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Dragon (2011)

Wu xia (original title)
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A papermaker gets involved with a murder case concerning two criminals leading to a determined detective suspecting him and the former's vicious father searching for him.

Director:

(as Peter Chan)
11 wins & 18 nominations. See more awards »

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Cast

Credited cast:
...
...
...
...
The Master (as Jimmy Wang Yu)
Kara Hui ...
The Master's wife (as Ying Hung Wai)
...
Kang Yu ...
Kenji Tanigaki ...
Jia-Min Li ...
Wei Zheng ...
...
Bai-Jiu's wife (as Xiao Ran Li)
Rest of cast listed alphabetically:
Zun-Kui Chen ...
Qing-Hua Cun ...
Shou-Wei Cun ...
Shou-Ze Cun ...
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Storyline

A papermaker gets involved with a murder case concerning two criminals leading to a determined detective suspecting him and the former's vicious father searching for him.

Plot Summary | Plot Synopsis


Motion Picture Rating (MPAA)

Rated R for violence | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

Release Date:

4 July 2011 (China)  »

Also Known As:

Dragon  »

Box Office

Opening Weekend:

$11,137 (USA) (30 November 2012)

Gross:

$11,137 (USA) (30 November 2012)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

|

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Dragon (2011) began as a remake of One-Armed Swordsman (1967), but, according to Twitch Film, these plans were "quickly abandoned". See more »

Quotes

Xu's investigator: [referring to Liu Jin-Xi] He's a reformed man.
Detective Xu Bai-Jiu: We're not here to reform criminals.
Xu's investigator: Then what's our purpose?
Detective Xu Bai-Jiu: [sternly] To serve the law!
Xu's investigator: If the law doesn't help reform people, what good is it?
See more »

Connections

Version of A History of Violence (2005) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Wu Xia
17 July 2011 | by (Cairo, Egypt) – See all my reviews

"A Chinese version of A HISTORY OF VIOLENCE (2005)!", which is my immediate response off the top of my head during the viewing at a local cinema, ordainedly a deja vu even banal narrative does undermine the film itself. Also Wu Xia's ostensible propaganda is so-called "microcosmic Kung Fu", which in my opinion, fabricates a promising prologue, particularly leavens the appeal of the detective segments, Takeshi's character is noteworthy for infusing panache into his persistent waywardness, which sounds more intriguing than the hero- hidden-in-a-remote-village plot, unfortunately the mission is unjustly unfulfilled.

Frankly speaking, the overall quality of the film is above average, as Peter Chen's prestige laurels still waver on a high level. The technical job is amazingly done, the acupuncture specifications, the reconstruction of a minority people's village and some canny inventions such as the alarm clock, the ancient condom and the print apparatus are fun to watch, not to mention the ending, which aroused a burst of laughters in the cinema, I must say it is an unexpected and creative one, otherwise, the finale would be more blushing.

Donnie Yen (from the IP MAN franchise), is unquestionably the leading martial superstar in China at present, whilst Jackie Chan is aging and Jet Li put his priority on his charity career. At an abashed age of 48, being the red-hot Kung Fu star, I pessimistically assume that Donnie's heyday will not be protracted too long. This is Takeshi's the third time starring in Peter Chan's films after THE WARLORDS (2007) and PERHAPS LOVE (2005), this time, his thunder cannot be stolen. I am also surprised to see Tang Wei (the budding starlet in LUST, CAUTION 2007) took such a marginalized role in the film, an almost downplayed innocent wife, although solid, her only shining moment is curbed within one cry-scene, to me, it is an inexcusable misemployment. Other two weathered Kung Fu masters are Kara Hui and Yu Wang, as the main villains, both give admirable but a shade monochrome performances.

All in all, the film is a niche under my expectation, but after so many recent disappointments, to name a few, THE LOST BLADESMAN (2011), FIST OF FURY: THE LEGEND OF CHEN ZHEN (2010) (both under the belt of Donnie Yen), Wu Xia show how desperate we need some new blood to inject into the now overheated Chinese Kung Fu genre, which I do appreciate for its effort.


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