IMDb RATING
5.4/10
4.8K
YOUR RATING
Four survivors aboard the spaceship USG O'Bannon, the first responder ship sent to rescue the members of the USG Ishimura, try to recall the horrific events that wiped out their crew.Four survivors aboard the spaceship USG O'Bannon, the first responder ship sent to rescue the members of the USG Ishimura, try to recall the horrific events that wiped out their crew.Four survivors aboard the spaceship USG O'Bannon, the first responder ship sent to rescue the members of the USG Ishimura, try to recall the horrific events that wiped out their crew.
Gwendoline Yeo
- Isabel Cho
- (voice)
Curt Cornelius
- Nolan Stross
- (voice)
Kari Wahlgren
- Rin
- (voice)
- …
Christine Lakin
- First Officer
- (voice)
Jesse Head
- Pawling
- (voice)
Sunil Malhotra
- Omar Nayim
- (voice)
Maggie Disa
- Vivian
- (voice)
Erin Fitzgerald
- Alexis
- (voice)
Mark Engelhardt
- Lt. Marcus
- (voice)
- …
Eric Vesbit
- Marine Colonel
- (voice)
Mark Wilson
- Marine #1
- (voice)
Featured reviews
I've played the games, but wasn't religiously hooked by them. The first feature "Downfall" was decent, but "Aftermath" would only be more of the same. Where this entry fits in would be a sequel to "Dead Space" the EA video game and its animated feature prequel "Dead Space: Downfall". What are happening in "Aftermath" are the events that occur before the second game "Dead Space 2". Earth has lost contact with the Ishimura ship and engineer Isaac Clarke, but now it's the responder ship the USG O'Bannon with only four crew members returning and we get the perspective views of these survivors of what just occurred on this mission in locating and securing an alien artefact. Secrets are kept, shady dealings are instigated and true intentions are revealed. You know
corporations with their big plans as they interrogate the four survivors. Its pulp, but entertaining
albeit the compounded plot is kind of a mish mash of ideas, which don't entirely gel and has been done numerous times before. You could say it's rather talky with theories chucked about. The first feature "Downfall" stuck to one type of animation, but this one experimented with a mixture of styles which I wasn't much of a fan. However it was just as graphic and ruthless with its nightmarish illustrations, but the atmospheric eeriness and brute intensity only lasted in pockets due to it not taking a straightforward approach with its narrative. Pretty much it starts at the end, to retell the story from form four different viewpoints mixing the animation with that. The voice work is acceptably good. "Aftermath" is nothing special, but just another chapter to the "Dead Space" universe.
"I need a test subject."
"I need a test subject."
Overall this is a fairly mediocre film. It's short, under 80 minutes, so it's not a waste of time even if you hate it. Dead Space: Downfall is much better even though it's 3 years older. The plot is more cohesive and so is the animation style, a very important aspect.
While there can be some complaints about the plot in Aftermath (mostly regarding repetition), it's reasonably decent, and the biggest complaint is the visual aspect. The film is divided into multiple parts and each is made differently - some with 2D animation and some with 3D animation. The 3D is completely awful despite the lighting (inexcusably worse than cutscenes from some PS1 games) and the 2D is weird in the last portion (not objectively BAD, but the style isn't fitting and heavily conflicts with previous sections). Most people would probably rate this as a 7 or 8 if Aftermath used the first part's 2D animation throughout.
If you're a fan of Dead Space it's probably worth watching Aftermath, but I wouldn't recommend it; I'd recommend Downfall instead. It's not amazing, but it's much better than Aftermath in all aspects.
While there can be some complaints about the plot in Aftermath (mostly regarding repetition), it's reasonably decent, and the biggest complaint is the visual aspect. The film is divided into multiple parts and each is made differently - some with 2D animation and some with 3D animation. The 3D is completely awful despite the lighting (inexcusably worse than cutscenes from some PS1 games) and the 2D is weird in the last portion (not objectively BAD, but the style isn't fitting and heavily conflicts with previous sections). Most people would probably rate this as a 7 or 8 if Aftermath used the first part's 2D animation throughout.
If you're a fan of Dead Space it's probably worth watching Aftermath, but I wouldn't recommend it; I'd recommend Downfall instead. It's not amazing, but it's much better than Aftermath in all aspects.
Film Roman is at it again. This time, they have gone back to the "Dead Space" Franchise and crafted yet another prequel similar to their prior work on the prequel to Dead Space 1 called "Dead Space Downfall". Dead space Aftermath is a loose prequel to Dead Space 2 that utilizes the "animatrix technique" of having different animation studios do different segments of the show. While Dead Space downfall was not exactly an animation Masterpiece, Dead Space Aftermath takes it all down a notch.
Set after the events of Dead Space 1, The USS O'Bannon is sent to the planet Aegis VII to prevent it from destabilizing. This is a cover for their true mission of retrieving fragments of an alien artifact presumed destroyed in the first game. Contact is lost with the O'Bannon until it is rescued by a team of space marines. Within, they find a hell house of mutilated horrors only four survivors who are promptly captured and taken for interrogation. As each survivor reveals the horrific events that transpired on the O'Bannon, each of their flashbacks are rendered in four unique Korean animation styles from some of the teams that worked on Dante's Inferno: an Animated Epic.
The problem here is that unlike Dante's Inferno which had a central character that was developed over the course of the movie, Dead Space Aftermath has four central characters that remain one dimensional and wholly forgettable throughout. They are typical stock characters seen before in so many space based horror movies.
The "present day" framing story footage is rendered in cel shaded CGI by South Korean "Digiart productions" and "Fx Gear studios", the company that made that cringe worthy "Shark Tale" ripoff called "Shark Bait". While the rendering on spaceships and the Marine suits in the dark look quite good, the human characters set against the detail-less backgrounds look like they belong in the late 90s. Movements are stiff and lifeless, hair looks like play-dough worms, clothing folds are non existent and the flat colors just make it all worse. It looks less like Appleseed and more like the worst episodes of Jimmy Neutron or Clone Wars.
The flashbacks too are of varying quality. THey each detail different parts of the doomed mission from the characters' individual point of views and it is up to the audience to piece it together for the whole story. The different animation styles and slight inconsistencies actually work here as they represent the highly subjective and bias prone nature of personal recollection. For example, the strong willed Doctor Cho sees herself as this tall leggy hot babe in her flashback while Stross sees her, his extramarital girlfriend, as a manipulative slut with heavy make-up in his flashback.
First up is the mentally unstable token big black man, Kuttner, who suffers from hallucinations of his dead daughter. It is done in a decent American-ish art style with good quality animation by Dong Woo Animation studio (Masters of the Universe 2002, Ultimate Avengers) and Tokyo Anime Award winner Tae Ho-Han (Africa a.F.r.I.c.A). Stargate SG1's Christopher Judge masterfully portrays the broken man pushed over the edge of despair and desperation. Its only flaw would be the extremely slow first half which is all talk and no tension. Boring.
Next is a flashback courtesy of the stereotypical tough guy, Borges, who seems to alternate between being Hispanic or white with each new segment. Curiously, his version of his scuffle with Kuttner shows him putting up a decent fight while in Kuttner's version, Borges went down in seconds. Anyway, this segment is done by the same team who also did the "Fraud" level segment of Dante's Inferno(JM Animation studio and Kim Sang Jin), arguably one of that film's worse looking segments. Borges' flashback is also the worse looking here. A higher level of art detail and rich colors is offset with unnatural character movements, some animation shortcuts and ugly anime-styled character designs (what big teeth they have) which tend to go off model. Not to mention the CGI ships and fake looking flames effects which clash horribly with the traditional 2D animation.
Stross, the half crazed scientist having an affair with Dr Cho, is the third flashback. Jong Sik Nam and Dong Woo Animation, who did Batman Gothma Knight's Deadshot segment and the "Lust" segment of Dante's Inferno, present the most fluidly animated Dead Space Aftermath flashback. The atmospheric colors, creative shot angles and highly detailed artwork (a cross between Aeon Flux and typical Korean Anime) add a dynamic touch to Stross' brush with artifact induced insanity. THe tension and action finally amps itself up, but if feels a little late. The segment's only shortcoming is in some obviously unfinished background art.
Doctor Cho's flashback connects the O'Bannon mission back to the opening scene of the movie. This one is, while not the worst, a mixed bag. Cho's voice actress has a tendency to over act a lot to the point of cheesiness. The animation is rife with short cuts and "jitter camera" effects while stylized character designs look like dragonball Z rejects, all overly beefy and stuff. But at least it had a high level of detail and some good action.
The varying quality of the entire movie makes giving a rating hard.Two great segments are offset by three not so great ones. It lacks the deeper philosophical themes and character development of Dante's Inferno. It also lacks the straight forward violence, plot consistency and sense of tension of Dead Space downfall. Ultimately the entire production feels mediocre and lifeless, almost as if Film Roman could not afford better CGI artists or first rate studios animation like Manglobe or Production IG. The story is inconsequential in its lead in to Dead Space 2 and filled with a lot of wasted potential.
Set after the events of Dead Space 1, The USS O'Bannon is sent to the planet Aegis VII to prevent it from destabilizing. This is a cover for their true mission of retrieving fragments of an alien artifact presumed destroyed in the first game. Contact is lost with the O'Bannon until it is rescued by a team of space marines. Within, they find a hell house of mutilated horrors only four survivors who are promptly captured and taken for interrogation. As each survivor reveals the horrific events that transpired on the O'Bannon, each of their flashbacks are rendered in four unique Korean animation styles from some of the teams that worked on Dante's Inferno: an Animated Epic.
The problem here is that unlike Dante's Inferno which had a central character that was developed over the course of the movie, Dead Space Aftermath has four central characters that remain one dimensional and wholly forgettable throughout. They are typical stock characters seen before in so many space based horror movies.
The "present day" framing story footage is rendered in cel shaded CGI by South Korean "Digiart productions" and "Fx Gear studios", the company that made that cringe worthy "Shark Tale" ripoff called "Shark Bait". While the rendering on spaceships and the Marine suits in the dark look quite good, the human characters set against the detail-less backgrounds look like they belong in the late 90s. Movements are stiff and lifeless, hair looks like play-dough worms, clothing folds are non existent and the flat colors just make it all worse. It looks less like Appleseed and more like the worst episodes of Jimmy Neutron or Clone Wars.
The flashbacks too are of varying quality. THey each detail different parts of the doomed mission from the characters' individual point of views and it is up to the audience to piece it together for the whole story. The different animation styles and slight inconsistencies actually work here as they represent the highly subjective and bias prone nature of personal recollection. For example, the strong willed Doctor Cho sees herself as this tall leggy hot babe in her flashback while Stross sees her, his extramarital girlfriend, as a manipulative slut with heavy make-up in his flashback.
First up is the mentally unstable token big black man, Kuttner, who suffers from hallucinations of his dead daughter. It is done in a decent American-ish art style with good quality animation by Dong Woo Animation studio (Masters of the Universe 2002, Ultimate Avengers) and Tokyo Anime Award winner Tae Ho-Han (Africa a.F.r.I.c.A). Stargate SG1's Christopher Judge masterfully portrays the broken man pushed over the edge of despair and desperation. Its only flaw would be the extremely slow first half which is all talk and no tension. Boring.
Next is a flashback courtesy of the stereotypical tough guy, Borges, who seems to alternate between being Hispanic or white with each new segment. Curiously, his version of his scuffle with Kuttner shows him putting up a decent fight while in Kuttner's version, Borges went down in seconds. Anyway, this segment is done by the same team who also did the "Fraud" level segment of Dante's Inferno(JM Animation studio and Kim Sang Jin), arguably one of that film's worse looking segments. Borges' flashback is also the worse looking here. A higher level of art detail and rich colors is offset with unnatural character movements, some animation shortcuts and ugly anime-styled character designs (what big teeth they have) which tend to go off model. Not to mention the CGI ships and fake looking flames effects which clash horribly with the traditional 2D animation.
Stross, the half crazed scientist having an affair with Dr Cho, is the third flashback. Jong Sik Nam and Dong Woo Animation, who did Batman Gothma Knight's Deadshot segment and the "Lust" segment of Dante's Inferno, present the most fluidly animated Dead Space Aftermath flashback. The atmospheric colors, creative shot angles and highly detailed artwork (a cross between Aeon Flux and typical Korean Anime) add a dynamic touch to Stross' brush with artifact induced insanity. THe tension and action finally amps itself up, but if feels a little late. The segment's only shortcoming is in some obviously unfinished background art.
Doctor Cho's flashback connects the O'Bannon mission back to the opening scene of the movie. This one is, while not the worst, a mixed bag. Cho's voice actress has a tendency to over act a lot to the point of cheesiness. The animation is rife with short cuts and "jitter camera" effects while stylized character designs look like dragonball Z rejects, all overly beefy and stuff. But at least it had a high level of detail and some good action.
The varying quality of the entire movie makes giving a rating hard.Two great segments are offset by three not so great ones. It lacks the deeper philosophical themes and character development of Dante's Inferno. It also lacks the straight forward violence, plot consistency and sense of tension of Dead Space downfall. Ultimately the entire production feels mediocre and lifeless, almost as if Film Roman could not afford better CGI artists or first rate studios animation like Manglobe or Production IG. The story is inconsequential in its lead in to Dead Space 2 and filled with a lot of wasted potential.
The writing didn't make any sense. The story had nothing to do with the original. By the plot of this one I'd be surprised that anyone on the crew of this movie saw the original movie.
In the Dead space - Downfall it was more a good vs. evil kind of theme, but in aftermath it just seemed like another poorly written 80's space horror movie. There was no resolve, the properties of artifact were rewritten for this movie in a less entertaining, and less interesting way.
Whatever, I'm kinda cheesed that I wasted time watching this. I was hoping for some kind of cohesive connection between the two movies and I got nothing.
In the Dead space - Downfall it was more a good vs. evil kind of theme, but in aftermath it just seemed like another poorly written 80's space horror movie. There was no resolve, the properties of artifact were rewritten for this movie in a less entertaining, and less interesting way.
Whatever, I'm kinda cheesed that I wasted time watching this. I was hoping for some kind of cohesive connection between the two movies and I got nothing.
Dead Space: Aftermath (2011) is a movie in my DVD collection that I recently watched again on Tubi. The storyline follows a lost space craft and a rescue ship that is sent to investigate. Shortly after arriving onboard the missing ship it's determined nothing is wrong with the ship but everyone who was onboard is missing. Can the rescue team find the survivors and figure out what happened?
This movie is directed by Mike Disa (Space Dogs) and contains the voices of Christopher Judge (The Dark Knight), Ricardo Chavira (Piranha 3D), Gwendoline Yeo (Star Wars: Clone Wars), Curt Cornelius (NCIS) and Graham McTavish (The Hobbit).
The animation for this is a bit uneven with the people just being okay but the infected, action scenes and people in their gear look amazing. I will say the animation and weapons are better than the previous film. The initial storyline of the father chasing his daughter is excellent. The infected imitating the non-infected is very well done also. The ending is entertaining and the movie has an Event Horizon feel to it in a lot of ways.
Overall this isn't perfect but is an entertaining animated science fiction/horror picture. I would score this a 6.5-7/10 and recommend seeing it once.
This movie is directed by Mike Disa (Space Dogs) and contains the voices of Christopher Judge (The Dark Knight), Ricardo Chavira (Piranha 3D), Gwendoline Yeo (Star Wars: Clone Wars), Curt Cornelius (NCIS) and Graham McTavish (The Hobbit).
The animation for this is a bit uneven with the people just being okay but the infected, action scenes and people in their gear look amazing. I will say the animation and weapons are better than the previous film. The initial storyline of the father chasing his daughter is excellent. The infected imitating the non-infected is very well done also. The ending is entertaining and the movie has an Event Horizon feel to it in a lot of ways.
Overall this isn't perfect but is an entertaining animated science fiction/horror picture. I would score this a 6.5-7/10 and recommend seeing it once.
Storyline
Did you know
- TriviaThe movie uses two different animation styles: 3D animation to represent the present, and traditional hand-drawn 2D animation for the flashback scenes. Since different companies were used for each flashback several different styles of 2D animation are used, giving a different look to each of the flashbacks.
- GoofsAll entries contain spoilers
- Quotes
Alejandro Borges: [Completely surrounded by a legion of Necromorphs, with only two guns left] I am so fucking sick of these fucking things.
Nick Kuttner: You and me both.
- ConnectionsFollowed by Dead Space 3 (2013)
- SoundtracksTwinkle, Twinkle Little Star
(uncredited)
Melody of the European French song "Ah! vous dirai-je, maman"
English Lyrics by Jane Taylor
Details
- Release date
- Country of origin
- Language
- Also known as
- Dead Space - Aftermath
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $2,500,000 (estimated)
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