| Eric Jay Beck | ... | Nick | |
| April Matson | ... | Tayler | |
| Akeem Smith | ... | Tony | |
| Heidi Mueller | ... | Lisa | |
| Maya Hazen | ... | Tara | |
| Rob Kirkland | ... | Greg | |
| McKenzie Westmore | ... | Diane | |
| Ian Bohen | ... | Julian | |
| Kieron Elliott | ... | Thomas | |
| Artie Baxter | ... | Brent | |
| Mark Hengst | ... | Chuck | |
| Maynard James Keenan | ... | Special Agent Ford | |
| Stefanie Barboza | ... | Kelly | |
| Maria Olsen | ... | Woman on TV | |
| rest of cast listed alphabetically: | |||
| Greg Cipes | ... | Sam | |
| Ceilidh Lamont | ... | Surgeon | |
| Ross Kurt Le | ... | Bartender | |
| Amie Meadows | ... | Nurse | |
Directed by | |||
| Taylor Sheridan | |||
Writing credits(in alphabetical order) | ||
| Eric Jay Beck | written by | |
| Rob Kowsaluk | ||
Cinematography by | |||
| Stewart Yost | |||
Casting by | |||
| Sherrie Henderson | |||
| Dan Velez | |||
Production Design by | |||
| Peggy Paola | |||
Set Decoration by | |||
| Goar Galstyan | |||
Costume Design by | |||
| Erin Tanaka | |||
Makeup Department | |||
| Gretchen Hass | .... | key hair stylist | |
| Tina Krikor Kalajian | .... | assistant makeup artist | |
| Gary Reisch | .... | assistant hair stylist | |
| Galaxy San Juan | .... | makeup department head | |
Second Unit Director or Assistant Director | |||
| David Michael Harwell | .... | second assistant director | |
| Matt Hill | .... | second second assistant director | |
| Derek Jaeschke | .... | first assistant director | |
Art Department | |||
| Sarah Geller | .... | property master | |
| Sam Miller | .... | swing | |
| Dave Novak | .... | set dresser | |
| Dalton Cole Young | .... | set dresser | |
Sound Department | |||
| James Barth | .... | sound re-recording mixer | |
| James Barth | .... | supervising sound editor | |
| Carlton Diggs | .... | sound mixer | |
| Iryna Kucherenko | .... | boom operator | |
| Richard Mercado | .... | post sound supervisor | |
Stunts | |||
| Steve Schriver | .... | stunt coordinator | |
Costume and Wardrobe Department | |||
| Cari Avila | .... | wardrobe assistant | |
| Katrina Lee | .... | wardrobe assistant | |
Music Department | |||
| Anna Granucci | .... | music supervisor | |
Other crew | |||
| Jesse Sheppard | .... | production assistant | |
| Richelle Taylor | .... | script supervisor | |
| Kyle Wasserman | .... | production assistant | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
At least the opening scene should have a subtitle "inspired by Dexter the TV series". While the basis for the plot is new and interesting and also has the Human Centipede/Saw gore feel to it, the actual setup to the point where the horror/gore begins is horrifyingly weak.
The actors help make the film bearable, and Maya Hazen is awesome. While the characters may seem stupid beyond belief or unrealistically smart in some cases, after watching a film like Compliance that's based on real life idiots, it's best to simply take it all in. They usually tie into the overall story and are better than screaming stupid naked teens running off in all directions from bigfoot, big fang, etc. In short, the stupidity typically fits into the situation and is part of building the suspense/agitation.
There's apparently a new category developing for films that annoy along side horror, tragedy, sex, and comedy. This is a combination of annoyance and standard gore. That may not be a good idea for an entire film.
This also works as a story in what not to do. It does give you points of satisfaction to offset the gore, plot development stupidity, and other annoyances as if those are all pains to achieve the gain. It's horribly disappointing that opportunities for titty twisters were missed. The writer and director are in desperate need of a sense of humor.
FYI, my rating may be a little harsh and I'm tempted to up it to a 5, but don't bet your collar bone on it.