A story that follows a New York woman (who doesn't really have an apartment), apprentices for a dance company (though she's not really a dancer), and throws herself headlong into her dreams, even as their possibility dwindles.
Maggie 's plan to have a baby on her own is derailed when she falls in love with John, a married man, destroying his volatile marriage to the brilliant and impossible Georgette. But one ... See full summary »
Four struggling actors retreat to a cabin in Big Bear, California in order to write a screenplay that will make them all stars. Problem is: What happens when their story idea -- a horror ... See full summary »
The film's title is a nod to Lola Versus Powerman and the Moneygoround, Part One, the eighth studio album by British rock band The Kinks, recorded and released in 1970. See more »
Everyone always says, "to love someone else, you have to learn how to love yourself". I don't know, after this year I don't think that's true. I think to love yourself, you have to learn how to love other people.
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A 4.6 rating average? Why? What was so bad about this movie? I read the other reviews to see whether there was something I missed... Nope. Some of the other reviewers don't even have the characters' names straight. And I concluded that most of them didn't get the movie at all. I sincerely hope they didn't get it because they've never been through anything similar. So I decided to write a review of my own, and praise this highly underrated movie.
Lola is at a high-point in her life. She lives in New York City, she is working on her PhD thesis, and she is about to marry her dreamy-looking boyfriend of years. If it seems too good to be true it probably is. When the above-mentioned boyfriend gets cold feet and dumps her, everything comes crumbling down. She cries, comfort-eats, sleeps on the floor and goes to school looking like a zombie. She employs her two best friends, Alice and Henry, to help her get out of this funk. Things get complicated in the process though, mostly due to her feeling confused and ambivalent... Enter the classic coming-of-age, finding yourself stuff, the "choosing to be alive" as Lola phrases it. Sprinkled with some hilarious spot-on bits of dialogue, usually from Alice (Zoe Lister Jones), the friend who's there mainly for the comic-relief, and does excellent in it I might add.
I have to agree here with some of the negative critique. Yes, it is difficult to feel sorry for Lola when she lives in a beautiful New York apartment, walks around in cute little skirts and high heels looking gorgeous, continues to look gorgeous despite all the comfort-eating, and sleeps with three different guys in the course of an 87 min movie. True that. However, the emotional turmoil, obsessive thinking, failing to accept reality, and all those feelings that follow a heartbreak were there, mindfully portrayed. Greta Gerwig was an ideal choice for the part, since she evokes this next-door-girl quality that makes it easy for the audience to sympathize and identify with her. I also found her little flaws of the "wholesome" diet and the cleansing potion thermos super funny!
At parts of the movie I could guess what the next line was going to be, and not because it was predictable; because it was genuine and it felt real.
39 of 54 people found this review helpful.
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