Delphinium is a stylized and lyrical coming-of-age portrait of Derek Jarman's artistic, sexual, and political awakening in post-War England. Part biographical narrative, part experimental ... See full summary »
A man is out to kill a person he swore on his best friend's death bed to protect. CHRIS JENSEN is torn between his allegiance to his fallen friend, TYLER TOWNSEND, who died in Afghanistan ... See full summary »
Sean Paul Lockhart
Sean Paul Lockhart,
It's April 1994. The Handy Kaufmans are New Jersey's foremost underachieving rock band. Kurt Cobain has just committed suicide, and this band full of slackers is about to embark on one ... See full summary »
D. Charles Griffith
John Paul Pitoc,
Young Tim Cornish's life has begun with great promise. Blessed with extraordinary good looks, Tim enjoyed much attention and cared little of broken hearts. At University he was a favored ... See full summary »
JOSHUA TREE, 1951 is an intimate portrait of James Dean on the cusp of achieving notoriety as both a great actor and an American icon. Set primarily in the early 1950s and focusing on Dean's experiences as an up-and-coming actor in Los Angeles, the film is a series of revealing and sometimes dreamlike vignettes that blend biographical and fictionalized elements to present a pivotal moment in a remarkable life. Written by
Winner, Jury Prize, Image+Nation Montréal Film Festival. See more »
There is a brief shot of a record player in the apartment just after James Dean moves in with his roommate. It shows a V-M Corporation 1200 series record changer made specifically for General Electric record players. The 1200 series wasn't introduced until around 1955, and this particular model wasn't produced until several years after that, circa 1960. Also, the record player appears to be a stereo. Stereo records and players premiered around 1958. See more »
Had this movie been about a fictional Hollywood actor, I think I would have had a better opinion of it. I have no special insight into or biographical knowledge of James Dean, but having seen his movies not long after they were made and watched some more recent shows about him on TV, I had a sense of who he was. He always seemed to me an attractive, erotic, if somewhat difficult to understand, icon of the 1950's. I grew up in the 50's and 60's, and his rebelliousness struck a chord in me. I always felt an ill-defined empathy for what was driving his behavior.
There were occasions when the actor in this movie managed to evoke a feel for Dean, but they were just momentary, static poses. There was really very little about either his appearance or behavior that helped me to connect to the James Dean I think I knew.
In general, when watching a good movie I expect to be drawn into it and to forget that I am watching actors acting. It's a sort of voyeurism. In this movie, I never forgot that I was watching actors act, reading lines written for them by someone else about someone they neither knew particularly well nor cared very very much about.
Basically I was disappointed. Maybe my expectations were too high, but I never really felt I was watching anything to do with James Dean and the heavy black & white moodiness of the presentation seemed more contrived and ponderous than evocative.
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