LOVE CHILD is a documentary following of the first tried case of Internet Addiction the world has ever seen. Filmed over two years in Seoul, Korea, the film follows the story of a young ... See full summary »
CODE 2600 documents the Info-Tech Age, told by the events and people who helped build and manipulate it. It explores the impact this new connectivity has on our ability to remain human while maintaining our personal privacy and security.
Alumni from Houston's storied Kashmere High School Stage Band return home after 35 years to play a tribute concert for their beloved band leader who turned the struggling jazz band into a world-class funk powerhouse in the early 1970s.
Conrad O. Johnson Sr.
With wonderful heart and an impressive sense of scale, Tiffany Shlain's vibrant and insightful documentary, Connected, explores the visible and invisible connections linking major issues of our time-the environment, consumption, population growth, technology, human rights, the global economy-while searching for her place in the world during a transformative time in her life. Employing a splendidly imaginative combination of animation and archival footage, plus several surprises, Shlain constructs a chronological tour of Western modernization through the work of her late father, Leonard Shlain, a surgeon and best-selling author of Art and Physics and The Alphabet Versus the Goddess. With humor and irony, the Shlain family life merges with philosophy to create both a personal portrait and a proposal for ways we can move forward as a civilization. Connected illuminates the beauty and tragedy of human endeavor while boldly championing the importance of personal connectedness for ... Written by
Human responsibility is complex; priorities are often contradictory. In the Twentieth Century, postmodern writers and artists transformed mediums to allow for paradox, but it was not until the twenty-first-century film Connected: An Autoblogography About Love, Death, & Technology that audiences could collectively experience the visual, textual, and emotional beauty of holding complex inconsistencies while moving toward personal growth and global connection. Director Tiffany Shlain exposes the journey by which the global film she set out to make began to kick, cry, and nurse itself into being something more authentic-- more connected--than any one viewer can articulate. Perhaps there's irony in merely writing a review of a film whose visually articulated thesis proposes the new century's possibilities are unleashed by the exponential increase in access to images. Shlain's hypothesis that a technologically interconnected world exercises each individual's image centers can be evidenced now--from the drifts of snow over which Shlain's father first released her from his view to the digitally mastered web of connections that refuse to release the globe from its collective potential, the images in Connected transform viewers into visionaries who don't have to eliminate the contradictions of their connectedness.
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