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|Index||151 reviews in total|
I'm sure Morgan Freeman wishes he was thirty years younger if he
watches this effort with his characters' name attributed to it. This is
nothing like 'Kiss the girls' or 'Along came a spider'. The performers
can only actor with the script they're given but surely there must be
somebody better than Tyler Perry? Idris Elba would have been perfect
for this role.
This movie feels more like a spoof than an action thriller. Poorly acted by both lead players and the plot is so predictable that it's painful. The cast do their best with the material, 'Lost' star Matthew Fox appears to have invested a lot into the film, almost unrecognisable as the heavily tattooed, muscular psycho. His physical transformation can't disguise overacting, but at least it's a menacing performance.
*** This review may contain spoilers ***
The only thing this movie has in common with the book Cross is the name of the character. From the location to the type of vehicle he drives is wrong. It might of been an enjoyable movie by itself with different characters. The whole motivation of the Alex Cross character is the fact that he doesn't know who his wife's killer is and why she was killed for many years. His partner is a giant of a black dude who is named Sugar. Cross doesn't have a profiling unit of his own within the police dept and Nana Mamma is his grandmother not his mother. The writers of this movie must of never of read a Alex Cross book before or at any time while writing this movie. I didn't mind the actor who is mostly known for dressing up as an old black woman playing Cross. He did a OK job. I'm surprised they didn't have him play Nana Mamma also. In the end this movie sucked!!!!
Perry's foray into a more serious genre is a bit of a misfire to say
the least. I've said it before. I quite like Tyler Perry. He's fearless
and ambitious, but when I found out he was taking over for Morgan
Freeman, that really made my head spin. It's certainly not a horrible
performance. He tries his best, and he does nail one really emotional
scene, but he was rather awkward to watch. You can also tell he had
some serious influence into the making of this film. His character is
religious. There are some decent chase scenes which provide excitement,
and I was never truly bored. It was just there and nothing really
special ever came out of it. Guys like Edward Burns & Jean Reno lend
solid support for Perry. Matthew Fox is the best thing about this
movie. He gives a very good performance as Picasso; very creepy stuff
from him. I admire Perry's foray into another genre, but I don't think
he is gonna usher in a new era for the Cross series like he was hoping
Final Thoughts: It's worth a look if you see it on cable, but I wouldn't pay money to see it. It's pretty mediocre stuff when all is said and done. You could do a lot worse, but you could also do much better. Watch Kiss The Girls if you wanna see a decent Cross film.
*** This review may contain spoilers ***
***Spoiler Alert***First, this should have been rated R. There was torture of women with drugs and extremely violent. Aside from that, the flow of the movie was ridiculous. Right after Cross's wife is murdered, he doesn't go straight after the killer, he pauses to have a public funeral first with all of his family and he himself a target. It ruins the flow of the movie and is so insane you can no longer suspend belief to enjoy the film. The scene between Perry and Tyson could have been extraordinary, but it is ruined with poor writing. And then the last scene between Cross despite them both losing the loves of their lives, they try to make the scene a distastefully upbeat. The movie could have been a good thriller, but those involved puked all over it.
You may think it wouldn't be possible to disgrace an author who cranks
out seven or more novels a year, but ALEX CROSS may just about manage
I have read a number of James Patterson's Cross novels, including CROSS (ostensibly the source material for this film). I would not work hard to defend their literary value, but they are very entertaining, and they certainly have the potential to be the basis for a solid series of movies. In a world where EON productions are gearing up for their 24th James Bond movie, there is no reason there couldn't be a string of decent Alex Cross movies; looks like that isn't going to happen anytime soon though.
The Alex Cross character previously appeared on screen in KISS THE GIRLS and ALONG CAME A SPIDER, where the character was played by Morgan Freeman. Given that Cross is written as a bulky, handsome, imposing man in his early 40s, Freeman was in some ways a curious casting choice. Still he has the gravitas, screen presence and charisma to pull audiences through these sometimes convoluted plots, which is more than can be said for Tyler Perry.
Perry was clearly cast because of his strong box-office track record with a loyal audience; however Perry is almost completely unknown to audiences outside the US, and even domestically his figures have been in decline (this followed suit). To be fair, Perry is just about passable in the role. He's wooden, and conveys neither the intelligence or belligerence needed to successfully bring the character (at least as written for this film) to life, but he's far from the film's biggest problem.
CROSS was a good choice of adaptation for "rebooting" the series on screen, with some nods towards an origin for the character and a strong story of a personal mission for the main character. The novel took place over a time-span of over a decade, the film condenses the events to a year or less, which was a good move. Unlike the Freeman films, ALEX CROSS does showcase Cross' home and family life, which some Patterson devotees may appreciate. On the whole however, the film is a very loose adaptation of the novel, which is fine. At least, it would be. Unfortunately, the script (co-written, oddly enough, by Marc Moss, whose only other screen credit is ALONG CAME A SPIDER), doesn't come up with anything fresh or interesting. Patterson is not the most original writer, but this film stoops to clichés that even he (to my knowledge) wisely avoids; fellow cops with clandestine relationships etc. The movie descends into generic revenge pabulum with debilitating ease, when it aspires to be a suspenseful psychological thriller. Cross here seems less a gifted, intellectual criminal psychologist, more a man blessed with psychic powers and the occasional premonition.
In the 90s, director Rob Cohen was a competent journeyman making adult potboilers, including DAYLIGHT and a TV Movie Rat Pack biopic. Suddenly, in the early 00s (his early fifties) he tried to convince the world he was a teenager with THE FAST AND THE FURIOUS and xXx, and seemed to succeed. He likes things which makes no sense but seems cool, which is OK, as most of the world does too, but water-pressure alarms and security doors which don't open from the inside are unlikely to attract the kind of audience enthusiasm that drag racing and extreme sports did a decade ago.
To his credit, Cohen has become a fairly distinctive director, and this movie has a similar feel to much of his other work. Unfortunately, his style is not appropriate for the material, and unctuous fake European accents are not necessarily the best directorial trademarks either. He has little skill with narrative, and one scene cuts to the next with no rhythm, generating little interest. The climactic fight scene is, even by recent standards, excessively incoherent and unexciting.
As it happens, where the movie does succeed is also where Patterson's writing is generally the strongest; the villain. Matthew Fox gives a very memorable performance as a fairly intriguing character. Unfortunately, he doesn't get enough screen time to get the film up to a passing grade, perhaps held back, as much is, by the PG-13 rating.
Though messy and a little silly KISS THE GIRLS was a fairly savvy adaptation and a far more intriguing and cinematic viewing experience. ALONG CAME A SPIDER was absurd and squandered much of the potential of its namesake, but it was slick, lively entertainment with welcome touches of arch humour, and was clearly the work of a gifted director. Perhaps neither were films for the ages, but while watching ALEX CROSS you find yourself pining for them.
Usually when movies get panned, I avoid them. However, once in a while
my curiosity gets the better of me and I can't resist. I probably
should have skipped this one, I never read the books but, I'm going to
go out on limb here and say that the book or books did not transition
well to the big screen. Yes that was sarcasm. I'm sure the books are an
exciting and an engrossing read, but here, the exact opposite comes to
mind when describing this movie. It's a complete bore and sitting
through this is a chore. It borders on unwatchable and though it might
not have been 2012's worst it's certainly close to the top.
I'll do the best I can to remember everything but, not even 16 hours after viewing this, it's been corroding from my mind fast. That should give you a hint on just how memorable this cinematic dump is. The only reason why I'm giving it a 2 is because of Matthew fox. He got himself into shape and prepared himself for this role, and it shows. Even though his character may have been scribbled in with a crayon,(let's face it, his character is about as one-dimensional as a cardboard cut-out, same goes for the rest of the cast) his loony, over-the-top performance is the only thing that kept me awake from slipping into a coma. As for everything else, I'm at a loss for words.
From the guy who directed The Fast and the Furious and xXx, I was at least expecting some exciting well-shot fighting scenes but, we can't get what we always want. The very few actions scenes are boring and nausea-inducing, especially the climatic fight scene. Why director Rob Cohen decided to shake the camera so much? I don't know, the two films I mentioned showcase that he's a competent action director, whatever the excuse was it doesn't matter, this is just lazy.
With the exception of Fox, the cast is dull. Though, I'm not sure the cast it completely at fault, they're not given much to do. Perry is miscast here, he has the chops but, there are better suited roles out there within his range. When he's required to show emotion he's good but, when he's required to do action he doesn't fit in well. The rest of the cast is bland and unmemorable, they all seem like they don't want to be here and I don't blame them. I'm sure they at least got nice paychecks.
I'm going to on a little tangent about the MPAA, so skip to the next paragraph if you'd like. I don't understand how something like this could get a PG-13 rating and then another movie who uses the "F" word a couple of times get an R. I would rather let a 13 year old watch something that's R because it has the "F" word a couple of times in it than letting them watch this. I'd say see this for yourself, but then that would mean you would actually have to watch this garbage. So I'll give you a few examples instead. This doesn't spoil anything but, I can't imagine why anyone would care anyway. There is one scene where we're shown a woman getting her fingers cut off, sure it's brief but, we see the whole thing. Then there's a legitimate sex scene, and I'm not talking about the brief PG-13 ones I'm talking about an actual sex scene. These are only a few examples as there are more but, that would give away something. I'm done now, time to continue....
Like the ending of this movie, I'm going to rush things here because thinking about this movie is giving me a migraine. The pacing is uneven, we're given slow set-up then the movie keeps shifting, rushing things here and there, slowing down things here and there, this is an on-going process and by the end I found myself wanting to grind my face against a cheese grater. The characters are all underdeveloped, thanks to the lazy script, I didn't care about anyone. This movie clocks in at 100 minutes yet, it felt like I was watching Titanic again. It seemed like this movie would never end.
Overall, don't even bother wasting your time. The acting is dull, the character's are cardboard cut-outs, the direction is horrible especially during the climatic fight scene, the script is lazy, and the pacing is widely uneven. There is nothing good here, except Matthew Fox, but it's still no where enough to recommend this on any level. How this movie made it to theaters is one mystery I'd like to solve.
Watched this movie last night and I have to say I was quite disappointed. The story was OK and the cinematography was good. The acting, however, was quite horrid. Ed Burns mailed in the worst performance I have ever seen him produce. Never once was I convinced that he had anything but a "little chip" of an involvement with the female partner. Nothing showed the possible love that the scripted words professed. I won't beat the dead horse about the comparisons of Tyler Perry to Morgan Freeman. There were flashes of what could have been a compelling portrait of a character, such in his interaction with his wife. The overall effect of this portrayal though was disjointed and shallow. And none of the female roles had any substance. Even the great Cicely Tyson was watered down and washed out. Disappointing.
*** This review may contain spoilers ***
First off I have to say the movie was not what I expected. If you are a
big Tyler Perry fan then you may enjoy it more than most
action/thriller fanatics. I for one was very disappointed when i
watched the movie. Unfortunately i have read the complete Alex Cross
series written by James Patterson and I have also watched the two
previous movies with Morgan Freeman. This made my expectations high as
I was looking forward to a new look into the "world of Alex Cross".
The story line is a complete mix up and the details are so far off from the original stories it actually feels as though the writer of this script thought that James Patterson's work was not up to a level that could be appreciated. Having said that there are a few parts in the movie that are good though, the acting of the criminal is something that does meet the same level as imagined when you read one of the novels. I guess it is all down to personal preference but I did not enjoy this as much as i thought i would. If they had a whole new story line with a new serial killer but kept the facts from the books it might have been better.
The difficult part to being a psychologist/police officer is deciding if you should bill your client for time spent beating them with a phone book.
Sadly, the shielded shrink in this crime-thriller does not expound on his invoicing practices.
Detroit police lieutenant Dr. Alex Cross (Tyler Perry) and his partner Tommy (Edward Burns) are called to a crime scene where a businesswoman (Stephanie Jacobsen) was brutally murdered.
Following a clue left by the artistic assassin dubbed Picasso (Matthew Fox), Cross sets a trap at his next hit.
After Picasso eludes capture, Cross deduces that his true target is a billionaire (Jean Reno).
Angered by the detective's constant meddling, Picasso focuses his crosshairs on Cross' wife.
Full of retributive violence but low on tangible mystery, this adaptation of the popular literary character lacks a suspenseful script and a believable lead.
Besides, psychologist cops blame every murder on the killer's mother.
*** This review may contain spoilers ***
I had heard a lot of people say how bad Alex Cross was but I wanted to
hold out and see for myself. I have read one Alex Cross book but never
more than that so I was going in mostly blind to the character and the
book series. To say the film was a mess is an understatement. Its hard
to say exactly where the film goes wrong but bad casting, bad acting,
bad music, horrible direction and horrible editing just to name a few
of the main points that derails this film. I don't usually comment on
the intricacies of the actual film making but the editing was simply
awful. The sound and music for the film goes up and down throughout.
Sometimes the music is so loud you can hardly hear what's going on and
sometimes the dialogue is so low you can't even hear it. That can be a
good thing considering how poorly delivered many of the lines are. The
plot holes are so gapingly large that you can fire a rocket through
them. There are only a few little saving graces that save this from
being a complete and utter disaster. Some of the action scenes are
relatively entertaining and watchable. Matthew Fox as the villain is
actually almost stunning, and the production values on the special
effects are very good. But that's about where the impressiveness ends.
I heard a lot of people complain about Tyler Perry being cast as Alex Cross. I thought he could pull it off because he is a very talented and versatile actor. I was wrong. He brings no depth to the character at all and is so stereotypical that it makes you want to yawn. The scenes with emotion he over-delivers and comes across as cheesy. The character was also written very quickly so that you understand how "brilliant" he is and this comes across as pompous and annoying. He was poorly cast, no doubt about it. Edward Burns plays Cross' partner. He is written as some sort of dumb, fast talking, one liner sidekick. Its really unfortunate. The chemistry between Perry and Burns is non-existent and yet we're supposed to believe they are lifelong friends. Jean Reno makes some sort of cameo as a villain of sorts but the story around his character is so convoluted and makes very little sense that he is lost in the shuffle. I'm not even sure why he would do this. And then there is Matthew Fox who literally is the only actor that makes this worthwhile. In fact, he steals the show. His twisted, sadistic, tortured villain is a thousand times better than this film. His twitching, facial expressions, line delivery...all first rate. I don't know if I have ever seen anyone give a 10/10 performance in a 4/10 movie but Fox does it flawlessly. What a total waste of a great performance and character. However, if you're going to see this...see it for Matthew Fox.
The last thing an Alex Cross movie should be is campy. And yet the script for this and the performances are extremely campy. When watching, check out the expressions on some of the officer extras around them. Its beyond bad, like awful. With some really good action scenes there should have been some really tense moments but all of that is completely lost with bad directing and even worse editing. The fights often look low budget and cheesy like watching a WWE wrestling match. I am truly surprised that director Rob Cohen who has helmed some very good action flicks let this slip into such a bad area. Perhaps it was just the chemistry or a badly edited script but however you shake it...they screwed up Alex Cross badly. James Patterson fans may find themselves waiting a very, very long time before this gets rebooted. Until then we have the HUGELY superior Morgan Freeman films which were better in every aspect. Skip this one or watch it for Matthew Fox. 4/10
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