After a stint in a mental institution, former teacher Pat Solitano moves back in with his parents and tries to reconcile with his ex-wife. Things get more challenging when Pat meets Tiffany, a mysterious girl with problems of her own.
David O. Russell
Robert De Niro
Captures a generational moment - young people on the cusp of truly growing up, tiring of their reflexive cynicism, each in their own ways struggling to connect and define what it means to love and be loved.
Lola (Greta Gerwig) is 29 years-old and is happily engaged to her perfect man, Luke (Joel Kinnaman). But just three weeks before her big day, Luke calls it off, and Lola is forced to re-group as she cancels the wedding. While struggling to find happiness through sexual flings with her best friend, first dates with strangers, and attempts at re-connecting with her ex-fiancé, Lola realizes she's going to have to find herself first before she can find love and happiness. Written by
The film's title is a nod to Lola Versus Powerman and the Moneygoround, Part One, the eighth studio album by British rock band The Kinks, recorded and released in 1970. See more »
If it's any consolation, his dick was so big it hurt my back!
Oh, he has a bigger dick than me too? No, that is a consolation. You should go into the greeting card business. 'Sorry I cheated on you. P.S. your dick is smaller!'
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Performed by Big Troubles
Written by Alex John Craig and Ian Foerster Drennan
Courtesy of Slumberland Records See more »
"I learned everything I know about being a woman from 90210." Lola (Greta Gerwig)
To watch Greta Gerwig play the eponymous Lola dealing with the cancellation of her wedding 3 weeks before the event by her cold-footed boyfriend, Luke (Joel Kinneman), is to watch a young, already accomplished actress deftly play a doctoral student navigating the emotional potholes of breaking up.
Gerwig is worth the watching while the rest of the film meanders in and out of almost-unconnected episodes with some wit and some clichés. She is so convincingly lost among the ruins of her life that she is believable even when the setups are not. Indeed, it's Gerwig who propels the film, not the uneven scrip of director Daryl Wein and his collaborator, Zoe Lister-Jones.
The film is punctuated by make-up, casual, and silly sex as she finds her way out of depression. To help her is the usual rom-com girlfriend, Alice (Lister-Jones), whose wisecracking ("I gotta go wash my Vagina") helps add comic relief to Lola's melancholic life.
Amid Lola's experimentation with her ex's best friend, Henry (Hamish Linklater), and a pickup, Nick (Ebon Moss-Bachrach), at a fish store are random thoughts about finding the right love or going back to the old love. It's a rather tedious conflict that could be rehashed from some soap and not reflective of HBO's gritty "Girls," if I hear right about the TV sitcom.
It's not that Lola Versus is unreal; on the contrary it is an authentic take on the vagaries of breaking up. However, with as few witty lines and imaginative encounters, it doesn't elevate the argument or provide insight into the anguish and remedies that usually accompany a study of this universal experience.
I would much rather have explored the interesting lives of Lola's loose parents (Lenny and Robin, played by Bill Pullman and Debra Winger) or the challenges of her dissertation on silence in novels. Maybe that's what Lola Versus needssilence.
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