Critic Reviews



Based on 34 critic reviews provided by Metacritic.com
At 88 minutes, Tabloid is short and sweet (it's pure movie candy), but by the end we've forged an emotional connection to Joyce McKinney at the deep core of her unapologetic fearless/nutty valor. And that's what really makes a great tabloid story: It's a vortex that's also a mirror.
McKinney may well be a madwoman, but Morris connects so deeply to her obsessions that the film's tone never seems exploitative or mocking.
The result is not a major work, but still a wildly funny portrait that succeeds at inducing the incredulity Morris always seeks out.
Boxoffice Magazine
Gripping, offensive and bewildering, Tabloid is a mean-spirited masterpiece.
Slant Magazine
A slick, entertaining offering, playing at times like a tarted up "E! True Hollywood Story."
Morris clearly invested so much time and energy in McKinney's story because he saw her as emblematic of our crazed times. Others might wonder whether the sad saga deserves quite this much attention, but there's no denying the film's morbid fascination.
Tabloid is candy for voyeurs. We laugh like mad at a nut whose only mistake was being born in the last century, too early to have made real money.
Errol Morris' Tabloid is bonkers in all the best possible ways -- a welcome return to perverse portraiture after a lengthy sojourn in the realm of more serious-minded subjects.
Village Voice
Absurd as it sounds, Joyce's conviction is not only convincing but contagious. So, too, is her elastic sense of reality - a 90-minute immersion in her world is enough to make you question your own.
Unlike a great Morris film such as "Gates of Heaven" or "Mr. Death," where the quirks of character feel connected to a larger, profoundly insightful vision of humanity, Tabloid never gets beyond its idiosyncratic surface.

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