It's 1947 and the borderlines between India and Pakistan are being drawn. A young girl bears witnesses to tragedy as her ayah is caught between the love of two men and the rising tide of political and religious violence.
The film examines the plight of a group of widows forced into poverty at a temple in the holy city of Varanasi. It focuses on a relationship between one of the widows, who wants to escape the social restrictions imposed on widows, and a man who is from the highest caste and a follower of Mahatma Gandhi.
Ashok runs a family business that sells takeout food that also has a video rental store at the side. Ashok's extended family includes his wife Radha, his brother Jatin, their ailing mother ... See full summary »
After Rahul's white pop-star fiancée dies in a bizarre levitation accident his mother insists he find another girl as soon as possible, preferably a Hindi one. As she backs this up by ... See full summary »
A fisheries expert is approached by a consultant to help realize a sheik's vision of bringing the sport of fly-fishing to the desert and embarks on an upstream journey of faith and fish to prove the impossible possible.
According to the "Sri Lanka Mirror," filming shut down for four days in March as the Iranian Embassy in Colombo objected to author Salman Rushdie's participation. Filming resumed after director Deepa Mehta met with Sri Lanka President, Mahinda Rajapaksa. He, in turn, then spoke with the Iranian Embassy. See more »
Darsheel Zafary's made-up nose design changes throughout his screen-time in the movie. See more »
Written by Carmen Taylor and Arthur Truscott
Performed by Midnight Children's Marching Band See more »
Only occasionally does a movie portray a culture in a time and place that truly succeeds in giving you a sense of what it was like there. I think of Like Water for Chocolate for example. I was totally blown away by this film's ability to somehow transport me back to India, capturing all the craziness, the colours, the confusion, the sensibilities.... I only spent six weeks there but my son who worked there for a year and a half agreed with me. I think that it is a very unusual film for western viewers. The symbolism is so important and rich. We are not watching individuals at all but characters who represent elements of the country that the writer and director are passionate about. The pace and length is absolutely essential to get the feel of how vast the story is. The camera-work is breathtaking, the music is absolutely authentic, I felt that I could even smell India again. I noticed that the reviews by western critics were mostly negative while those from India were the opposite. If you want to enjoy this film, leave your western film expectations at home and come with an openness to a different way of seeing, learning and experiencing. I will encourage everyone I know to treat themselves to this wonderful film.
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