A teacher lives a lonely life, all the while struggling over his son's custody. His life slowly gets better as he finds love and receives good news from his son, but his new luck is about to be brutally shattered by an innocent little lie.
Thomas Bo Larsen,
Adam ('Tom Hiddleston (I)'), an underground musician reunites with his lover for centuries (Tilda Swinton) after he becomes depressed and tired with the direction human society has taken. Their love is interrupted and tested by her wild and uncontrollable little sister (Mia Wasikowska). Written by
Although Jim Jarmusch wanted to shoot this movie on film and has a general distaste for digital cinematography, he had to use the Arri Alexa for budgetary reasons. He managed to work with low lighting and specific lenses in order to come up with a look he found acceptable enough to work for him. See more »
Wonderful imagery. style and atmosphere in the extreme. great acting. Beauty in many forms: you get a lot for your eyes. Also, depending on your taste in music, there is also a lot for your ears.
For your brain, sadly, not as much.
"Only lovers left alive" is filled with a lot of name-dropping, by word, picture and sometimes sound. Whether you find that fascinating or pretentious depends on your taste.
But what this movie really lacks is a story. The characters are throughout and the dialogue may be scarce, but has some dry humour and snappy lines. That doesn't save it from going nowhere. Glaring plot holes may make you cringe at times. And the pacing looks like Jarmush tried to surpass Kaurismäki in terms of slowness. If so, he won.
So perhaps this movie is best tasted in the state its protagonists enter after relishing an excellent glass of blood: dazed, blissful, and somewhat drugged.
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