| Pollyanna McIntosh | ... | The Woman | |
| Brandon Gerald Fuller | ... | Baby | |
| Lauren Ashley Carter | ... | Peggy Cleek | |
| Chris Krzykowski | ... | Roger | |
| Sean Bridgers | ... | Chris Cleek | |
| Angela Bettis | ... | Belle Cleek | |
| Marcia Bennett | ... | Deana | |
| Shyla Molhusen | ... | Darlin' Cleek | |
| Gordon Vincent | ... | Clapp Boy (as Vincent Gordon) | |
| Zach Rand | ... | Brian Cleek | |
| Shelby Mailloux | ... | Jenny | |
| Tyler Merlini | ... | Boy #1 | |
| Jordan Carrasquillo | ... | Boy #2 | |
| Jordan Chapalonis | ... | Boy #3 | |
| Carlee Baker | ... | Genevieve Raton | |
| Amanda Daryczyn | ... | Jackie | |
| Lindsey Hamlett | ... | Cyndi | |
| Lauren Schroeder | ... | Dorothy | |
| Lauren Petre | ... | Miss Hindle | |
| Michael McKee | ... | Mr. Wolf | |
| Joanna Herrington | ... | Vicki | |
| Alexa Marcigliano | ... | Socket | |
| Shana Barry | ... | Fake shemp | |
| rest of cast listed alphabetically: | |||
| Tommy Nelson | ... | Walter (uncredited) | |
| Frank Olsen | ... | Will Campbell (uncredited) | |
Directed by | |||
| Lucky McKee | |||
Writing credits(in alphabetical order) | ||
| Jack Ketchum | ||
| Lucky McKee | ||
Produced by | |||
| Russell Dinstein | .... | co-executive producer | |
| Josh Garrell | .... | associate producer | |
| Elaine Marie Gibson | .... | line producer | |
| Robert D. Krzykowski | .... | co-producer | |
| Frank Olsen | .... | executive producer | |
| Lluis Fe Perez | .... | associate producer | |
| Loren Semmens | .... | executive producer | |
| Robert Tonino | .... | producer | |
| Andrew van den Houten | .... | producer | |
Original Music by | |||
| Sean Spillane | (music composer) | ||
Cinematography by | |||
| Alex Vendler | |||
Film Editing by | |||
| Zach Passero | |||
Casting by | |||
| Cindi Rush | |||
Production Design by | |||
| Krista Gall | |||
Art Direction by | |||
| Jeff Subik | |||
Costume Design by | |||
| Sandra Alexandre | |||
| Michael Bevins | |||
Makeup Department | |||
| Nicholas Arthur | .... | makeup artist | |
| David Greathouse | .... | special makeup effects artist | |
| Hillary Hunt | .... | assistant makeup artist | |
| Robert Kurtzman | .... | special makeup effects | |
| Tom Luhtala | .... | makeup lab technician | |
| Anthony Pepe | .... | makeup department head | |
| Alan Tuskes | .... | special makeup effects supervisor | |
Production Management | |||
| Josh Garrell | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Jake Klarkowski | .... | second second assistant director | |
Art Department | |||
| Bob Donohue | .... | set dresser | |
| Krista Gall | .... | set designer | |
| John Hatch | .... | construction coordinator | |
| Eric Jihwan Jeon | .... | assistant art director | |
| Jason Mazzarino | .... | set dresser | |
| Dan Warren | .... | set dresser | |
Sound Department | |||
| Allison Jackson | .... | sound mixer | |
| Andrew Smetek | .... | sound designer | |
| Andrew Smetek | .... | sound re-recording mixer | |
Special Effects by | |||
| Andrew Smetek | .... | puppeteer | |
Stunts | |||
| Bryce Burke | .... | stunts | |
| Jared Burke | .... | stunt coordinator | |
| Greg Harris | .... | stunt rigger | |
| Abby Nelson | .... | stunt double: Angela Bettis | |
Camera and Electrical Department | |||
| Shana Barry | .... | second assistant camera | |
| Chelsea Boothe | .... | still photographer | |
| Adam D. Bouchard | .... | best boy electric | |
| Matt Cabinum | .... | first assistant camera | |
| Andreana Davies | .... | best boy grip | |
| Andreana Davies | .... | dolly grip | |
| Brett A. Frager | .... | swing | |
| Afton Grant | .... | steadicam operator | |
| Chris Heinrich | .... | cinematographer: second unit | |
| Jamie Hooper | .... | EPK camera | |
| Jamie Hooper | .... | special features camera | |
| Daniel Hourihan | .... | best boy grip | |
| Alex Knuuttunen | .... | grip | |
| Branden James Maxham | .... | gaffer (as Brandon James Maxham) | |
| James Webber | .... | special features camera | |
Casting Department | |||
| Joan Hamlett | .... | extras casting assistant | |
| Dane C. Jobst | .... | extras casting assistant | |
| Jeff Jobst | .... | extras casting | |
| Jackie Krzykowski | .... | extras casting | |
| Megan Walsh | .... | extras casting assistant | |
| Michele B. Weiss | .... | casting associate | |
Costume and Wardrobe Department | |||
| Erin Grey | .... | wardrobe supervisor | |
Editorial Department | |||
| Aidan Stanford | .... | digital colorist | |
Other crew | |||
| Jackie Krzykowski | .... | assistant to director | |
| Robert D. Krzykowski | .... | location manager | |
| Robert D. Krzykowski | .... | location scout | |
| Robert D. Krzykowski | .... | production coordinator | |
| Friday Savathphoune | .... | script supervisor | |
| Irene Wachsler | .... | independent auditor | |
Thanks | |||
| Elwaldo Baptiste | .... | special thanks | |
| John Carchietta | .... | special thanks | |
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| House on the Edge of the Park | Morituris | The Human Centipede II (Full Sequence) | The New York Ripper | A Serbian Film |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
It's really quite strange seeing some reviewers here referring to the 'misogyny' of this movie: It's anything but, in fact this is a profoundly misandric film: the men are depicted as brutal, arrogant and smug, the women as good but perpetual victims of 'The Patriarchy'. Yawn. In this film, ALL the men (and boys) are evil and must die. If you're a woman, life with men is unthinkable and lesbianism your only option. Lesbians are good. Girls are good. Boys are bad.
To drive its 'girls are better than boys' point home there's a scene with a young girl outplaying a boy at basketball. Yes. Because that happens. All the time. The only reason you may not have seen that occur in real life is because of men keeping women down. Men, with their basketballs and higher mathematics. Confound them.
Other bits add to the feeling of a skewed version of reality: A 'wild woman' living feral in the woods - with teeth like that - but who shaves her armpits and legs? Hmm.
On the plus side, there's some nice photography, the female lead puts in a strong performance and the use of music and sound is also first rate. Horrible film though.