Five married guys conspire to secretly share a penthouse loft in the city--a place where they can carry out hidden affairs and indulge in their deepest fantasies. But the fantasy becomes a nightmare when they discover the dead body of an unknown woman in the loft, and they realize one of the group must be involved.
Erik Van Looy
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The story of former Hollywood star Grace Kelly's crisis of marriage and identity, during a political dispute between Monaco's Prince Rainier III and France's Charles De Gaulle, and a looming French invasion of Monaco in the early 1960s.
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Forty-year-old Christine Lucas wakes up in bed with a man she does not know, in an unfamiliar house. The man explains that he is her husband, Ben, and that she suffered brain damage from a car accident ten years earlier. Christine wakes up every morning with no memory of her life from her early twenties onwards. Christine receives treatment from Dr. Nasch, a neurologist at a local hospital who provides her a camera to record her thoughts and progress each day, and calls her every morning to remind her to watch the video in the camera. Soon, she starts to discover the truth around her. Written by
During the scene at the cafe in the park, when Christine and Claire are discussing Ben, the background keeps changing from near to long range. 'The Gerkin' appears in long range between the two characters one minute, then it has completely disappeared the next. There is a also a lady sitting behind to the left of Claire, who has vanished when they stand up. See more »
Who are you?
I'm your husband... Ben.
We got married in 1999. That was 14 years ago. Christine, you're 40.
[hands her her clothes]
You had an accident. It was a bad accident. You had head injuries. And you have problems remembering things.
What things? What...?
Everything. You store up information for a day, and when you wake up in the morning, it's all gone. You're back to your early 20s. You'll be okay. Just... trust me.
See more »
A badly scripted and directed mishmash in which Kidman, Firth and Strong act brilliantly but can't overcome the dreadful limitations of what's put before us. Suspension of disbelief just doesn't happen for this viewer. Can a chemistry teacher afford a house this plush (in London yet)? Who does the shopping, cooking, cleaning? How come over four years there's zero interaction with neighbours or any of the people one encounters daily in real life? In every scene I found myself thinking "hang on, but...". You just can't get away with this kind of situation as if the rest of the world doesn't exist. Striking example of the problem: the scene when Kidman goes to Firth's school. He's clearly truly a chemistry teacher there. Wouldn't the other staff (if not the kids, too) know the situation, with so many years gone by since the incident that left Kidman amnesic? Sorry: when things just don't wash, the hogwash sensation rears its head, and a thriller like this can't survive the hogwash sensation. The whole thing looks inappropriately sumptuous (fault of direction, sets and cinematography) and overall it just induces irritation instead of enthralment. The plot twists are crashingly predictable. Amnesia is strongly recommended for those who bother to watch this pedestrian film.
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