography by
Nobuyasu Kita (director of photography)
 
Film Editing by
Kenji Yamashita 
 
Art Direction by
Yuji Hayashida 
 
Costume Design by
Kazuko Kurosawa 
 
Sound Department
Kenji Shibasaki .... supervising sound designer
 
Visual Effects by
Tsugutaka Fukuoka .... visual effects artist
 
Stunts
Keiji Tsujii .... stunt coordinator
 
Camera and Electrical Department
Yoshimi Watabe .... gaffer
 
Other crew
Chiara Gelardin .... business and legal affairs
Alainée Kent .... development executive
Jonathan Lynch-Staunton .... for hanWay films
Fabien Westerhoff .... worldwide sales: Hanway Films
 

Production CompaniesDistributorsOther Companies

Additional Details

Also Known As:
"Ichimei" - Japan (original title)
See more »
Runtime:
128 min
Country:
Language:
Color:
Color | Color (3D Stereoscopic)
Aspect Ratio:
2.35 : 1 See more »
Sound Mix:

Did You Know?

Trivia:
The first 3D title ever to be shown in official selection at the Cannes Film Festival.See more »
Goofs:
Revealing mistakes: As the wooden wakizashi is pushed into the stomach (after the tip snapped off), you can see that the blade is sliding into the handle.See more »
Movie Connections:

FAQ

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29 out of 84 people found the following review useful.
Good to make a remake with a different Screenplay, Howrever..., 24 May 2011
Author: Vaudrey-etienne from France

Masaki Kobayashi's HARA-KIRI is my favorite movie of all time, Timeless story about Authority, Unjustice, Family and social links, but I tried to watch this one as partial as i could (well i saw the original 15 times so it's hard but i tried) and the changes in the screenplay are great because they throw the movie in another direction and that's what we want for a remake, not the same movie with better technology only...

Let's talk about technology : The 3D stereoscopic experience Ruins the cinematography... when you put off the glasses you got nice colors, contrasts and well balance luminosity... then when you put the glasses on you loose 2 diaphs, the contrast are flattened to the extreme and this is completely ugly for inside scenes... I saw it in Cannes 2011 so it was the first versions, i am sure they will change it for the theatrical release, if you have the choice between 3D and 2D versions don't hesitate a second and choose 2D.

Better be aware : the storytelling is very simple and contrast a lot with the masterpiece of Kobayashi, some who haven't seen the original said that was a problem, and some others said it was the way to tell this screenplay but the original one have to be better constructed. I would said honestly that even as this version is 5O years younger than the original, the filmaking is so simplified in this version that you couldn't tell which movie is the remake if you get rid of the technology differences, one is in Black and white, the other in 3D so...

My advice is you need to see both beginning by Kobayashi one as any human being should experience this story, one movie is a masterpiece of film making and give a great lesson to the viewer, the other is a smart adaptation of the screenplay and gives a great lesson to the characters of the movies, both are good to watch if you are a filmmaker, a movie reviewer or a movie addict.

EDIT : i saw it again in 2D in theatre last week IT IS FAR WORST than the original. no rhythm no conflict too much debriefing than a smart storytelling, run away from this betrayal and watch kobayashi masterpiece ASAP. i can't believe i was too gentle with this one IT IS A DISGRACE ! miike remake of eichi kudo's was great but this is a slaughter.

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