Eddie "Gonzo" Gilman is starting a revolution. When the wild-eyed rebel journalist is ousted from his prep school's newspaper by its über-popular editor, Eddie fronts an underground ... See full summary »
The Rizzos, a family who doesn't share their habits, aspirations, and careers with one another, find their delicate web of lies disturbed by the arrival of a young ex-con (Strait) brought ... See full summary »
Raymond De Felitta
Adapted from the novel by Rebecca Chace, Capture the Flag portrays the tenuous relationship between a father and a daughter in the socially turbulent 1970s. Teen-age Annie and her father ... See full summary »
Kevin's mother struggles to love her strange child, despite the increasingly vicious things he says and does as he grows up. But Kevin is just getting started, and his final act will be beyond anything anyone imagined.
A family weekend is fraught with emotional landmines for mercurial and sensitive Lynn (Barkin) as she arrives at her parents' Annapolis estate for the marriage of her estranged eldest son Dylan (Michael Nardelli), accompanied by her three younger children (Ezra Miller, Kate Bosworth, Daniel Yelsky). Lynn's hopes for a joyful reunion are crushed as her wry but troubled middle son Elliot (Ezra Miller) lobs verbal grenades at his mother and her relatives while daughter Alice (Kate Bosworth), a fights valiantly to keep her longtime demons under control. The weekend quickly unravels as Lynn demands to be heard by her aloof, disdainful mother (Ellen Burstyn), ailing, distant father (George Kennedy) and ever-judgmental sisters (Siobhan Fallon, Diana Scarwid), but most especially by her ex-husband Paul (Thomas Hayden Church) and his hot-tempered second wife Patty (Demi Moore). Confronted with the deeply painful, half-buried truths that have given rise to the family's primal web ofresentments ... Written by
Do you think mom is hot?
No, not really.
I don't know. She's not my type.
You don't think she's pretty? Even if she wasn't mom.
Uh, look, every opinion is objective. You know, maybe she's pretty in a universal sense. Uh, I mean, who the fuck knows? I'm just saying, she doesn't do it for me.
Do you think other people think she's hot?
I don't know, some people fuckin' like McDonalds.
I like McDonalds.
[...] See more »
I went into the Savannah Film Festival screening of this film not really expecting much. Of all the movies I saw at the film festival, this one resonated with me the most, and came closest to my heart.
Sam Levinson has woven a dark dramedy of epic proportions as Lynn (Oscar-worthy performance by Ellen Barkin) drives her two sons to her mother's house for the eldest son's wedding. Through it all the audience witnesses the public and private meltdowns and sentimentality's of this flawed, and deeply human family.
From Lynn's confrontation of her divorcé husband (Thomas Haden Church), to her drug-addled, caustic-mouthed son Elliot's (genius performance from Ezra Miller) flirtation with grandpa's meds, to catty quips from Lynn's sisters, past trauma, guilt, and resentment flow onto the screen. What rises from this fertile emotional landscape are frightening moments, and hysterically funny scenes. For the audience it's an event, but Lynn and her boys it's just 'Another Happy Day.'
Humor is the pallet cleanser for this hearty cinematic meal. The viewer fears for Elliot's life after he nearly OD's on the bathroom floor; then breaks into hysterics as Elliot tries to hide his blue lips with mom's rouge, the following morning. It's all so funny, and so smart. You will be cry as much from laughing as you will from the sorrowful scenes.
Performances cut deep with their stark realism. From Ellen Barkin's Lynn, Ezra Miller's Elliot, Ellen Burstyn's Doris, down to 14 year old Daniel Yelsky's Ben - someone is going to get an Oscar nomination here. And if not, then the critics aren't ready for Levinson's dark blend of laughs and tears.
Highly recommended: 9 out of 10.
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