Critic Reviews

63

Metascore

Based on 39 critic reviews provided by Metacritic.com
90
This "Les Mis" does make you feel, intensely and sometimes thrillingly, by honoring the emotional core of its source material.
88
Besides being a feast for the eyes and ears, Les Misérables overflows with humor, heartbreak, rousing action and ravishing romance. Damn the imperfections, it's perfectly marvelous.
88
Les Misérables is sweeping, as would be expected given the scope of the hugely popular stage musical from which it is adapted. But it's also wonderfully intimate, thanks to Tom Hooper's deft direction.
80
Despite its pitfalls, this movie musical is a clutch player that delivers an emotional wallop when it counts. You can walk into the theater as an agnostic, but you may just leave singing with the choir.
75
If you love Les Mis the stage musical, my guess is you will love what Hooper and his bustling company have done. But when you hear "Master of the House" and you think of the Seinfeld episode with Elaine's gruff dad belting the tune before you think of those shifty innkeepers the Thénardiers, then you may want to steer clear of this grand endeavor.
63
For better or worse, though, this adaptation of the mega-hit Broadway musical fits neither description, largely because it lives in that kinda-sorta, okay-not-great, this-worked-that-didn't in-between for which words like "better" and "worse" fall woefully short.
63
After 2½ hours, the movie's become a bowl of trail mix - you're picking out the nuts you don't like and hoping the next bite doesn't contain any craisins. All the carefully crafted misérables turns into a pile of miz.
50
This steam-driven military weapon of an enterprise is a sobering reminder of just how tinny a musical Les Misérables was in the first place.
50
The New York Times
Song after song, as relationships and rebellion bloom, you wait in vain for the movie to, as well, and for the filmmaking to rise to the occasion of both its source material and its hard-working performers.
50
Fans of Les Misérables wouldn't have minded if the movie were different, but better, or just as effective. The screen version demanded some reconception, some vision to make sense of its existence. Instead, we're left with a film that is conscientious in all its particulars and yet strangely and mysteriously dead.

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