Drugs, Love, the Interpol and a Cartel form a deadly mix in this action-packed thriller. As an Interpol agent tracks down the leaders of a drug Cartel, things quickly turn for the worse with an unexpected twist in the end.
Yvonne Maria Schäfer,
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Lt. Samuel Drake (Chadwick Boseman) is a troubled vet plagued by his actions while deployed in Iraq. Recently discharged, he is trying to piece his life back together while he works as a cab driver and lives in a rundown motel room. He also attends counseling sessions led by Marshall (Billy Zane) to help cope with the horrors of his past. While on this path to a fresh start, Drake's fragile new life is shattered when two executives (Peter Greene and Ted Rooney), who represent a private military contractor, present a new mission, one with no option to refuse; track down and kill Sgt. Devin Carter (Tory Kittles), an AWOL Marine Corps. sniper who knows the truth about Drake's past and who himself is on a mission to target and kill members of the mercenary firm. A gripping, lyrical meditation on war and the scars it leaves on those who fight, The Kill Hole is a story of one man who is forced to face his violent past, and the uneasy bond he forms with the mysterious assassin he must ... Written by
The Kill Hole
Compelling, brilliant acting, powerful look at morality of war
I haven't reviewed a movie in a while but after seeing the 3.4 rating for "The Kill Hole", I felt compelled to respond. I gave it a 10. Not that it's truly one of the great movies like "Apocalypse Now", which it echoes in some ways, but its exceptional qualities are very distinctive. The writing is outstanding. If you're looking for an action movie, then you came to the wrong place. I was ready to turn it off immediately if I found it too slow, but the dialog was compelling and dealt with moral issues central to war: personal responsibility, relationship to authority, how sanctioned violence changes those who act under its mandate and so easily drifts into the indefensible. The acting is superb. Boseman and Kittles give Broadway-level performances and they bring a sizzling commitment to the dialog. It's a true confrontation, filmed with interesting cuts that actually work rather than simply trying to be hip or jarring. Billy Zane is great as the leader of a vets support group and the non-actor veterans who appear in the group speak from the gut and clearly speak their personal truths. The "bad guys" are very much so but acted with pizzaz and, despite being reprehensible, are used to explore the line between punishment and revenge. Landscapes are rendered beautifully, the city scenes are convincing. This could have been a 2-person stage production with the vets group acting as a Greek chorus of sorts; view it as a compelling play fleshed out somewhat for the screen and one won't be disappointed by the lack of action.
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