| Scott Speedman | ... | Edwin Boyd | |
| Kelly Reilly | ... | Doreen Boyd | |
| Kevin Durand | ... | Lenny Jackson | |
| Joseph Cross | ... | Val Kozak | |
| Brendan Fletcher | ... | Willie 'The Clown' Jackson | |
| Charlotte Sullivan | ... | Mary Mitchell | |
| Melanie Scrofano | ... | Ann Roberts | |
| Brian Cox | ... | Glover | |
| William Mapother | ... | Detective David Rhys | |
| Christian Martyn | ... | Billy Boyd | |
| Cynthia Galant | ... | Carolyn Boyd | |
| Daniel Kash | ... | Lou | |
| Joris Jarsky | ... | War Veteran | |
| Brigitte Kingsley | ... | Fiona Kordic | |
| Tara Nicodemo | ... | Bank Teller (Robbery 1) | |
| Marty Adams | ... | Bank Manager (Robbery 1) | |
| Sandra Forsell | ... | Bank Teller (Robbery 3 & 4) | |
| Robert Bockstael | ... | Bank Manager (Robbery 3 & 4) | |
| Craig Snoyer | ... | Dutch | |
| Marianne McIsaac | ... | Lorne Green School Receptionist | |
| Steven McCarthy | ... | Jail Reporter | |
| Jim Calarco | ... | Priest | |
| Greg Ellwand | ... | Mayor | |
| Troy Boudreau | ... | Forest Hill Reporter #1 | |
| Rhaelyn Gillespie | ... | Bank Teller (1966) | |
| Mark Fisher | ... | Plainclothes Detective | |
| Sandro Frenguelli | ... | Bank Customer (Robbery 3) | |
| rest of cast listed alphabetically: | |||
| Lorne Greene | ... | Himself: CBC Reporter (1952) (archive footage) | |
| Patrick Stevenson | ... | Tough Cop | |
| Joey Iachetta | ... | Bus Passenger (uncredited) | |
Directed by | |||
| Nathan Morlando | |||
Writing credits | ||
| Nathan Morlando | (written by) | |
Original Music by | |||
| Max Richter | |||
Cinematography by | |||
| Steve Cosens | |||
Film Editing by | |||
| Richard Comeau | |||
Casting by | |||
| Richard Hicks | |||
| David Rubin | |||
Production Design by | |||
| Aidan Leroux | |||
Art Direction by | |||
| Peter Mihaichuk | |||
Set Decoration by | |||
| Rob Hepburn | |||
Costume Design by | |||
| Brenda Broer | |||
Makeup Department | |||
| Clara Dinunzio | .... | key hair stylist | |
| Chantal Gravel | .... | dailies hair stylist | |
| Robbi O'Quinn | .... | key makeup artist | |
| Larissa Palaszczuk | .... | assistant makeup artist | |
Production Management | |||
| Helen Du Toit | .... | post-production supervisor | |
| Lorraine Samuel | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Sarah Campbell | .... | second assistant director | |
| Andrew Shea | .... | first assistant director | |
Art Department | |||
| Matt Connors | .... | set dresser | |
| Marguerite Lippert | .... | painter | |
| Anne Metheany | .... | art trainee | |
Sound Department | |||
| Jo Caron | .... | foley recordist (as Jocelyn Caron) | |
| Kathy Choi | .... | dialogue editor | |
| Sue Conley | .... | supervising dialogue editor | |
| Kyle D. Krajewski | .... | adr recordist | |
| Bill McMillan | .... | sound recordist | |
| Steve Medeiros | .... | first assistant sound editor | |
| Lou Solakofski | .... | sound re-recording mixer | |
| Matthew Stark | .... | boom operator | |
| Jane Tattersall | .... | sound designer | |
Visual Effects by | |||
| Robert Crowther | .... | visual effects supervisor | |
| Tony Cybulski | .... | digital compositor | |
| Tom Turnbull | .... | visual effects (as Thomas Turnbull) | |
Stunts | |||
| Rene Bishop | .... | stunt double: Scott Speedman | |
| Dylan Bryson | .... | stunt rigging | |
| Eric Bryson | .... | stunt coordinator | |
| Eric Bryson | .... | stunts: Cop | |
| Jay Canavan | .... | stunt double: Kevin Durand | |
| Danny Lima | .... | stunt double: Joseph Cross | |
| Martin Williams | .... | head stunt rigger | |
Camera and Electrical Department | |||
| Darren Boyce | .... | key grip | |
| Tyler Emms | .... | grip | |
| Sophie Giraud | .... | still photographer | |
| Anthony Police | .... | best boy grip | |
| Jeff Turco | .... | grip | |
| Steve Winn | .... | dolly grip | |
Costume and Wardrobe Department | |||
| Jessie Gibbs | .... | wardrobe assistant | |
| Zenith Lillie-Eakett | .... | wardrobe assistant | |
| Jonny Pray | .... | costume consultant | |
| Anita K. Schapansky | .... | wardrobe set supervisor | |
Editorial Department | |||
| Darcy Arthurs | .... | digital intermediate producer: Technicolor | |
| Jim Fleming | .... | digital intermediate colorist | |
| Rob Gyorgy | .... | digital intermediate editor | |
| Sandy Pereira | .... | first assistant editor | |
Music Department | |||
| Jeremy Underwood | .... | recording engineer | |
Transportation Department | |||
| Gary Guise | .... | driver | |
| Naeda Keeler | .... | driver | |
Other crew | |||
| Troy Boudreau | .... | stand-in | |
| Mike Chikoski | .... | set production assistant | |
| Paul Chodirker | .... | legal services | |
| Michael Cudmore | .... | production assistant | |
| Karen Franklin | .... | business affairs | |
| Ari Haas | .... | production executive: Myriad Pictures | |
| Karen Martin | .... | second assistant accountant | |
| Ian Pozzebon | .... | location assistant | |
| Katrina Saville | .... | script supervisor | |
| Tina Vacalopoulos | .... | production coordinator | |
| Srdjan Vilotijevic | .... | location manager | |
Thanks | |||
| Mali Finn | .... | special thanks | |
| Kenneth Mitchell | .... | special thanks | |
| Daniel Pancotto | .... | special thanks | |
| Ron Yerxa | .... | special thanks | |
|
|
|
|
|
| The Spider Returns | Chaos | A Single Man | The Wheel and the Wound | Catch Me If You Can |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb Canada section |
Edwin Boyd is a fast-paced roller coaster film that proves fact can indeed be stranger than fiction. It is filled with poignant, heartbreaking moments. Boyd longed to be a Hollywood star and he would no doubt have a joyous tear in his eye to see this beautiful portrait of his life on the big screen.
First-time filmmakers can certainly take notes and learn a thing or two from Nathan Morlando here. Morlando (also the screenwriter) executes this ambitious true story period piece on a low budget with such excellence you'd think he's been making films for years.
The flow and tone of the film don't scream "period piece" -- which is a great thing and a conscious decision. It feels modern and slick, for instance, with the hand-held camera, particularly during the bank robbery scenes, which really place you right in the middle of the action. The soundtrack is also genius. Morlando mixes up the old tunes of that era with the jolting sounds of modern bands that feel like they could be from another time and place in history (i.e. The Black Keys). It's totally unexpected and completely exciting while watching. Brilliant work.
The overall aesthetic look to the film is stunning. Shot on film, giving it warmth and life, it still has this cool grey almost newsreel type of look to it, only using flashy, vibrant colours where necessary; making them all the more gorgeous.
Scott Speedman plays the title role and he truly shines in the tricky part. He shows off tremendous range as an actor. From the inner frustration and sadness simmering just below the surface, to the eventual angry blow ups, to the fun-loving gentleman-thief dancing around the banks and flirting with tellers; Speedman shows us he is capable of great things.
The supporting cast is outstanding as well and they all play their parts just perfectly in showing off the different faces of Eddie Boyd (big praise to Morlando as well for fleshing out each character so well in the script in order to get deeper into the psyche of our lead character).
The interactions with the fellas in the Boyd gang are so exciting and fun to watch, especially during their prison breaks and bank robberies -- you're placed right in the middle of the action, feeling like the fifth member of their gang. The scenes with Eddie and his wife Doreen, played by Kelly Reilly are beautiful and poignant. Completely in love at first, their relationship becomes strained over the years due to Eddie's lifestyle decisions, despite the love for each other always being there. Brian Cox does a great job playing Eddie's father (a retired police officer), adding a sad tension and insight in their tattered father-son relationship.
Overall, Edwin Boyd is an extremely well-crafted film. Not just for a first-time director, but for any filmmaker; it's solid all the way around. Morlando handles the tricky, ambitious material of a real-life figure with total poise and precision. You'll laugh, you'll cry and you'll be on the edge of your seat.
Definitely consider checking out this film. I can't wait to see it again.