Pete and Debbie are both about to turn 40, their kids hate each other, both of their businesses are failing, they're on the verge of losing their house, and their relationship is threatening to fall apart.
A grown man caught in the crossfire of his parents' 15-year divorce discovers he was unknowingly part of a study on divorced children and is enlisted in a follow-up years later, which wreaks new havoc on his family.
Julie and Jason have been best friends for years with no romantic interest in each other. He sleeps with someone new every few days, and she's looking for Mr. Right. Now in their thirties, they notice that their friends seem to lose all their good qualities when they have children - child rearing and the spark of Eros don't seem to co-exist. So, they decide to have a child together, share in child rearing, but pursue their own romantic lives. Things go well until he meets Mary Jane and she meets Kurt. Both seem like perfect mates. What could go wrong? Written by
The dialogue between Chris O'Dowd and Maya Rudolph about their age difference was a rewrite by Jennifer Westfeldt. After casting Chris O'Dowd, the issue of the couple's age difference had to be addressed in the film. See more »
In the final scene, when Jason leaves Julie's house, she is wearing a black v-neck sweater and her hair is nicely coiffed. After she asked him to leave, when he decided to go back and try again, she is wearing a completely different outfit and her hair is longer and messy. See more »
Please, please, just let me fuck the shit out of you right now. And if you're not convinced afterwards that I am into you in every possible way a person can be into another person, then I promise I will never try to kiss you, or fuck you, or impregnate you ever again, as long as I live.
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Okay,I wasn't going to say anything but I was so baffled by the other reviews I feel compelled.
This film isn't, just in case you were wondering,' untouched genius'. It's simply , okay. It's like watching people who are quite nice going through a storyline which is slightly familiar. No alarms and no surprises.
I don't wish to add spoilers but one crucial scene which for me explains all the films weaknesses is this; Jennifer Westfeldt looks at herself in the mirror wearing a pair of heels, she decides she doesn't like them , so takes them off and puts on a pair of boots which zip up the side. She sits down on a bed and puts them on, one at a time, then once again she looks at herself in the mirror. This time she is happy with her choice. This is shot in real time, and if memory serves correctly without an edit. Takes about 45 secs. When you write , direct and star [ especially when you haven't been in a movie for a while] ,screen time must be very exciting but filming yourself looking at yourself , pretty explains the whole movie for me.
There's a good reason Kristen Wigg features on the poster, Bridesmaids made millions, she's funny and has got game.
But imagine being in the marketing meeting where you had to explain to Jennifer why her face wouldn't be appearing in any of the advertisements for the film she wrote, directed and starred in. Ouch, that must have been a tough day for her.
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