Whilst attending a party, three high school friends gain superpowers after making an incredible discovery underground. Soon, though, they find their lives spinning out of control and their bond tested as they embrace their darker sides.
A reimagining of the classic horror tale about Carrie White, a shy girl outcast by her peers and sheltered by her deeply religious mother, who unleashes telekinetic terror on her small town after being pushed too far at her senior prom.
When the patriarch of the family passes away, the teenage children must take responsibility for the family chores: the preparation of the rituals, the hunting and putting the all-important ... See full summary »
Jorge Michel Grau
The plot is based on a true story that happened in the late '40s in a small village in Uruguay. The film focuses on Laura, who, second by second, intends to leave a house, which hides an ... See full summary »
The shy, lonely and outcast teenager Andrew Detmer is bullied and has no friends at high-school and lives with his abusive and alcoholic father Richard Detmer and his terminally ill mother Karen. Andrew buys a camera to film his everyday life. His cousin Matt Garetty drives him to school and invites Andrew to go to a party at night. They meet their schoolmate Steve Montgomery in the party and they overhear a noise and find a hole in a field. They decide to explore the underground and they acquire powers. Soon the trio learns how to control their telekinetic abilities and Andrew becomes the most powerful. But he easily loses his temper and becomes dangerous while Matt tries to control him. When his mother needs a medicine and Andrew does not have enough money to buy it, his darker side overcomes and he becomes a menace. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The song This Bright Flash, by M83 that plays during the end credits features only one line of lyrics: "I killed all the rainbows and the species." See more »
Fifth Avenue, which travels southbound from the Space Needle, has the monorail above it, at the time, Seattle's only elevated train, which is not shown as Matt and his girlfriend are inside the car being manipulated by Andrew. See more »
Written by James Anthony Shaw, James Ellis Ford
Performed by Simian Mobile Disco
Courtesy of Delicacies
Under exclusive license to Wichita Recordings
by arrangement with Mixtape Music See more »
Like many of you, I gleamed at the trailer and poster with a heavy amount of skepticism. "Yet another superhero-esque film" I thought, this time brought to the screen with the increasingly hawkeyed hand-held style. Is this really necessary? Well no, its not, but its a lot of fun.
The plot you can decipher from the trailer; three teenagers, Andrew, Steve and Matt find a hole in the ground and uncover something that gives them the power to move things with their minds. Then they act as any normal teenager would if suddenly given superpowers, they goof off. Things however get murky when Andrew (Dane DeHaan) begins lashing out as his broken family life becomes too much for him to bare. Actors Michael B. Jordan and Alex Russell complete the triptych as the local high school's popular kid and Andrew's too-cool-for-school cousin.
Capturing teenage angst on film has always seemed like a real struggle for Hollywood. Common knowledge dictates that if you faced the camera towards a group of well groomed twenty-somethings and relegated them to a particular clique it'll all work out. Yet "Chronicle's" script expands on that world without making it "the film". Steve is popular because he is genuinely a sociable guy not because he's some feckless ladder climber. On the flip-side of the coin, Andrew is withdrawn and anti-social because his mother is ill and his father is an alcoholic with a rage problem. These are very real issues that are glossed over or ignored in average teen movies.
But this isn't just a coming-of-age tale, its also a showcase for emerging talents, director Josh Trank and screenwriter Max Landis. While some of the camera tricks and dialogue may seem contrived at times there's no denying their boundless creativity. Trank breathes new life into the 'Blair Witch' gimmick taking "footage" from a wide array of hand-held gadgetry to create a pretty convincing collage, or dare I say chronicle.
As the three climb into the hole to investigate one of them makes a reference to Plato's allegory of the cave. Perhaps a quote from 'Alice in Wonderland' would have been more apt. Like Alice all three are young, surprisingly accepting of the situation and about to enter a world where the natural laws of physics need not apply.
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