Colm is a Catholic and George is a poetry-loving Protestant. In Belfast in the 1980s, they could have been enemies, but instead they became business partners. After persuading a mad wig ... See full summary »
Anti-Semitism, race relations, coming of age, and fathers and sons: in Baltimore from fall, 1954, to fall, 1955. Racial integration comes to the high school, TV is killing burlesque, and ... See full summary »
This "found-footage" film is set in 2009 in the town of Claridge, Maryland on the Chesapeake Bay. During the town's annual 4th of July Crab Festival, townspeople become sick, exhibiting a variety of symptoms, which leads local news reporters to suspect something has infected the water there. No one is sure what it is or how it's transmitted, but as people start to behave strangely, and others turning up dead, fear spawns into panic. The town is shut down as government authorities confiscate video footage from every media or personal source they find, in an effort to cover-up the incident. But one local reporter who witnessed the epidemic, was able to document, assemble, and hide this film in hopes that one day, the horrible truth would be revealed . . . Written by
Michael Hallows Eve & Colonial Oak
Director Barry Levinson was approached to do a documentary about the Chesapeake bay. He watched another documentey about the Chesapeake bay that talked about the pollution and the lack of fish. He said it was a great documentary but nobody will care about it. And so he said he would take all of the facts about the Chesapeake bay and turn it into a theatrical base peace. See more »
The events take place in 2009. One of the characters shows her symptoms via FaceTime which did not debut until 2010. See more »
There's forty-five million pounds of chicken shit dumped into the bay each year.
I mean look at that, that's entirely made of chicken shit.
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I liked it. Most horror movies depend on something supernatural and implausible to get their chills, but this one makes only modest science-fiction leaps from real ecological problems facing Chesapeake Bay to something truly creepy. Sure, its innocents-at-risk central subplot is hokey, but what do you expect from a horror movie? (We all need someone to identify with.) I think its use of the found-footage technique, by which it pretends to be a documentary, increases both its plausibility and its scariness. I can't judge how well or how fairly it publicizes the ecological problems facing Chesapeake Bay, but it makes for a zinger of a horror movie.
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