A former British Army officer, who was tormented as a prisoner of war at a Japanese labor camp during World War II, discovers that the man responsible for much of his treatment is still alive and sets out to confront him.
Five married guys conspire to secretly share a penthouse loft in the city--a place where they can carry out hidden affairs and indulge in their deepest fantasies. But the fantasy becomes a nightmare when they discover the dead body of an unknown woman in the loft, and they realize one of the group must be involved.
Erik Van Looy
Libby Day was only eight years old when her family was brutally murdered in their rural Kansas farmhouse. Almost thirty years later, she reluctantly agrees to revisit the crime and uncovers the wrenching truths that led up to that tragic night.
After India's father dies, her Uncle Charlie, who she never knew existed, comes to live with her and her unstable mother. She comes to suspect this mysterious, charming man has ulterior motives and becomes increasingly infatuated with him.
Depressed housewife learns her husband was killed in a car accident the day previously, awakens the next morning to find him alive and well at home, and then awakens the next day after to a world in which he is still dead.
Forty-year-old Christine Lucas wakes up in bed with a man she does not know, in an unfamiliar house. The man explains that he is her husband, Ben, and that she suffered brain damage from a car accident ten years earlier. Christine wakes up every morning with no memory of her life from her early twenties onwards. Christine receives treatment from Dr. Nasch, a neurologist at a local hospital who provides her a camera to record her thoughts and progress each day, and calls her every morning to remind her to watch the video in the camera. Soon, she starts to discover the truth around her. Written by
Director Rowan Joffe had originally been given the manuscript of the film by TV producer Liza Marshall, with no cover. Initially reading and thinking it was a memoir/straight drama in novel form, he was shocked to discover it was a thriller as he read more. See more »
Claire tells Christine (while the latter is at home) that she can meet her at Greenwich Observatory and be there "in an hour".
As Christine was taken to Ascot District Hospital from home, it is reasonable to assume she lives in Berkshire - and therefore would not have been able to reach Greenwich Observatory in less than an hour as she is seen waiting for Claire. See more »
Who are you?
I'm your husband... Ben.
We got married in 1999. That was 14 years ago. Christine, you're 40.
[hands her her clothes]
You had an accident. It was a bad accident. You had head injuries. And you have problems remembering things.
What things? What...?
Everything. You store up information for a day, and when you wake up in the morning, it's all gone. You're back to your early 20s. You'll be okay. Just... trust me.
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You Keep Me Hangin' On
Performed by The Supremes
Written by Brian Holland (I)', Lamont Dozier (uncredited) and Eddie Holland (as Holland, James Jnr)
Published by Jobete Music/EMI Music Publishing Ltd
Courtesy of Motown Records
Under license from Universal Music Operations Limited See more »
The premise of Before I Go to Sleep is quite a good one. A woman wakes up each day with no memory beyond her early twenties; soon she begins to realise that some dark secrets are being hidden from her. It's sort of in similar territory to Christopher Nolan's early neo-noir Memento (2000), which was also a mystery/thriller about a character with a short-term memory loss condition. Like that one, here one of the interesting angles is that the central character has no idea if their friends really are friends or actually enemies. It's true that several aspects of the storyline require you to stretch your belief somewhat; however, many thrillers are similar in this respect, so this wasn't such a deal-breaker for me. The problem I essentially had is that while the idea may be pretty intriguing, ultimately the pay-off is somewhat mediocre and conventional. Piece by piece the puzzle is slowly unravelled but it doesn't end up presenting us with a picture that is very inspired or interesting and you sort of ask yourself 'is that it?'
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