A teacher lives a lonely life, all the while struggling over his son's custody. His life slowly gets better as he finds love and receives good news from his son, but his new luck is about to be brutally shattered by an innocent little lie.
Thomas Bo Larsen,
A motorcycle stunt rider turns to robbing banks as a way to provide for his lover and their newborn child, a decision that puts him on a collision course with an ambitious rookie cop navigating a department ruled by a corrupt detective.
Brandon is a 30-something man living in New York who is unable to manage his sex life. After his wayward younger sister moves into his apartment, Brandon's world spirals out of control. Shame examines the nature of need, how we live our lives and the experiences that shape us. Written by
The scene where Brandon hears his sister sing in the restaurant was shot in real time. James Badge Dale and Michael Fassbender had never heard Carey Mulligan sing before so their reactions were real. The scene was shot at 3 a.m with cameras focused on all 3 performers at the same time. See more »
In the restaurant Brandon orders a bottle of pinot noir. When it comes the bottle is not a typical pinot-shaped bottle. When the wine is poured it's a very dark, inky coloured wine unlike a pinot noir. See more »
I'm trying, I'm trying to help you.
How are you helping me, huh? How are you helping me? How are you helping me? Huh? Look at me. You come in here and you're a weight on me. Do you understand me? You're a burden. You're just dragging me down. How are you helping me? You can't even clean up after yourself. Stop playing the victim.
I'm not playing the victim. If I left, I would never hear from you again. Don't you think that's sad? Don't you think that's sad? You're my brother.
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Prelude & Fugue No. 16 G Minor, BWV 885
Written by Johann Sebastian Bach
Performed by Glenn Gould
Courtesy of Sony Masterworks and the Glenn Gould Estate
Licensed by Sony Music Entertainment UK Ltd See more »
This was not an easy film to watch and even less easy to reflect on. However, I thought it was a great film. Original and brave. The acting was totally convincing and the theme important and challenging. The repeated reminders of the hypocrisy of our society regarding sex and violence were clever and uncomfortable. I was very disappointed, but not surprised, that this film received no recognition at the awards ceremony. Normally, "sex, sells" is written on the heart of all promoters. But not in this case, as it is not at all titillating. A genuinely adult film (not the usual meaning). Fine performances from Michael Fassbinder and Carry Mulligan.
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