A congressman's daughter under Secret Service protection is kidnapped from a private school by an insider who calls Det. Alex Cross, sucking him into the case even though he's recovering from the loss of his partner.
John McClane travels to Russia to help out his seemingly wayward son, Jack, only to discover that Jack is a CIA operative working undercover, causing the father and son to team up against underworld forces.
Dr. Alex Cross is on his last police duty to track down an assassin called Picasso, who's been torturing and killing rich businessmen in Detroit. Soon when the mission gets personal, Cross is pushed to the edge of his moral and psychological limits to end this once and for all. Written by
Matthew Fox went through a strict diet and workout routine to gain muscle and lose a high amount of body fat. See more »
Det. Cross may be highly intelligent, however, his actions as a police officer are lacking. When he encountered an armed highly skilled assassin that had killed multiple armed opponents, he did not shoot him. This of course would have negated the rest of the film. See more »
All Over the Road
Written by Jay Buchanan, Robin Everhart, and Scott Holiday
Performed by Rival Sons
All Over The Road Music Pressure and Time Music (Administered by HoriPro Entertainment Group, Inc.)
Courtesy of Rival Sons, Inc.
Under license from EMI Film & Television Music See more »
Convincing performances by Perry and Fox prevent Alex Cross from being completely unwatchable.
It's not hard to figure out what's wrong with this movie. Skeptics may think Tyler Perry was a bad choice to fill in a young Morgan Freeman's shoes but he was absolutely fine in the role. Plus, Matthew Fox as a psychopathic skinhead assassin? Hell yes. Edward Burns as Perry's detective partner? Eh, less convincing but I'll let it slide. The direction and the writing though... whew. It's amazing the actors were able to recite this dialogue with a straight face.
The story of Alex Cross is a simple murder mystery - Alex Cross and his partner investigate the scene of a crime and discover that they're after a professional killer referred to as Picasso. Then things get personal and Cross plans to seek his revenge once and for all. Standard crime thriller plot, right? The problem is when the characters start talking to each other. Honestly, it's laughable how bad some of this dialogue is, especially between Cross and his family. They throw in these "emotional" scenes to break up the action but all they do is make for a really awkward paced movie. It would be passable if the dialogue actually moved the plot forward but it doesn't, at all. There are some subplots that are introduced and never brought up again. Like Alex Cross becoming an FBI agent. What was the point of even including that?
The main reason to watch this movie is for Matthew Fox. He's playing a sadist who is "fascinated by pain." Not very original but who cares, it's Matthew Fox playing a 130 pound untamable psychopath. The scenes in which we see him doing his job - stalking his targets, infiltrating their houses, taking out their body guards and whatnot - are the most interesting parts of the movie. He's really the only character given a clear cut motive and enough development to make him a decent antagonist. He's also batsh*t crazy, did I mention that? Yeah, he's a lot of fun to watch.
Unfortunately Perry isn't given nearly as much to work with. He's a generic detective masquerading under the name Alex Cross who acts as a poor man's Sherlock Holmes. His whole objective is to get into the mind of this madman while trying to maintain a steady family life, but instead of building tension between these two factors and having them play off one another and ultimately effecting Cross' personal life, the writer/director think it's more effective to jump from one setting to another with no lead-ins or relevance to what just happened or what is about to happen. The family scenes are cringeworthy, and even the dialogue with his partner gets really cheesy. I wanted to see more psychological warfare between Cross and Picasso. They try to do that in a couple scenes but it's so poorly written that you don't believe a word of it.
Tyler Perry's acting shines in a few scenes. He's certainly a capable dramatic actor and anyone who says otherwise is talking out of their ass. Thankfully I haven't seen the Madea movies so I had no prior opinion of Perry but he won me over with this. Mind you, some of his lines sound forced and awkward but that's completely on the scriptwriters. It's just impossible to be drawn to the character, and you'd think with a title like Alex Cross that we'd get a deep look into the mind of the title character, but instead they spoon-feed us this cheesy soapy dialogue and the occasional battle-of-wits with the villain that isn't the least bit intriguing. Also, the climax of this movie, if you can even call it that, is laughable. The fight scene is probably the worst camera work I have seen in an action movie. You can hardly see what's going on half the time, and once it ends you're just like, okay. Is that it?
Again, the leads save this movie from being a total bomb. I was admittedly entertained for a good portion of the movie despite its stupid dialogue. None of it is inventive or new; it's just your run-of-the-mill murder mystery that is low on thrills and high on cheese. Worth a one time watch if it's on TV or something, but really the main thing you'll remember from Alex Cross is the criminally wasted talent.
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