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When a group of misfits is hired by an unknown third party to burglarize a desolate house and acquire a rare VHS tape, they discover more found footage than they bargained for.
During the final days at the Yankee Pedlar Inn, two employees determined to reveal the hotel's haunted past begin to experience disturbing events as old guests check in for a stay.
In the 1980s, college student Samantha Hughes takes a strange babysitting job that coincides with a full lunar eclipse. She slowly realizes her clients harbor a terrifying secret; they plan to use her in a satanic ritual.
In 1921, England is overwhelmed by the loss and grief of World War I. Hoax exposer Florence Cathcart visits a boarding school to explain sightings of a child ghost. Everything she believes unravels as the 'missing' begin to show themselves.
Four interwoven stories that occur on Halloween: An everyday high school principal has a secret life as a serial killer; a college virgin might have just met the one guy for her; a group of teenagers pull a mean prank; a woman who loathes the night has to contend with her holiday-obsessed husband.
The action continues from [Rec], with the medical officer and a SWAT team outfitted with video cameras are sent into the sealed off apartment to control the situation.
Directors:
Jaume Balagueró,
Paco Plaza
Stars:
Jonathan D. Mellor,
Óscar Zafra,
Ariel Casas
Set in Middle America, a group of teens receive an online invitation for sex, though they soon encounter fundamentalists with a much more sinister agenda.
Director:
Kevin Smith
Stars:
Michael Angarano,
Melissa Leo,
Michael Parks
This film is about Molly and her new husband Tim. They've moved in to Molly's deceased parents house out in the country. But not long after they move in Molly starts getting haunted by forgotten memories, or so she thought. Her husband Tim is a truck driver and while he's away she starts seeing things and hearing things that she can't explain. She slips back in to old habits, involving drugs. Her sister Hannah gets worried about Molly, as is her Pastor, and her boss notices something is up too. But there is more to what is happening than most people know. It all comes out in the most horrific way, and not everyone is safe. Written by
Michael Hallows Eve
Her parents both dead, Molly (Gretchen Lodge) moves into her childhood home with trucker husband Tim (Johnny Lewis); but while Tim is away at work, Molly begins to experience terrifying occurrences that make her believe that she is being haunted by the spirit of her abusive father. As the terror mounts nightly, Mollyan ex-junkiefinds herself returning to her old habits for comfort...
Eduardo Sánchez's Lovely Molly begins with a close-up of a distraught Molly speaking directly to her video cameraa scene that directly references Heather Donahue's classic monologue from Sánchez's 1999 hit The Blair Witch Project; it's a rather amusing move by the director, one that blatantly acknowledges the similarities in technique and style between his new film and that with which he first made his name.
Thankfully, despite a very familiar feel to proceedings throughout (particularly thanks to a fair amount of shaky hand-held video footage), Lovely Molly does mark another level of progression for Sánchez as a film-maker: it is a technically superior piece to Blair Witch, the plot being far more complex and the production more polished, but more importantly, it sees the director using tricks developed on his first few films much more effectively, taking the terror to new heights.
Certainly for the first hour or so, Lovely Molly succeeds in being one of the scariest movies in a long while, Sánchez using his tried and trusted bag of trickscreepy noises, impenetrable blackness, a well developed sense of vulnerabilityto ramp up the tension to pant-wetting levels; he is aided in no small part by a fine central performance from Lodge (who is indeed very lovely!) and excellent sound design which adds immensely to the eerie atmosphere.
Sadly, the nearer the film approaches the end, the less it succeeds in chilling the spine: Sánchez slowly loses his grip on proceedings, with way to many plot details hurriedly brought into play, and the ambiguous nature of the narrative leading to utter confusion rather than fright. Ultimately, the viewer is left to question whether Molly has lost her mind or whether there really was a supernatural explanation for her behaviour. Reaching a satisfactory conclusion ain't easy.
8 out of 10 for the first hour; 5 out of 10 for the rest (an average of 6.5/10 by my calculations, which gets rounded up to a 7 for IMDb).
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Her parents both dead, Molly (Gretchen Lodge) moves into her childhood home with trucker husband Tim (Johnny Lewis); but while Tim is away at work, Molly begins to experience terrifying occurrences that make her believe that she is being haunted by the spirit of her abusive father. As the terror mounts nightly, Mollyan ex-junkiefinds herself returning to her old habits for comfort...
Eduardo Sánchez's Lovely Molly begins with a close-up of a distraught Molly speaking directly to her video cameraa scene that directly references Heather Donahue's classic monologue from Sánchez's 1999 hit The Blair Witch Project; it's a rather amusing move by the director, one that blatantly acknowledges the similarities in technique and style between his new film and that with which he first made his name.
Thankfully, despite a very familiar feel to proceedings throughout (particularly thanks to a fair amount of shaky hand-held video footage), Lovely Molly does mark another level of progression for Sánchez as a film-maker: it is a technically superior piece to Blair Witch, the plot being far more complex and the production more polished, but more importantly, it sees the director using tricks developed on his first few films much more effectively, taking the terror to new heights.
Certainly for the first hour or so, Lovely Molly succeeds in being one of the scariest movies in a long while, Sánchez using his tried and trusted bag of trickscreepy noises, impenetrable blackness, a well developed sense of vulnerabilityto ramp up the tension to pant-wetting levels; he is aided in no small part by a fine central performance from Lodge (who is indeed very lovely!) and excellent sound design which adds immensely to the eerie atmosphere.
Sadly, the nearer the film approaches the end, the less it succeeds in chilling the spine: Sánchez slowly loses his grip on proceedings, with way to many plot details hurriedly brought into play, and the ambiguous nature of the narrative leading to utter confusion rather than fright. Ultimately, the viewer is left to question whether Molly has lost her mind or whether there really was a supernatural explanation for her behaviour. Reaching a satisfactory conclusion ain't easy.
8 out of 10 for the first hour; 5 out of 10 for the rest (an average of 6.5/10 by my calculations, which gets rounded up to a 7 for IMDb).