| Johnny Lewis | ... | Tim | |
| Alexandra Holden | ... | Hannah | |
| Gretchen Lodge | ... | Molly | |
| Gray Ellis | ... | Church Boy (as Tony Ellis) | |
| Ken Arnold | ... | Samuels | |
| Lauren Lakis | ... | Lauren | |
| Todd Ryan Jones | ... | The Demon | |
| Daniel Ross | ... | Victor | |
| Katie Foster | ... | Stacey | |
| Brandon Thane Wilson | ... | Spit Cup | |
| Tara Garwood | ... | Saleswoman / Mother | |
| Dan Franko | ... | Mall Man | |
| Greg Cool | ... | Ben Palmer | |
| Alexis Savage | ... | Young Molly | |
| Mark Redfield | ... | Ronnie's friend | |
| Hillary Styer | ... | 1940s Mom | |
| Kyle David Crosby | ... | Church Band Leader | |
| Andrew Vona | ... | Demon (voice) | |
| Dan Manning | ... | Dr. Dean | |
| Field Blauvelt | ... | Pastor Bobby | |
| Shane Tunney | ... | Hotel Clerk | |
| Kenny Caperton | ... | Mall Walker | |
| Steve Dantzler | ... | Drug Dealer | |
| Andrew White | ... | Tambourine Player | |
| Erik Young | ... | Larry / civil war possessed soldier | |
| Bethany Hoffman | ... | Family Friend |
Directed by | |||
| Eduardo Sánchez | |||
Writing credits(in alphabetical order) | ||
| Jamie Nash | screenplay | |
| Eduardo Sánchez | screenplay | |
Produced by | |||
| Robin Cowie | .... | producer | |
| Bob Eick | .... | executive producer | |
| Jane Fleming | .... | producer | |
| Gregg Hale | .... | producer | |
| Andy Jenkins | .... | executive producer | |
| Joe Nagy | .... | associate producer | |
| Matthew Nagy | .... | transmedia producer | |
| Mark Ordesky | .... | producer | |
Cinematography by | |||
| John W. Rutland | |||
Film Editing by | |||
| Eduardo Sánchez | |||
| Andrew Vona | |||
Casting by | |||
| Pat Moran | |||
Production Design by | |||
| Andrew White | |||
Set Decoration by | |||
| Natalie McAdoo-Howard | |||
Makeup Department | |||
| Jessica Heibeck | .... | assistant makeup artist | |
| Crystal Soveroski | .... | key makeup artist | |
| Wesley Wofford | .... | prosthetic makeup design and application | |
Production Management | |||
| Kyle David Crosby | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Brian M. Chilcoat | .... | second second assistant director | |
| David Vogel | .... | second assistant director | |
Art Department | |||
| Jamie Frazer | .... | property master | |
| Don Gilmore | .... | digital engraving | |
| Bryan Dragon Lorenz | .... | carpenter | |
| Bron Moyi | .... | key art p.a. | |
| Jacob Sanders | .... | set dresser | |
| Christian Stavrakis | .... | sculptor | |
Sound Department | |||
| Matt Davies | .... | foley artist | |
| Matt Davies | .... | sound designer | |
| Matt Davies | .... | sound editor | |
| Matt Davies | .... | sound effects editor | |
| Kevin Hill | .... | sound re-recording mixer | |
| Kevin Hill | .... | supervising sound editor | |
| Jim Ridgley | .... | production sound mixer | |
| David West | .... | sound effects editor (as David M. West) | |
Visual Effects by | |||
| Peter Allendale | .... | compositor: Comen VFX | |
| Kenneth Armstrong | .... | compositor: Comen VFX | |
| Jason Bond | .... | roto artist: Comen VFX | |
| Tim Carras | .... | visual effects supervisor | |
| Jason Cochard | .... | vfx element DP: Comen VFX | |
| Joshua D. Comen | .... | visual effects producer | |
| Brandon Criswell | .... | compositor: Comen VFX | |
| Mark Fenlason | .... | special effects coordinator: Comen VFX | |
| Sylvia Kim | .... | visual effects coordinator: Comen VFX | |
| Thomas D. Moser | .... | visual effects | |
| Aaron Peak | .... | colorist | |
| Donna Sexton | .... | special effects assistant: Comen VFX | |
| Chad Timmerman | .... | roto artist: Comen VFX | |
| Elinor Villaflor | .... | accounting: Comen VFX | |
Stunts | |||
| Chuck Jeffreys | .... | stunt coordinator | |
| Melissa H. Morgan | .... | assistant stunt coordinator | |
| Matthew R. Staley | .... | stunt double | |
Camera and Electrical Department | |||
| Kevin Akers | .... | first assistant camera: "b" camera | |
| Daniel April | .... | key grip | |
| Kareem Audain | .... | electrician | |
| Kevin Burke | .... | gaffer | |
| Rick Burks | .... | additional grip | |
| Matt Conrad | .... | digital imaging technician | |
| Russ Gomm | .... | behind-the-scenes videographer | |
| William J. Gray | .... | additional stills | |
| Janice Min | .... | still photographer | |
| Jaime Nudd | .... | best boy grip | |
| Cameron Riddles | .... | first assistant camera | |
| John Bernard Vallon | .... | camera operator | |
Casting Department | |||
| Scott Philip Goergens | .... | casting associate | |
Costume and Wardrobe Department | |||
| Jamie Frazer | .... | wardrobe | |
Other crew | |||
| Lin Fahrenheit | .... | transmedia writer | |
| Brandon A. García | .... | production assistant | |
| Brigan Gresh | .... | script supervisor | |
| Tims Johnson | .... | finishing supervisor | |
| Dan Karcher | .... | website producer | |
| Brandon McDonnell | .... | production assistant | |
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| The Belly of the Beast | Seventh Moon | Rift | Halloween 4: The Return of Michael Myers | Transformers |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
This is a tedious and generic horror flick that isn't original. It's just dull to watch, it's by the makers of the "The Blair Witch Project" a movie I am not fond of. It tries to incorporate standard horror movie cinematography with found footage aspects of it and it still comes off dull. The plot is about a newlywed couple that moves into a house that has a lot of dark history behind it and weird things starts to happen to the wife named Molly. Yeah, it sounds very cliché for horror movie buffs out there and this one really is narrow. It doesn't throw anything new or shocking for that matter. The tension sort of builds up for very few scenes and leads to disappointment. It tries to blend elements from the "Paranormal Activity" franchise but it's not all that effective. Although I am not fond of the "paranormal Activity" franchise either. The ending is a big let down and I was like "what the crap so is that it?". Some horror movies are effective by not giving away of what is exactly going on sometimes. But that isn't the case here, I was getting annoyed because I wasn't entirely sure what was really going on and what is behind the weird stuff that is going on. The special features part of the DVD gives a bit of back-story but the audiences shouldn't have to go to the special features to be a bit slightly satisfied. In fact the special features part of the DVD is way better than the actual movie itself. And it's kinda comedic unintentionally of course as well. The weird static noise in this gets more annoying instead of getting gradually creepy.
3.6/10