A biopic about the actor James Dean, whose stardom of the ultimate teenage rebel as well as the premature death made him a legend. His roles are depicted having much in common with his ... See full summary »
Delphinium is a stylized and lyrical coming-of-age portrait of Derek Jarman's artistic, sexual, and political awakening in post-War England. Part biographical narrative, part experimental ... See full summary »
Young Tim Cornish's life has begun with great promise. Blessed with extraordinary good looks, Tim enjoyed much attention and cared little of broken hearts. At University he was a favored ... See full summary »
Meet Myles and Brody, best friends and total opposites. Myles is a hopeless romantic looking for Mr. Right. Brody is a sexy player on the hunt for Mr. Right Now. These two friends make a ... See full summary »
Michael Adam Hamilton
Frank Ripploh is a bit of a rascal: he's a bearded and shaggy-haired teacher, and he's gay with a very active sex life and an interest in making films. He keeps his personal life and ... See full summary »
The thwarted loves of Jean Cocteau and Raymond Radiguet, in the early 1920s. The death of Radiguet who did Cocteau sink in opium. A story under the influence of drug. A narrative description in the mind of Cocteau. A musical.
When his partner Cody dies in a car accident, Joey learns that their son, Chip, has been willed to Cody's sister. In his now solitary home life, Joey searches for a solution. The law is not on his side, but friends are.
Trevor St. John
JOSHUA TREE, 1951 is an intimate portrait of James Dean on the cusp of achieving notoriety as both a great actor and an American icon. Set primarily in the early 1950s and focusing on Dean's experiences as an up-and-coming actor in Los Angeles, the film is a series of revealing and sometimes dreamlike vignettes that blend biographical and fictionalized elements to present a pivotal moment in a remarkable life. Written by
JOSHUA TREE 1951 is brilliant. It touched my heart so deeply, there were tears running down my cheeks as it concluded. Because of the film, I FELT James Dean. I FELT the greatness of his talent and I felt the pain of his choices. Not many films can do this. Director Matthew Mishory captures the terrible conflict between what an artist must do for his art and what he gives up - the risks he must take, the life he gives up in order to progress, to honor, to grow his art - and the artist's personal life - love, relationships, family, stability. With the specter of Fate hanging heavily over the film like the thick clouds of the Joshua Tree desert hanging over the characters, Mishory explores the concept of "destiny". Are the artist's choices inevitable?
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