Whilst attending a party, three high school friends gain superpowers after making an incredible discovery underground. Soon, though, they find their lives spinning out of control and their bond tested as they embrace their darker sides.
In 2074, when the mob wants to get rid of someone, the target is sent into the past, where a hired gun awaits - someone like Joe - who one day learns the mob wants to 'close the loop' by sending back Joe's future self for assassination.
The son of a virtual world designer goes looking for his father and ends up inside the digital world that his father designed. He meets his father's corrupted creation and a unique ally who was born inside the digital world.
A factory worker, Douglas Quaid, begins to suspect that he is a spy after visiting Rekall - a company that provides its clients with implanted fake memories of a life they would like to have led - goes wrong and he finds himself on the run.
The shy, lonely and outcast teenager Andrew Detmer is bullied and has no friends at high-school and lives with his abusive and alcoholic father Richard Detmer and his terminally ill mother Karen. Andrew buys a camera to film his everyday life. His cousin Matt Garetty drives him to school and invites Andrew to go to a party at night. telekinetic abilities and Andrew becomes the most powerful. But he easily loses his temper and becomes dangerous while Matt tries to control him. When his mother needs a medicine and Andrew does not have enough money to buy it, his darker side overcomes and he becomes a menace. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The song This Bright Flash, by M83 that plays during the end credits features only one line of lyrics: "I killed all the rainbows and the species." See more »
Fifth Avenue, which travels southbound from the Space Needle, has the monorail above it, at the time, Seattle's only elevated train, which is not shown as Matt and his girlfriend are inside the car being manipulated by Andrew. See more »
A tremendous achievement in low-budget filmmaking.
The next in a long line of "found footage" flicks that have been flooding our cinemas over the last few years, Chronicle breaks free of the usual constraints within that sub genre to concoct a truly memorable sci-fi thriller. Retracing the steps of three teenage friends who are gifted with telekinesis after a chance encounter with something (intelligently, the movie never stipulates what exactly), the story focuses on the varying paths they take with their new found talent, but not until they have had some juvenile fun with it first. This is an amazingly accomplished debut feature for writer-director Josh Trank (who co-penned the script with Max "son of John" Landis); his technical veracity is utterly mind-blowing especially when you consider the shoestring funds he had to work with and his narrative pacing is impeccable. The icing on the already yummy cake is the marvellous CGI that allows our protagonists to fly, crush cars and stop baseballs in mid air all seamlessly and photo-realistically. Chronicle is a tremendous achievement in low-budget, big-concept filmmaking.
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