It's the closing night at the last drive-in theater in America, and Cecil Kaufman has planned to show four movies, which are so rare that they have never been exhibited publicly on American soil, until this very night.
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It's the closing night at the last drive-in theater in America and Cecil B. Kaufman has planned the ultimate marathon of lost film prints to unleash upon his faithful cinephile patrons. Four films so rare that they have never been exhibited publicly on American soil until this very night! With titles like Wadzilla, I Was A Teenage Werebear, The Diary of Anne Frankenstein, and Zom-B-Movie, Chillerama not only celebrates the golden age of drive-in B horror shlock but also spans over four decades of cinema with something for every bad taste. Written by
Filming for the Segment 'I Was a Teenage Werebear' was almost shut down due to the location sheriff not approving to the content of the script. See more »
Ricky's collar is up one moment and down the next all throughout the song "Love Bit Me on the Ass." See more »
"As I was saying, my name is Fernando Phagabeefy, internationally known and respected film maker. The visionary mastermind behind such notorious cinematic works as 'The Cunting Death', 'Salo 2: The Next Day', and of course, 'Rosemary's Picnic Table'.
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At the end of the credits for "I was a teenage were-bear" it says "T-girls need love too!" See more »
From some of this generations most innovative filmmakers comes a film that pushes the boundaries of good taste and endeavors to bring the good ol' style of the drive-in right into your living room. Does it succeed? For the most part, yes! Segment One, Wadzilla, features star/director Adam Rifkin (Detroit Rock City)as a timid businessman who is given experimental medicine to increase his sperm count, only to unleash a monster of immeasurable horror! The effects are charmingly horrible but it is quite a funny ride.
Segment Two, I Was a Teenage Werebear is, unfortunately, the proverbial black sheep of the family. Tim Sullivan (2001 Maniacs) is a real talent but the short's taboo pressing plot line only serves to alienate this movie's target demographic (straight males). It is a rousing musical about a sexually confused young man who is bitten by a were-bear (long story) and struggles to keep his morality.
Segment Three, Adam Green's (Hatchet, Frozen)The Diary of Anne Frankenstien, is a real treat. Although admittedly a little short on the horror aspect, it is actually quite funny. The Nazi's, led by Joel David Moore as Hitler, attempt to use Anne Frankenstien's journal to build a monster to help in the war effort. This segment is shot in a sublime old fashioned style and is subtitled as everyone speaks authentic German except for Hitler himself, who comes off as quite a bumbling fool.
Segment Four, Joe Lynch's (Wrong Turn 2) Zom-B-Movie, serves as the wraparound story and as the finale and it is just righteously over the top fun enough to completely win over this reviewer. A zombie outbreak threatens the people who had to sit through the last three shorts only to be threatened by a pack of sexually charged zombies. The real highlight is character actor Richard Riehle who gets to brandish a shotgun and quote more movies then any character in history.
For this reviewer's money, this movie succeeded at becoming exploitation without falling prey to insincerity like the similarly themed Grindhouse.
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