Whilst attending a party, three high school friends gain superpowers after making an incredible discovery underground. Soon, though, they find their lives spinning out of control and their bond tested as they embrace their darker sides.
The timely story of a normal family disintegrating under financial pressure, eventually driven to the unimaginable. We witness the terrifying events unfold through daughter Judith's video camera, which subsequently becomes Exhibit A.
The shy, lonely and outcast teenager Andrew Detmer is bullied and has no friends at high-school and lives with his abusive and alcoholic father Richard Detmer and his terminally ill mother Karen. Andrew buys a camera to film his everyday life. His cousin Matt Garetty drives him to school and invites Andrew to go to a party at night. telekinetic abilities and Andrew becomes the most powerful. But he easily loses his temper and becomes dangerous while Matt tries to control him. When his mother needs a medicine and Andrew does not have enough money to buy it, his darker side overcomes and he becomes a menace. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
In the parking lot scene when the car is moved by telekinesis, the rest of the cars in the parking lot clearly have the steering wheel on the right side of the vehicle. The film was shot in South Africa, where this is common place. It takes place, however, in the United States (Seattle), where the steering wheel should be on the left side. See more »
A tremendous achievement in low-budget filmmaking.
The next in a long line of "found footage" flicks that have been flooding our cinemas over the last few years, Chronicle breaks free of the usual constraints within that sub genre to concoct a truly memorable sci-fi thriller. Retracing the steps of three teenage friends who are gifted with telekinesis after a chance encounter with something (intelligently, the movie never stipulates what exactly), the story focuses on the varying paths they take with their new found talent, but not until they have had some juvenile fun with it first. This is an amazingly accomplished debut feature for writer-director Josh Trank (who co-penned the script with Max "son of John" Landis); his technical veracity is utterly mind-blowing especially when you consider the shoestring funds he had to work with and his narrative pacing is impeccable. The icing on the already yummy cake is the marvellous CGI that allows our protagonists to fly, crush cars and stop baseballs in mid air all seamlessly and photo-realistically. Chronicle is a tremendous achievement in low-budget, big-concept filmmaking.
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