After Marc dumps him, Kyle unites with Gwen and Tiffani to land sexually confused art model Troy by pretending to be straight. However, Marc wants Troy, too, and members from a notorious "ex-gay" group are slipping for the both of them.
Phillip J. Bartell
Emily Brooke Hands,
A young man returns to his family farm, after a long stay in ex-gay conversion therapy, and is torn between the expectations of his emotionally distant father, and the memories of a past, loving relationship he has tried to bury.
A bullied and demoralized gay student at an all-boys school uses a magical flower derived from Shakespeare's "A Midsummer Night's Dream' to turn many in his community gay, including a comely rugby player for himself.
JOSHUA TREE, 1951 is an intimate portrait of James Dean on the cusp of achieving notoriety as both a great actor and an American icon. Set primarily in the early 1950s and focusing on Dean's experiences as an up-and-coming actor in Los Angeles, the film is a series of revealing and sometimes dreamlike vignettes that blend biographical and fictionalized elements to present a pivotal moment in a remarkable life. Written by
Good movies entertain. Great movies linger in the viewer's mind long after the end credits roll. Joshua Tree, 1951: A Portrait of James Dean does exactly that. It's been days since I viewed this amazing film at the Seattle International Film Festival and I can't get it out of my mind.
To appreciate this film one must cast aside all preconceived notions of who the so-called hyper-cool stud James Dean was - or wasn't. One must surrender to the film's almost dream-like, nonlinear storyline. One also must also not be homophobic to enjoy this unique gem of a film.
Joshua Tree, 1951 is simply beautiful, from the surprising opening scene to the end. James Preston, playing James Dean, gives a raw portrayal of the price Dean paid to become a star. Preston skillfully plays Dean as he was before the world knew him: fresh off the farm, seething with ambition, hungry for knowledge. Dan Glenn masterfully plays The Roommate (rumored to be real-life former Dean roommate Bill Bast), painting a remarkably beautiful portrait of love that could never be in the early 1950s. The audience sympathizes The Roommate as the one who paid the life-long price for loving Dean. Ed Singletery, playing Roger, is a wonderful metaphor for the Hollywood "machine," and Dalilah Rain, playing Violet, is a delight to watch.
The cinematography is sure to attract the attention of award ceremonies and will be studied in film schools for years to come.
Go see this film!
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