Critic Reviews



Based on 27 critic reviews provided by Metacritic.com
This is a movie that manages to be light and funny and still transcend age, background and culture to treat with compassion our ability to behave in our own worst interests and still nurture hope for the future.
Gerwig transforms the ordinary screenplay into something that is by turns charming, touching, and funny.
Gerwig is adorable, but that's both good and bad, as the movie can't stop cuing us to see that Lola's winsomeness will rescue her.
At 24 minutes, Lola Versus might be a middling episode of a sitcom like "New Girl." At 87 minutes, it is a gracefully aimed arrow shot in the air. Where it lands, Wein and Lister Jones know not where.
Lola Versus, like Lena Dunham's show "Girls," brings an indie perspective and cast to this mainstream genre. In the more limited medium of film, this is a mixed bag.
Convincing in its depiction of late-20s romantic anxiety (if not of that age bracket's real estate realities), it is broadly appealing without bowing too deeply to formula.
Lister is quite funny and engaging. It's just too bad that some of that screenwriting wit couldn't have been shared with the movie's protagonist.
A well-intentioned indie that tries to be a "real" version of a Hollywood romantic comedy and ends up feeling more ersatz than ever.
Lola Versus is all Greta all the time, a bonanza for fans and proof that Gerwig's easy offbeat charm, obvious smarts and physical comedy gifts can carry a film.
Don't be fooled by the indie trappings: despite its downtown vibe, Lola Versus is as clichéd as any Hollywood rom-com.
Gerwig remains one of the most captivating new stars to hit the big screen, but she's still looking for a movie that deserves her.

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