Delphinium is a stylized and lyrical coming-of-age portrait of Derek Jarman's artistic, sexual, and political awakening in post-War England. Part biographical narrative, part experimental ... See full summary »
A man is out to kill a person he swore on his best friend's death bed to protect. CHRIS JENSEN is torn between his allegiance to his fallen friend, TYLER TOWNSEND, who died in Afghanistan ... See full summary »
Sean Paul Lockhart
Sean Paul Lockhart,
It's April 1994. The Handy Kaufmans are New Jersey's foremost underachieving rock band. Kurt Cobain has just committed suicide, and this band full of slackers is about to embark on one ... See full summary »
D. Charles Griffith
John Paul Pitoc,
Young Tim Cornish's life has begun with great promise. Blessed with extraordinary good looks, Tim enjoyed much attention and cared little of broken hearts. At University he was a favored ... See full summary »
JOSHUA TREE, 1951 is an intimate portrait of James Dean on the cusp of achieving notoriety as both a great actor and an American icon. Set primarily in the early 1950s and focusing on Dean's experiences as an up-and-coming actor in Los Angeles, the film is a series of revealing and sometimes dreamlike vignettes that blend biographical and fictionalized elements to present a pivotal moment in a remarkable life. Written by
Winner, Best Feature, 2012 Detroit Windsor International Film Festival. See more »
There is a brief shot of a record player in the apartment just after James Dean moves in with his roommate. It shows a V-M Corporation 1200 series record changer made specifically for General Electric record players. The 1200 series wasn't introduced until around 1955, and this particular model wasn't produced until several years after that, circa 1960. Also, the record player appears to be a stereo. Stereo records and players premiered around 1958. See more »
JOSHUA TREE 1951 is brilliant. It touched my heart so deeply, there were tears running down my cheeks as it concluded. Because of the film, I FELT James Dean. I FELT the greatness of his talent and I felt the pain of his choices. Not many films can do this. Director Matthew Mishory captures the terrible conflict between what an artist must do for his art and what he gives up - the risks he must take, the life he gives up in order to progress, to honor, to grow his art - and the artist's personal life - love, relationships, family, stability. With the specter of Fate hanging heavily over the film like the thick clouds of the Joshua Tree desert hanging over the characters, Mishory explores the concept of "destiny". Are the artist's choices inevitable?
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