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Beyond Outrage (2012)

Autoreiji: Biyondo (original title)
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As the police launch a full-scale crackdown on organized crime, it ignites a national yakuza struggle between the Sanno of the East and Hanabishi of the West.

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3 wins & 6 nominations. See more awards »

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Cast

Credited cast:
...
Toshiyuki Nishida ...
Underboss Nishino
Tomokazu Miura ...
Chairman Kato
...
Hideo Nakano ...
Yutaka Matsushige ...
Detective Shigeta
Fumiyo Kohinata ...
Katsunori Takahashi ...
Jo
Hirofumi Arai ...
Shima
Kenta Kiritani ...
Ono
Sansei Shiomi ...
Nakata
Rest of cast listed alphabetically:
Hakuryû ...
Lee
Kenta Kamiya
Shôken Kunimoto
Shigeru Kôyama ...
Fuse
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Storyline

As the police launch a full-scale crackdown on organized crime, it ignites a national yakuza struggle between the Sanno of the East and Hanabishi of the West. Written by Production

Plot Summary | Add Synopsis

Taglines:

Who is the worst among them? See more »

Genres:

Action | Crime | Drama

Motion Picture Rating (MPAA)

Rated R for strong violence, language and brief sexual images | See all certifications »
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Details

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Release Date:

6 October 2012 (Japan)  »

Also Known As:

Beyond Outrage  »

Filming Locations:


Company Credits

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Technical Specs

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Aspect Ratio:

2.35 : 1
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Did You Know?

Goofs

In the first scene where the car is been lifted out of the water, the engine and gearbox are missing. In the last few seconds when the car is still hanging above the water, you can see the front part of the car. There is no bottom side of the engine. And there is light visible through the left wheel that comes from over the right wheel. That would not be possible if there was an engine inside. See more »

Connections

Follows Autoreiji (2010) See more »

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User Reviews

 
Stylish, thrillingly brutarian and beautifully ugly
25 April 2014 | by (United States) – See all my reviews

"Beyond Outrage" is the sequel to star and auteur Takeshi Kitano's epic of rival yakuza gangs "Outrage." This film is thrillingly lensed in the way that erstwhile widescreen masters such as Kurosawa and Nyquist used the full frame, and done so with a quintessentially oligochromatic Japanese patina. The story has grandeur of conception, keeps you rapt, and slickly amps up the badness of some very bad guys. The violence has larger quantum numbers than the comic book idioms of Tarantino, but is deployed with panache and grace. Among the film's climaxes is vanguard violence that will permanently prefigure how you regard baseball! Here's hoping "Outrage" becomes a trilogy.


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