Vince Noir and Howard Moon have surreal adventures while working at a Zoo run by the deranged Bob Fossil (in series 1) and pursuing a career as musicians and living with the mystic Naboo ... See full summary »
Amid the Civil War in 17th-century England, a group of deserters flee from battle through an overgrown field. Captured by an alchemist, the men are forced to help him search to find a hidden treasure that he believes is buried in the field.
Uncle Wormsley is a grey, decaying old man with cobweb-like hair and rotten fingernails. A lone figure who keeps himself to himself, Wormsley's only friend is a monstrous crab called Crabsley, who lives in a dungeon under his house.
David O'Reilly's Masterpiece, or rather, His Best Yet
I loved it. Warning much strange violence and sex in it. During my viewing of it, I kept thinking of David Lynch's "Inland Empire", which this and O'Reilly's earlier movie "Please Say Something" both seem to have as a foster parent. However, I think "The External World" soars over O'Reilly's previous work in its scope. Whereas the previous movie had one main plot line and one small emotional note to it, this one weaves several short masterful if sardonic story lines together into one cohesive whole. The artwork will astound previous admirers of O'Reilly's work in that it is more accessible, more detailed and uses a brighter palette of colors and voices than the previous dots, lines and squeaks. I am on pins and needles wondering if O'Reilly will be able to top it. But even if he doesn't, there is no shame in setting the bar that high. This is a perfect match of meaning, mood, technique and humor, an achievement that deserves to be honored by a wider audience than short films usually reach.
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