Pete and Debbie are both about to turn 40, their kids hate each other, both of their businesses are failing, they're on the verge of losing their house, and their relationship is threatening to fall apart.
A Princeton admissions officer who is up for a major promotion takes a professional risk after she meets a college-bound alternative school kid who just might be the son she gave up years ago in a secret adoption.
Dave is a married man with two kids and a loving wife , and Mitch is a single man who is at the prime of his sexual life. One fateful night while Mitch and Dave are peeing in a fountain when lightning strikes and they switch bodies.
Shy 14-year-old Duncan goes on summer vacation with his mother, her overbearing boyfriend, and her boyfriend's daughter. Having a rough time fitting in, Duncan finds an unexpected friend in Owen, manager of the Water Wizz water park.
Julie and Jason have been best friends for years with no romantic interest in each other. He sleeps with someone new every few days, and she's looking for Mr. Right. Now in their thirties, they notice that their friends seem to lose all their good qualities when they have children - child rearing and the spark of Eros don't seem to co-exist. So, they decide to have a child together, share in child rearing, but pursue their own romantic lives. Things go well until he meets Mary Jane and she meets Kurt. Both seem like perfect mates. What could go wrong? Written by
In the final scene, when Jason leaves Julie's house, she is wearing a black v-neck sweater and her hair is nicely coiffed. After she asked him to leave, when he decided to go back and try again, she is wearing a completely different outfit and her hair is longer and messy. See more »
Please, please, just let me fuck the shit out of you right now. And if you're not convinced afterwards that I am into you in every possible way a person can be into another person, then I promise I will never try to kiss you, or fuck you, or impregnate you ever again, as long as I live.
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As with any film, we bring to it as much as we take away, so I'm guessing this is why I thought Friends with Kids was a beautifully written and executed tale of modern love, friendship and family, whereas many people (it seems), thought otherwise. To set the scene of my particular disposition, I'm in my late 30's, female, I don't want children, have many friends with them and see only stress and unhappiness when I'm around them. So the opening 45 minutes was pretty must grist to my particular mill. And then, three lovely moments were subtly conveyed in the remainder of the film, there were no fanfares, or big shiny signposts, which made it all the better. I'm not going to say what they are, dare you to find them for yourselves. All I can say is, for me, the film got love just right and actually made me slightly (very very slightly) broody. This is the kind of film which I think is rarely done well, and whilst there's always room for Sci-fi, thriller and horror (in my world at least), a well observed, funny and moving commentary on the human state that you can relate to is what I think filmmakers should be most proud to do. It makes you think, it makes you feel part of something more.
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