The film is a semi-biographical story based on the experiences of former prison guard Ronnie Thompson who spent seven years working in some of the UK's most dangerous prisons. Based on ...
See full summary »
A teenage orphan fights against the Red Army at the end of WWII and in the aftermath is 'adopted' by a Commissar. Years later he is sent to London during the Cold war to work for the KGB, where he questions his life.
A serial killer unleashes his blood lust at a remote environmental-camp. Years later a horror novelist relocates to rural England and is plagued to the point of madness by horrific hauntings of a massacre.
First, there was Kidulthood, then Adulthood, and now comes Noel Clarke's last instalment: Brotherhood. With Sam facing up to the new world, he realizes it also comes with new problems and ... See full summary »
In one of East London's most volatile neighborhoods, pride, rivalry and revenge are the only codes on the street. Touted as a British Boyz in the Hood, Bullet Boy is a gripping and ... See full summary »
Six years after KiDULTHOOD, Sam Peel is released from jail for killing Trife, he realizes that life is no easier on the outside than it was on the inside and he's forced to confront the ... See full summary »
Scarlett Alice Johnson,
The film is a semi-biographical story based on the experiences of former prison guard Ronnie Thompson who spent seven years working in some of the UK's most dangerous prisons. Based on Thompson's book of the same name, the project stars James D'Arcy (Master & Commander), Noel Clarke (Kidulthood), Frank Harper (The Football Factory), Jamie Foreman (Layer Cake), Andrew Shim (This Is England) and Kate Magowan (Stardust). The story revolves around former soldier Sam Norwood who takes a job as a prison officer when he returns from Iraq and becomes exposed to the underworld of prison culture - including corrupt guards and drug trafficking. Written by
At around 1.44.10, the James D'Arcy character is seen outside the prison walls, handing his keys to a Senior Officer. This would never happen; the only way you can exit a UK prison is by handing in your keys. See more »
The substance is there, but the execution fails to give this prison flick it's dues
STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning
Sam Norwood (James D'Arcy), a former soldier, takes up a new job at a local prison to make ends meet. Already anxious at having to work among the undesirables he knows he'll come across, Sam is unprepared for the guards, headed by the burly Deano (Frank Harper) to emerge as just as corrupt, if not worse, than the convicts, as a drug dealing network emerges, while he also has to contend with a warden who seems to take the side of the inmates more and head con Truman (Noel Clarke) steps up the pressure to make Sam snap.
Based on a novel by former prison guard Ronnie Thompson, Screwed attempts to bring the grim horrors of prison life to the screen, as if it's a feat that hasn't been attempted before, taking in hostage situations, scaldings and pretty much everything bar gang rape. Somehow, this adaptation of his work has all the right ingredients in the pot, from the cast to the gritty, drained style. Somehow, though, the end impression really isn't as impressive as it could have been.
Somehow, an impressive cast, including D'Arcy, Clarke and Harper, and a supporting cast including Jamie Forman and Andrew Shim fail to shift a low key tone from the film, which comes off as an amateurish, messy, misguided effort. Better use of the cast probably could have raised it up a bar or two, but D' Arcy can't let his character rise above the typical raging ex soldier sort, while Harper and Forman are also stuck with cardboard prison officer roles. Clarke is impressive as ever, but takes too long to make his presence known and come alive, as well as the vicious villain he's portrayed suffering an ill judged, nonsensical ending that is at odds with everything we've seen through-out.
It's a bit of a let down, but it's not a complete failure. It remains an unflinchingly brutal depiction of the prison world, how the drama plays out remains intriguing and it retains a sense of style and atmosphere that is some compensation. But sadly not quite enough. **
9 of 62 people found this review helpful.
Was this review helpful to you?