Yella is estranged from her possessive and violent husband; but he can't quite bring himself to give her up. When their fraught interaction finally comes to dramatic conclusion, Yella's life takes an odd shift.
The dishonorably discharged Afghanistan veteran Thomas returns to his home village of Jerichow. Ali, a local Turkish-German businessman, owner of a snack-bar chain, hires him as a driver. ... See full summary »
Clara and Hans are left-wing terrorists, who are chased by the police since almost fifteen years. The puberty of her increasingly rebellious daughter Jeanne imposes a threat on their ... See full summary »
Steve recently moved to Frankfurt for work. His wife is a stranger in the new city, bored and vulnerable. She meets her husband's boss who is going through some big events in his life as well. They start to have an affair.
The story takes place in a country about which we know nothing: a country of snow and dense forests somewhere in the North. A family lives in an isolated house near a lake. Alexi, the ... See full summary »
The first part of "Dreileben", a loose trilogy based on a fictitious story about a murderer called Frank Molesch who escapes from a hospital in the rural village Dreileben in The Free State of Thuringia, is succeeded by "Don't Follow Me Around" (2011) and "One Minute Of Darkness" (2011). It was written and directed by German filmmaker Christian Petzold and tells the story about Johannes, a young and energetic hospital worker, and Ana, a vulnerable and free-spirited woman who works at a hotel and lives with her mother and her younger brother. Johannes and Ana meets and falls in love during a summer in Dreileben when the police is chasing an escaped murderer, but Ana's increasing devotion decreases their evolving relationship.
Christian Petzold's stylistic, perceptive and engaging directing is distinct in this slow-paced and character-driven mystery which is finely acted by German actor Jacob Matschenz and Bosnian actress Luna Mijovic as the promising young lovers Johannes and Ana. The brilliant use of sound and the visually noticeable cinematography by German cinematographer Hans Fromm reinforces the predominant and impending atmosphere in this romantic psychological thriller which is the most rigorously structured and minimalistic part of the Dreileben trilogy.
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