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Directed by | |||
| Daryl Wein | |||
Writing credits | ||
| Daryl Wein | (screenplay) and | |
| Zoe Lister Jones | (screenplay) | |
Produced by | |||
| Jocelyn Hayes | .... | producer | |
| Michael London | .... | producer | |
| Philip Moross | .... | executive producer | |
| Matthew Myers | .... | co-producer | |
| Jonathan Starch | .... | associate producer | |
| Janice Williams | .... | producer | |
Original Music by | |||
| Will Bates | (co-composer) | ||
| Phil Mossman | (co-composer) | ||
| Fall On Your Sword | |||
Cinematography by | |||
| Jakob Ihre | |||
Film Editing by | |||
| Suzy Elmiger | |||
| Susan Littenberg | |||
Casting by | |||
| Jessica Kelly | |||
| Suzanne Smith | |||
Production Design by | |||
| Teresa Mastropierro | |||
Art Direction by | |||
| Peter Baran | |||
Set Decoration by | |||
| Sheila Bock | |||
Costume Design by | |||
| Jenny Gering | |||
Makeup Department | |||
| Chris Clark | .... | hair department head | |
| J. Jared Janas | .... | wigmaker | |
| Michelle Kearns | .... | key makeup artist | |
| Barbara Lacy | .... | makeup department head | |
| Jennifer Serio Stauffer | .... | key hair stylist | |
Production Management | |||
| Tai Burkholder | .... | production supervisor | |
| Stuart Macphee | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Thomas K. Lee | .... | second assistant director | |
| Brendan C. Lynch | .... | additional second assistant director | |
| Jonathan Starch | .... | first assistant director | |
Art Department | |||
| Jamie Arbuckle | .... | on-set dresser | |
| Jeremy L. Balon | .... | property master | |
| Kevin L. Bright | .... | construction grip (as Kevin Bright) | |
| Leonard John Bruno | .... | art department coordinator | |
| Michael Consolmagno | .... | additional set dresser | |
| Thomas Costabile | .... | construction coordinator (as Tom Costabile) | |
| Gerard V. Engrassia | .... | leadman (as Gerard Engrassia) | |
| Dennis Farrell | .... | additional set dresser | |
| Fern Gnesin | .... | additional set dresser | |
| Liza Grant | .... | art pa | |
| Eugene Hitt | .... | set dresser | |
| Lou Lotto | .... | construction production assistant | |
| Yvonne Mojica | .... | graphic artist | |
| Daniel Neroda | .... | additional set dresser | |
| Brian Pearson | .... | carpenter foreman | |
| Benny Rappa | .... | scenic artist | |
| Rob Schmitt | .... | key construction grip (as Robert W. Schmitt) | |
| Cliff Schorr | .... | scenic artist | |
| Thomas M. Southern | .... | charge scenic | |
| Charlotte Taylor | .... | art department production assistant | |
| Joanna Tillman | .... | assistant property master | |
Sound Department | |||
| Andrea Bella | .... | sound effects editor | |
| Chris David | .... | sound re-recording mixer | |
| Dan Edelstein | .... | adr editor | |
| Michael Feuser | .... | dialogue editor | |
| Michael Feuser | .... | supervising sound editor | |
| Max Greene | .... | adr recordist | |
| Jason Harris | .... | adr loop group director | |
| Sondra James | .... | adr loop group director | |
| Perry Levy | .... | foley recordist | |
| Teferra McKenzie | .... | boom operator | |
| James Nichols | .... | Dolby engineer | |
| Jeff Pullman | .... | sound mixer | |
| Bobby Roelofs | .... | boom operator | |
| Tom Ryan | .... | adr mixer | |
| Wen Hsuan Tseng | .... | adr assistant | |
| John Soukup | .... | sound transfer (uncredited) | |
Visual Effects by | |||
| Richard Nehmad | .... | visual effects | |
Camera and Electrical Department | |||
| Myles Aronowitz | .... | still photographer | |
| Dan Brosnan | .... | assistant camera | |
| Mark Cyr | .... | video/computer playback engineer | |
| Tommy Kerwick Jr. | .... | dolly grip | |
| Tom Kerwick | .... | key grip | |
| Alison Mayer | .... | camera intern | |
| Jim McCullagh | .... | gaffer | |
| John C. Walker | .... | additional second assistant camera | |
| Daniel Wallenstein | .... | additional grip | |
| Nick Donnoli | .... | camera department intern (uncredited) | |
Casting Department | |||
| Jolanda Anthony | .... | extras casting associate | |
| Erin Darke | .... | casting assistant | |
| Christian Kaplan | .... | executive in charge of casting (uncredited) | |
Costume and Wardrobe Department | |||
| Arlynn Abseck | .... | wardrobe supervisor | |
| Zoe Buck | .... | costume production assistant | |
| Jennifer Elfanbaum | .... | costume intern | |
| Jenny Elfanbaum | .... | costume intern | |
| Rick Johnson | .... | costume intern | |
| Jessie Kanelos | .... | costume production assistant | |
| Sarah Lind | .... | costume production assistant | |
| Cheryl Lovett | .... | seamstress | |
| Courtney McClain | .... | assistant costume designer | |
| Annie Pemberton | .... | shopper | |
| Aaron Saucier | .... | costume production assistant | |
| Carol Sneed | .... | costume intern | |
| Tina Ulee | .... | key set costumer | |
| Kelsey Taylor Weireter | .... | costume coordinator | |
Editorial Department | |||
| Gilbert Carreras | .... | color timer | |
| Cristina Esteras-Ortiz | .... | dailies producer | |
| Cristina Esteras-Ortiz | .... | digital intermediate producer | |
| Ben Perez | .... | digital intermediate colorist | |
| Debra L. Tennant | .... | assistant editor | |
Music Department | |||
| Will Bates | .... | composer: additional music | |
| Dan Evans Farkas | .... | music editor (temp score) | |
| Laura Katz | .... | music clearance and licensing | |
| Daniel Pinder | .... | music editor | |
| E. Gedney Webb | .... | music editor | |
Transportation Department | |||
| Jesse Getchell | .... | set decoration driver | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
There ought to be a rating for disasters such as this to keep people from watching, period. The director and all persons involved in this need to be horse whipped for creating this "gem". Just another paycheck for all the male and female prostitues employed. Avoid like a cyst with molars.
Not exactly what I expected. I had visions of a CG "Heavy Metal", but it's more like a continuous "Rock Video" (Instrumental). Trippy, and psychodelic, but probably more enjoyable when your mind is in an altered state. No story line, no plot...This is, without a doubt, the worst movie in the history of movies. Seriously. It's not funny, scary, or remotely entertaining. How on earth did it make it to the MPAA?