A congressman's daughter under Secret Service protection is kidnapped from a private school by an insider who calls Det. Alex Cross, sucking him into the case even though he's recovering from the loss of his partner.
Troubled divorcee Mary Kee is tormented by a series of sinister phone calls from a mysterious woman. When the stranger reveals she's calling from the past, Mary tries to break off contact. ... See full summary »
Parisian murder detective commissioner Pierre Niemans is called to Gueron, a self-sufficient, prestigious university in a mountain valley, to investigate the murder on 32-year old professor... See full summary »
A marksman living in exile is coaxed back into action after learning of a plot to kill the president. Ultimately double-crossed and framed for the attempt, he goes on the run to track the real killer and find out who exactly set him up, and why.
A boat has been destroyed, criminals are dead, and the key to this mystery lies with the only survivor and his twisted, convoluted story beginning with five career crooks in a seemingly random police lineup.
Dr. Alex Cross is on his last police duty to track down an assassin called Picasso, who's been torturing and killing rich businessmen in Detroit. Soon when the mission gets personal, Cross is pushed to the edge of his moral and psychological limits to end this once and for all. Written by
In the Alex Cross novels, Alex's best friend and partner is John Sampson. However, in the movie, Alex's best friend and partner is Tommy Kane. See more »
The use of the name "Paramita Megawati" is not common in Indonesia. "Paramita" and "Megawati" is the name commonly used for a first name or a nickname, but not to be combined into one name intact. See more »
"I, Alex Cross (Only God Can Judge Me)"
Written and Produced by Christian Mathis (as Christian "Trick-Trick" Mathis)
Performed by Christian Mathis (as Trick Trick) and Dina Rae Franks
Courtesy of Trick Trick Music (BMI) and Purple Diva Music (BMI) See more »
This is hands down one of the worst movies I have ever seen in my life, and I've seen a boatload of lousy movies. Both the dialog and plotting are hackneyed beyond description--not one original idea or twist, and not a single exchange that feels genuine. It's the kind of childishly obvious genre rehash in which you can tell who's going to be killed just by the relative one-dimensionality of their characters. Matthew Fox, who clearly dropped his body fat to zero for this film, will one day look back and regret all those months he went without a decent meal, because a) the movie is terrible, and b) his portrayal of a psychotic killer is ultimately a study in cliché. Ed Burns furrows his brow convincingly enough, but his easygoing charm has nowhere to go here. Likewise John McGinley, whose neurotic fatalism seems plucked from an entirely different and more lighthearted police procedural being filmed down the street. And then there's Tyler Perry, who expends so much energy in a futile attempt to project faux masculinity and criminological gravitas that he apparently has nothing left for tangential stuff like changing his facial expression once in a while. Perry can thank his lucky stars he's already a Hollywood fixture, because If this were his first movie, he'd never get another offer--truly, he's that bad.
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