25 user 113 critic

Every Thing Will Be Fine (2015)

Not Rated | | Drama | 2 April 2015 (Germany)
1:56 | Trailer

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One day, driving aimlessly around the outskirts of town after a trivial domestic quarrel, a writer named Tomas accidentally hits and kills a child. Will he be able to move on?


1 win & 2 nominations. See more awards »





Cast overview, first billed only:
Ice Fishing Man #1
Gilbert Wahiakeron ...
Ice Fishing Man #2 (as Wahiakeron Gilbert)
Claude Chamberlain ...
Ice Fishing Man #3
Mary Katherine Harvey ...
Social Worker Woman (as Mary Harvey)
Jessy Gagnon ...
Philippe Vanasse-Paquet ...


While driving aimlessly after a quarrel with his girlfriend, a writer accidentally runs over and kills a child who sleds in front of his car. While he's legally innocent, the accident and its aftermath deeply traumatizes him. Over the next 12 years, he struggles to make sense of what happened and continue on with life, but when he looks in the mirror, he sees a murderer. Written by anonymous

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Not Rated | See all certifications »

Parents Guide:




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Release Date:

2 April 2015 (Germany)  »

Also Known As:

Tudo Vai Ficar Bem  »

Filming Locations:


Company Credits

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Technical Specs


Sound Mix:


Aspect Ratio:

2.35 : 1
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Did You Know?


Director Wim Wenders worked with actor Patrick Bauchau 34 years earlier, on the 1982 film "The State of Things". Bauchau played a German film director (stand-in for Wenders) who has difficulty completing a film. See more »

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User Reviews

A very finely crafted film
7 January 2016 | by (San Francisco) – See all my reviews

I do not have any idea why so many critics did not love this film. It had my full attention from the beginning of the first shot.

I quickly realized that the film was going to use 3D to (dare I say it) add depth to the cinematography. There are no 3D gimmicks used here, nothing flying at your head or giving you a headache - the 3D effect simply makes the imagery that much richer, much as the careful selection of lenses or film stock or any number of other a cinematographer's tools can do. Every aspect of the camera-work is fantastic (says me with a BA and an MFA in photography).

I really found it to be engrossing. There are a lot of individual vignettes that are shown separately, without any real transition between some of them but those are intended to be seen as parallel to one another. Other parts transition chronologically; the whole thing (I thought) flowed beautifully in large part because there were so many threads running through and between the various parts of the film. It's very linear, and yet it sometimes isn't.

And - James Franco did not annoy me. (I know, that's terrible of me to say) He often does, but this was a solid, mature performance. All of the performances were quite good, really; and they were built on a very good script. And you can tell that the person who put it all together has seeming effortless mastery of his craft. It's a film that's going to unfold in my head for a while yet. See it big if you can.

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