After a drunken house party with his straight mates, Russell heads out to a gay club. Just before closing time he picks up Glen but what's expected to be just a one-night stand becomes something else, something special.
A promising career with the police, a baby on the way -- Marc's life seems to be right on track. Then he meets fellow policeman Kay and during their regular jogs Marc experiences a ... See full summary »
A married, Orthodox, Jerusalem butcher and Jewish father of four falls in love with his handsome, 22-year-old male apprentice, triggering the suspicions of his wife and the disapproval of his Orthodox community.
After his gay cousin dies from hepatitis, young Laurent, who lives with his best friend Carole, falls in love with Cedric, a plant scientist. He's afraid to inform his conservative parents that he is gay.
Martin seeks for a temporary job at Eugenio's house. When they recognize to be childhood friends, Eugenio offers him work for the summer. A power and desire game starts and their relationship grows beyond their friendship.
In a suburb of London, young Jamie is escaping sport hours, to avoid being the victim of his comrades. Young Ste, his neighbor, is beaten by his father, and comes to sleep overnight. They discover new feelings, sleeping in the same bed.
On a Friday night after a drunken house party with his straight mates, Russell heads out to a gay club, alone and on the pull. Just before closing time he picks up Glen but what's expected to be just a one-night stand becomes something else, something special. That weekend, in bars and in bedrooms, getting drunk and taking drugs, telling stories and having sex, the two men get to know each other. It is a brief encounter that will resonate throughout their lives. Weekend is both an honest and unapologetic love story between two guys and a film about the universal struggle for an authentic life in all its forms. It is about the search for identity and the importance of making a passionate commitment to your life. Written by
The lines the actors are snorting in the movie is actually just glucose powder. See more »
When Russell is anxiously waiting for Glen to arrive at the train station, the train announcements in the background indicate that the time is around 6.30pm, however in the next scene when both characters have gone through the barrier onto the platform, the background train announcements indicate the time time is now around 5pm. See more »
Look. Straight people like us as long as we conform, we behave by their little rules. Imagine your friends if you suddenly started getting all, but really, political about being a fag, or you got suddenly, like, camp and swishy or talked about rimming all the time.
But that's not what I'm like, is it? That's not who I am.
Well, just trust me: They like it as long as we don't shove it down their throats.
Okay, well, why should I just shove it down their throats?
Because they shove ...
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The rare film about falling in love that gets to the heart of the matter
There are countless films about people falling in love, but when you see Weekend you realise just how rare films are that make a sincere attempt to catch what it really is like to fall for someone, without sentimentality, forced cuteness or cheap emotional manipulation. This is the rare love story that has real emotional truth about it. The fact that it is about two men who fall for each other is almost secondary to the way the film catches the universality of what it is like to fall in love. Weekend is not about exceptional people, just about two average, if smart and likable men, tentatively getting close to each other and it catches lightning in a bottle.
This is not to play down the importance of Weekend as a gay film. Gay issues are touched upon and some good political points are made about gay men in todays society, but it's never in a didactic way. Nothing here feels forced, there is a naturalness about the acting and dialogue, real chemistry between the two leads and a sense of lightness about the filmmaking that yet never feels trivial. Weekend catches the little moments of life beautifully and it finds beauty in the everyday.
The acting here is simply amazing from both leads but Tom Cullen as the more quiet, introverted Russell has a touching vulnerability about him and gives what I would regard as the best performance of the year by a male actor. It's all there in tiny details, there is never a moment when you don't utterly believe what goes on in his heart, it's all there in his eyes and the most subtle shifts of expression. No doubt this performance will be overlooked in favour of more histrionic turns this year, but this is what truly great screen acting is about. I think I fell a little bit in love with him myself.
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