It's the closing night at the last drive-in theater in America, and Cecil Kaufman has planned to show four movies, which are so rare that they have never been exhibited publicly on American soil, until this very night.
Two friends, Adam and Steve, struggle to get their morning radio program off of the small town air waves of Holliston and into the big time. Meanwhile, Adam struggles to get over a break up... See full summary »
Steven C. DeWitt Jr.,
A reclusive telemarketer has only one semblance of a friend: His telecommuter boss. But the telemarketer's social circle seems to improve greatly when a whimsical co-worker enters his life.... See full summary »
Joel David Moore
Joel David Moore,
A search and recovery team heads into the haunted swamp to pick up the pieces and Marybeth learns the secret to ending the voodoo curse that has left Victor Crowley haunting and terrorizing Honey Island Swamp for decades.
Artists from all sides of the entertainment industry share their most horrifying personal stories in this confessional-style series. From mortifying embarrassments, to comical moments of ... See full summary »
It's the closing night at the last drive-in theater in America and Cecil B. Kaufman has planned the ultimate marathon of lost film prints to unleash upon his faithful cinephile patrons. Four films so rare that they have never been exhibited publicly on American soil until this very night! With titles like Wadzilla, I Was A Teenage Werebear, The Diary of Anne Frankenstein, and Zom-B-Movie, Chillerama not only celebrates the golden age of drive-in B horror shlock but also spans over four decades of cinema with something for every bad taste. Written by
Tim Sullivan replaced another actor at the last minute for the segment "I Was a Teenage Werebear." See more »
In the "teenage wearbear" segment there is a reference to President Kennedy indicating that the scene is set in the early 60s; however, the van driven by the main character is a dodge tradesman 200 which was introduced in 1971. See more »
From some of this generations most innovative filmmakers comes a film that pushes the boundaries of good taste and endeavors to bring the good ol' style of the drive-in right into your living room. Does it succeed? For the most part, yes! Segment One, Wadzilla, features star/director Adam Rifkin (Detroit Rock City)as a timid businessman who is given experimental medicine to increase his sperm count, only to unleash a monster of immeasurable horror! The effects are charmingly horrible but it is quite a funny ride.
Segment Two, I Was a Teenage Werebear is, unfortunately, the proverbial black sheep of the family. Tim Sullivan (2001 Maniacs) is a real talent but the short's taboo pressing plot line only serves to alienate this movie's target demographic (straight males). It is a rousing musical about a sexually confused young man who is bitten by a were-bear (long story) and struggles to keep his morality.
Segment Three, Adam Green's (Hatchet, Frozen)The Diary of Anne Frankenstien, is a real treat. Although admittedly a little short on the horror aspect, it is actually quite funny. The Nazi's, led by Joel David Moore as Hitler, attempt to use Anne Frankenstien's journal to build a monster to help in the war effort. This segment is shot in a sublime old fashioned style and is subtitled as everyone speaks authentic German except for Hitler himself, who comes off as quite a bumbling fool.
Segment Four, Joe Lynch's (Wrong Turn 2) Zom-B-Movie, serves as the wraparound story and as the finale and it is just righteously over the top fun enough to completely win over this reviewer. A zombie outbreak threatens the people who had to sit through the last three shorts only to be threatened by a pack of sexually charged zombies. The real highlight is character actor Richard Riehle who gets to brandish a shotgun and quote more movies then any character in history.
For this reviewer's money, this movie succeeded at becoming exploitation without falling prey to insincerity like the similarly themed Grindhouse.
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