| Ricardo Darín | ... | Roberto | |
| Muriel Santa Ana | ... | Mari | |
| Ignacio Huang | ... | Jun | |
| Enric Cambray | ... | Roberto as a Young Man (as Enric Rodríguez) | |
| Iván Romanelli | ... | Leonel | |
| rest of cast listed alphabetically: | |||
| Joaquín Bouzas | ... | Cliente 2 | |
| Julia Castelló Agulló | ... | Italian Lover | |
| Gustavo Comini | ... | Chofer volquete | |
| Vivian El Javer | ... | Rosa | |
| Javier Pinto | ... | Italian Lover | |
| Derli Prada | ... | Proveedor 1 | |
| Pablo Seijo | ... | Cliente 1 | |
Directed by | |||
| Sebastián Borensztein | |||
Writing credits(in alphabetical order) | ||
| Sebastián Borensztein | written by | |
Produced by | |||
| Daniela Alvarado | .... | delegate producer | |
| Mariela Besuievski | .... | executive producer | |
| Pablo Bossi | .... | producer | |
| Juan Pablo Buscarini | .... | producer | |
| Isabel García Peralta | .... | co-producer | |
| Josean Gómez | .... | line producer | |
| Gerardo Herrero | .... | producer | |
| Axel Kuschevatzky | .... | producer | |
| Marcelo La Torre | .... | line producer | |
| Carlos Mentasti | .... | associate producer | |
| Ben Odell | .... | producer | |
Original Music by | |||
| Lucio Godoy | (original music by) | ||
Cinematography by | |||
| Rolo Pulpeiro | |||
Film Editing by | |||
| Pablo Barbieri Carrera | |||
| Fernando Pardo | |||
Art Direction by | |||
| Laura Musso | |||
Set Decoration by | |||
| Laura Musso | |||
Makeup Department | |||
| Kenyar Padilla | .... | hair stylist | |
| Lucila Robirosa | .... | makeup artist | |
Production Management | |||
| Daniel Martínez | .... | post-production manager | |
| Maria Vacas | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Angie Paul | .... | second assistant director | |
| Jaume Quiles | .... | second assistant director | |
| Maria Alejandra Uz | .... | assistant director | |
Art Department | |||
| Ángel Sarrión | .... | set dresser | |
Sound Department | |||
| Vicente D'Elia | .... | sound mixer | |
| Eduardo Esquide | .... | sound | |
| Diego Garrido | .... | sound re-recording mixer | |
| Mario González | .... | mixer assistant | |
| Sergio González | .... | assistant sound editor | |
| Felix Rost | .... | adr recordist | |
| Carlos Schmukler | .... | supervising sound editor | |
| Ricardo Viñas | .... | dolby sound consultant | |
Visual Effects by | |||
| Patricio Barreiro | .... | digital compositor | |
| Juan Jose Elias | .... | visual effects supervisor | |
| Pablo F. Molina | .... | visual effects artist | |
| Mariela Nussembaum | .... | compositor | |
| Ferran Piquer | .... | digital intermediate supervisor | |
| Alejandro Valente | .... | post production director | |
| Alejandro Valente | .... | visual effects supervisor | |
Camera and Electrical Department | |||
| Fernando Blanc | .... | focus puller | |
| Miguel Caram | .... | additional camera operator | |
| Gaston Guisado | .... | second camera operator | |
| Germán Lorenzo | .... | camera: making of | |
| Sergio Piñeyro | .... | gaffer | |
| Javier Portabales | .... | electrician | |
| Jorge Tristan | .... | key grip | |
| Gustavo Triviño | .... | steadicam operator | |
Costume and Wardrobe Department | |||
| Alejandra Albert | .... | seamstress assistant | |
| Angela Ortuño | .... | costume assistant | |
Editorial Department | |||
| Laura Giménez | .... | assistant editor | |
| Sanchez Nerina | .... | colorist | |
| Sanchez Nerina | .... | on-line editor | |
| Nerina Sanchez | .... | colorist | |
| Nerina Sanchez | .... | on-line editor | |
Music Department | |||
| Dario Eskenazi | .... | composer: additional music | |
Other crew | |||
| Avelina Prat | .... | script supervisor | |
| Aitana Sánchez | .... | production coordinator | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Argentina section |
I need to say that Argentine cinema is surprising me more and more at each movie I watch. They are decades ahead of us here in Brazil. Not that we don't ever produce good works.
A rich cast and a good script makes Un cuento chino a excellent option to amuse you at any time, being you alone and sad or laughing with friends.
Trust me, the jokes and the faces are priceless. Ricardo Darín is at his best form, doing what he is best of. His character, Roberto, is an slang disturbed man. He owns a ironware store where he always counts hot many bolts are in the box, so he is not cheated. He turn off the lights every day at 23 pm, etc. One day he is sitting there near the airport, watching the planes takin' off, drinking his beer when this china is thrown off a moving cab. Roberto decide to help the poor boy and, since then, their lives will suffer some changes.