After a drunken house party with his straight mates, Russell heads out to a gay club. Just before closing time he picks up Glen but what's expected to be just a one-night stand becomes something else, something special.
A promising career with the police, a baby on the way -- Marc's life seems to be right on track. Then he meets fellow policeman Kay and during their regular jogs Marc experiences a ... See full summary »
A married, Orthodox, Jerusalem butcher and Jewish father of four falls in love with his handsome, 22-year-old male apprentice, triggering the suspicions of his wife and the disapproval of his Orthodox community.
After his gay cousin dies from hepatitis, young Laurent, who lives with his best friend Carole, falls in love with Cedric, a plant scientist. He's afraid to inform his conservative parents that he is gay.
Martin seeks for a temporary job at Eugenio's house. When they recognize to be childhood friends, Eugenio offers him work for the summer. A power and desire game starts and their relationship grows beyond their friendship.
In a suburb of London, young Jamie is escaping sport hours, to avoid being the victim of his comrades. Young Ste, his neighbor, is beaten by his father, and comes to sleep overnight. They discover new feelings, sleeping in the same bed.
On a Friday night after a drunken house party with his straight mates, Russell heads out to a gay club, alone and on the pull. Just before closing time he picks up Glen but what's expected to be just a one-night stand becomes something else, something special. That weekend, in bars and in bedrooms, getting drunk and taking drugs, telling stories and having sex, the two men get to know each other. It is a brief encounter that will resonate throughout their lives. Weekend is both an honest and unapologetic love story between two guys and a film about the universal struggle for an authentic life in all its forms. It is about the search for identity and the importance of making a passionate commitment to your life. Written by
The "erections" and "semen" used in the graphic sex scenes are actually just carrots and liquid soap. See more »
When Russell is anxiously waiting for Glen to arrive at the train station, the train announcements in the background indicate that the time is around 6.30pm, however in the next scene when both characters have gone through the barrier onto the platform, the background train announcements indicate the time time is now around 5pm. See more »
Look. Straight people like us as long as we conform, we behave by their little rules. Imagine your friends if you suddenly started getting all, but really, political about being a fag, or you got suddenly, like, camp and swishy or talked about rimming all the time.
But that's not what I'm like, is it? That's not who I am.
Well, just trust me: They like it as long as we don't shove it down their throats.
Okay, well, why should I just shove it down their throats?
Because they shove ...
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This is the best low budget indie gay movie in years, and the best gay movie since BROKEBACK MOUNTAIN
I just watched WEEKEND at a screening at the Oslo LGBT film festival, and am still in shock. This is the most real cinematic version of guys falling in love in recent history. I'm a filmmaker myself, and was blown away by the caliber of the writing, directing, acting, cinematography, editing, and music of this fantastic film. There's not a false note in the movie--everything rings true, even the ending (no spoilers here.) It's the rare film, like WINTER'S BONE last year, that at every turning point takes what I call the elegant decision. WEEKEND is at a higher level than all other LGBT films playing the festival circuit this year (the only other film near this level is Tom Twyker's 3.) Actually, it's at a higher level than almost all films playing anywhere this year. Where did this film come from? Apparently the brilliant mind of Andrew Haigh (writer/director/editor), who, I noted on an IMDb search, started as an apprentice editor on GLADIATOR, and then assistant editor on BLACK HAWK DOWN (working with the master editor Pietro Scalia on both. Go UCLA!) I look forward to seeing more of Haigh's work. Do not, I repeat, DO NOT miss this movie.
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