A high school slacker who's rejected by every school he applies to opts to create his own institution of higher learning, the South Harmon Institute of Technology, on a rundown piece of property near his hometown.
About a guy whose life didn't quite turn out how he wanted it to and wishes he could go back to high school and change it. He wakes up one day and is seventeen again and gets the chance to rewrite his life.
When Straight-A college student Jeff Chang's two best friends take him out for his 21st birthday on the night before an important medical school interview, what was supposed to be a quick beer becomes a night of humiliation, over indulgence and utter debauchery. Written by
"21 and Over" is like a 21st Century version of "Animal House" and "Porky's" - only this one comes with a bit of a social conscience, as befits the times we live in.
Miles Teller, Skylar Astin. and Justin Chon play buddies from childhood, now ending their time in college, who reunite to celebrate the 21st birthday of one of them, Jeff Chang (Chon). Astin's Casey is the stuffed shirt who's already on the fast track to a career on Wall Street after he graduates; Chon's Jeff is the stressed-out A-student whose dad is pressuring him to ace a med school interview the next day; and Teller's Miller is the Stiffler-type wise-ass who refuses to grow up, convinced that the only life worth living is one patterned after the "American Pie" movies.
Against their better judgment, Astin and Teller- take Chon out for a celebratory bender, resulting in what anyone with any knowledge of how these things customarily work out in the movies can plainly predict. Yet, beyond all the drinking, brawling, sex rituals and generalized pandemonium, "21 and Over" actually has some poignant things to say about friendship and finding that fine line between becoming a mature adult and selling out to a life devoid of fun and joy. Luckily, the screenplay by Jon Lucas and Scott Moore (who also directed the film together) doesn't overdo it in the moralizing department, neatly balancing the insights with a steady stream of ultra-crass frat-boy hijinks. The movie even has some fun skewering the misogyny and sexual double standards that prevail among some of the male youth of today.
The movie is helped immeasurably by the performers who bring both humor and heart to the proceedings. They make the nonsense not only bearable but actually quite enjoyable at times.
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