Two best friends see their trip of a lifetime take a dark turn when one of them is struck by a mysterious affliction. Now, in a foreign land, they race to uncover the source before it consumes him completely.
An investigation into a government cover-up leads to a network of abandoned train tunnels deep beneath the heart of Sydney. As a journalist and her crew hunt for the story it quickly becomes clear the story is hunting them.
Searching for a missing student, two private investigators break into his house and find collection of VHS tapes. Viewing the horrific contents of each cassette, they realize there may be dark motives behind the student's disappearance.
This "found-footage" film is set in 2009 in the town of Claridge, Maryland on the Chesapeake Bay. During the town's annual 4th of July Crab Festival, townspeople become sick, exhibiting a variety of symptoms, which leads local news reporters to suspect something has infected the water there. No one is sure what it is or how it's transmitted, but as people start to behave strangely, and others turning up dead, fear spawns into panic. The town is shut down as government authorities confiscate video footage from every media or personal source they find, in an effort to cover-up the incident. But one local reporter who witnessed the epidemic, was able to document, assemble, and hide this film in hopes that one day, the horrible truth would be revealed . . . Written by
Michael Hallows Eve & Colonial Oak
Director Barry Levinson was approached to do a documentary about the Chesapeake bay. He watched another documentey about the Chesapeake bay that talked about the pollution and the lack of fish. He said it was a great documentary but nobody will care about it. And so he said he would take all of the facts about the Chesapeake bay and turn it into a theatrical base piece. See more »
When Stephanie is getting into the front seat of the cop car after leaving the antique store, cars are being driven through the back window, even though the roads to Claridge were suppose to have been cut off. See more »
I liked it. Most horror movies depend on something supernatural and implausible to get their chills, but this one makes only modest science-fiction leaps from real ecological problems facing Chesapeake Bay to something truly creepy. Sure, its innocents-at-risk central subplot is hokey, but what do you expect from a horror movie? (We all need someone to identify with.) I think its use of the found-footage technique, by which it pretends to be a documentary, increases both its plausibility and its scariness. I can't judge how well or how fairly it publicizes the ecological problems facing Chesapeake Bay, but it makes for a zinger of a horror movie.
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