The film examines the plight of a group of widows forced into poverty at a temple in the holy city of Varanasi. It focuses on a relationship between one of the widows, who wants to escape the social restrictions imposed on widows, and a man who is from the highest caste and a follower of Mahatma Gandhi.
Ashok runs a family business that sells takeout food that also has a video rental store at the side. Ashok's extended family includes his wife Radha, his brother Jatin, their ailing mother ... See full summary »
It's 1947 and the borderlines between India and Pakistan are being drawn. A young girl bears witnesses to tragedy as her ayah is caught between the love of two men and the rising tide of political and religious violence.
After Rahul's white pop-star fiancée dies in a bizarre levitation accident his mother insists he find another girl as soon as possible, preferably a Hindi one. As she backs this up by ... See full summary »
A story of love and enchantment set in the coldest of winters, it explores the issues, dilemmas and barriers facing the lucky and unlucky in love in the 21st Century, based on the novel of ... See full summary »
Says Noemi Weis, President of Filmblanc: "Deepa Mehta is a master of the exposé. As a documentary director, she has elevated the issue of domestic violence in such a way that we can no ... See full summary »
Having read the novel a few years ago, went and watched it at the London Film Festival. As much as I wanted to love it, it didn't blow me away. The pluses: The acting was good with a good enough cast. Satya Bhabha, Rajat Kapoor, Shahana Goswami and some others (Seema Biswas, for example) were terrific. Shriya, Siddharth, Soha Ali Khan, the usual crowd that you see in many recent Hindi/Tamil films, did their best and I couldn't really find too much fault with them, though I've seen them play the same characters in other films. The story itself is quite powerful The locales were well chosen and you could sometimes feel the vibe of Partition. The minuses: The music (background score) was staid. The screenplay and adaptation to the medium seemed to be the crux of the problems, though. Deepa Mehta (and Rushdie himself) seemed to stick to the book too closely, and weren't very adventurous. At many times it was pure narration, which seems a bit lazy as an adaptation. The film was also 2.5 hours long meaning they left out nothing at the cost of making it a bit boring. Everything was so literal that they lost out on the magic of the writing. Still a normally good film it will typically be marked controversial even though it really isn't. I was just hoping for some distinctiveness and style.
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